Joseph Goldyne

Three Lilies

1980

Signed, titled and dated verso. Created at Zygote Press, Cleveland Edition: Unique (1/1) On her creation "I am interested in the possibilities and potentials of communication thro...

Portrait of a Man Facing Left Monotype printed in brown ink, c. 1880-1914 Signed in ink lower left: Chase (see photo) Provenance: Helen Chase Storm (the artist's daughter) Jackson Chase Storm (her son) Chapellier Galleries (as agent) James Bergquist, Boston References And Exhibitions: Exhibited at the Museum of Fine Arts, Boston and the Clark Art Institute, Williamstown, MA. (See MFA paperwork in photos) Reference: Ronald G. Pisano, Completed by D. Frederick Baker and Carolyn K. Lane, William Merritt Chase: Still Lifes, Interiors, Figures, Copies of Old Masters, and Drawings, Catalogue Raisonne, Vol. IV (New Haven and London: Yale University Press, 2010), Vol. 1, M. 8. (See photos of entry) William Merritt Chase (1840-2016) Born in Nineveh, Indiana Died New York, New York In 1883 Chase was involved in the organization of an exhibition to help raise funds for a pedestal for the Statute of Liberty. The exhibition featured loans of three works by Manet and urban scenes by the Italian Impressionist Giuseppe de Nittis. Both artists influenced Chase's Impressionistic style that gave rise to a series of New York park scenes. It is also thought that he was influenced by John Singer Sargent's In the Luxembourg Gardens (1879) which was exhibited in New York at this time. Indeed, Chase had met Sargent in Europe in 1881, the two men becoming lifelong friends with Sargent painting Chase's portrait in 1902. On another European trip in 1885, Chase met James McNeill Whistler in London. While Whistler had a reputation for being difficult, the two artists got along famously and agreed to paint one another's portrait. Eventually, however, Whistler's moods began to grate with Chase who wrote home stating "I really begin to feel that I never will get away from here". For his part, Whistler criticized Chase's finished portrait and, according to Hirshler, "complained about Chase for the rest of his life". While no record exists of Whistler's portrait of Chase; Chase's portrait of Whistler remains a well-known piece in his oeuvre. In 1887 Chase married Alice Gerson, the daughter of the manager of a lithography company. Though some fifteen years his junior (Chase was 37), he had known Alice for some time through her family's devotion to the arts. The pair, who would enjoy a happy marriage with Alice in full support of her husband's career, settled initially in Brooklyn...

Portfolio of 21 photosensitive etchings and engravings on Rives Heavyweight Buff Signed by the artist in pencil on frontispiece Plate No. II:2; Signed by the artist Numbered 27/150 in pencil on the colophon page along with chop marks of artist/printers Robert E. Townsend and Gretchen Ewert, and the chop of Impressions Workshop, Boston Edition: 150 References And Exhibitions: A portfolio edition of Henry James' ghost story first published by "The English Review" in December, 1908 Principal Portfolio Edition Published by Aquarius Press Baltimore, MD Reference: Kneeland McNulty, Peter Milton: Complete Etchings 1960...

Deneb Color lithograph on BFK Rives, 1996 Signed and dated in pencil lower right Titled and inscribed "Ed 265" lower left Publishers chop stamp l;ower left Printed by Shark's Ink, ...

Muriel (Mad Meg) Etching, 1973, printed 1976 Signed, dated and numbered in pencil (see photos) The image was first created as an illustration for John Gardner's "The King's Indian" in 1973. An illustration for the book "The King's Indian", a collection of short stories by author John Gardner (1933-1982), published in 1973. "Mad Meg" was most likely inspired by a figure from Flemish folklore, Dulle Griet, who led an army of women to pillage Hell. "Mad Meg" was the subject of a painting by Pieter Bruegal the Elder, done in 1564. References: Carter 174, page 108 Illustration for "The King's Indian", pages 174-17 Condition: excellent Image/Plate size: 13 3/8 x 9 13/16 inches Sheet size: 15 7/16 x 12 1/4 inches Herbert Lewis Fink, painter, printmaker, sculptor, and educator, born was in Providence, Rhode Island on September 8, 1921. He studied at the Carnegie Institute of Technology in 1941, he received is B.F.A. degree from the Rhode Island School of Design in 1949, his M.F.A. from Yale University in 1956, and he also studied for a year at the Art Students League and with John Frazier...

Un rêve vert Color lithograph on Arches without watermark, 1975 Signed lower left in red area (see photo) Numbered lower left in red area Dated in same red area Edition: 100 (67/100) There are also some AP's and 10 HC's in Roman numerals Printed by Michel Cassé, Paris Published by Berggruen, Paris Condition: Excellent Image/Sheet size: 25 3/4 x 19 3/4 inches Reference: Corneille p. 305, No. 453 Corneille Guillaume Beverloo (1922-2010) From Wikipedia, the free encyclopedia Born Cornelis Guillaume van Beverloo 3 July 1922 Liège, Belgium Died 5 September 2010 (aged 88) Auvers-sur-Oise, France Movement COBRA Corneille – Guillaume Cornelis van Beverloo (3 July 1922 – 5 September 2010), better known under his pseudonym Corneille, was a Dutch artist. Corneille was born in Liège, Belgium, although his parents were Dutch and moved back to the Netherlands when he was 12. He studied art at the Academy of Art in Amsterdam, in the Netherlands. He was one of the founders of the REFLEX movement in 1948 and in 1949 he was also one of the founders of the COBRA movement, which has had great influence on Scandinavian art. He was active within the group from the beginning, not only painting but also publishing poetry in the Cobra magazine. He was a cofounder of the Experimentele Groep in Holland [nl]. Corneille was inspired by the drawings of children, and believed in the importance of approaching children with art that connects with their experience. When he heard during a Cobra Museum visit in the nineties that there was an “Art Lending for Children” he talked with the founder Roby Bellemans and asked him to send more information to his home in Paris about this project. He decided to promote the initiative. He started with a support list and persuaded other artists such as Shinkichi Tajiri...

This original, museum quality monoprint by renowned print maker Bill Flick features his signature skull design in shades of bright blue and green. Comes signed by the artist. BILL ...

After Fairbanks, Melanie Yazzie, unique, monotype, moose, orange, blue, white After Fairbanks, Melanie Yazzie unique framed monotype, moose orange blue white unique monoprint signe...

New for 2018 we are please to present Ceravolo's "Alphabet Series" of iconic portraits. Ceravolo has been a master of creating intriguing portraits of iconic personalities for mor...

Signed encaustic monoprint, #1 in a series of 4 pieces. The Calving series are meant as maps illustrating the retreat of glaciers due to climate change and global warming. Elise Wag...

Cottonwoods in Jemez Canyon mono print by John Hogan New Mexico landscape green framed John Hogan A graduate of Northeast Louisiana State University with a bachelor's degree and New...

Patty deGrandpre’s “If You Cut Through Their Yard, You Can See the Small Green House” is an 11 x 14 inch ink monoprint represented on 19 x 13 inch Awagami Washi thin paper embracing ...