John Taylor ArmsShadows of Venice1930
1930
About the Item
- Creator:John Taylor Arms (1887 - 1953, American)
- Creation Year:1930
- Dimensions:Height: 10.25 in (26.04 cm)Width: 12.13 in (30.82 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Middletown, NY
- Reference Number:
John Taylor Arms
John Taylor Arms was born in Washington, D.C., in 1887. Arms studied architecture at Princeton and MIT and later became the country’s finest etcher of his age. His renderings of European and American architectural subjects are not only beautiful, but they are unrivaled in their technical virtuosity and nuanced light. In a recent exhibit, the Cleveland Museum noted, Arms believed that art could be a tool for the spiritual and moral improvement of mankind and that Gothic cathedrals represented the most significant expression of man’s aspirations. He viewed printmaking as a vehicle for disseminating images of subjects that would uplift and inspire contemporary society. He served as President of the Society of American Etchers and as an ambassador for American printmakers and printmaking throughout the world.
- ShippingRetrieving quote...Ships From: Middletown, NY
- Return PolicyA return for this item may be initiated within 30 days of delivery.
- From the Ponte Vecchio, FlorenceBy John Taylor ArmsLocated in Middletown, NYEtching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...Category
1920s American Modern Landscape Prints
MaterialsHandmade Paper, Laid Paper, Etching, Aquatint
- Steps to the Grand Canal, St. Mark's in the distance, Venice.By Donald Shaw MacLaughlanLocated in Middletown, NYA lovely view of Venice from the water. Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...Category
Early 20th Century American Modern Landscape Prints
MaterialsLaid Paper, Drypoint, Etching
- The Church of St. Francis and the Natizone; CividaleBy John Taylor ArmsLocated in Middletown, NY1931. Etching on antique laid Japon paper, 10 x 14 13/16 inches (254 x 377 mm), full margins. Signed in pencil and inscribed "Ed. 100" (from a total edition of 128). Third state (of ...Category
Mid-20th Century American Modern Landscape Prints
MaterialsLaid Paper, Handmade Paper, Etching
- Somewhere in FranceBy John Taylor ArmsLocated in Middletown, NYEtching on antique cream laid paper with a partial watermark (likely Arches), 12 1/8 x 6 1/8 inches (308 x 156 mm), full margins. Signed and dated in pencil in the lower right margin...Category
Mid-20th Century American Modern Landscape Prints
MaterialsHandmade Paper, Laid Paper, Etching
- Saint Catherine's Belfry, HonfleurBy John Taylor ArmsLocated in Middletown, NYEtching on elaborately watermarked, antique, cream laid Dard Hunter paper, 13 5/8 x 7 1/78 inches (347 x 181 mm), full margins. Signed, titled, dated and inscribed "Ed. 100 II." From...Category
Mid-20th Century American Modern Landscape Prints
MaterialsLaid Paper, Handmade Paper, Etching
- Gloria, Saint Riquier; The Church of Saint Riquier; Gloria Ecclesiae AntiquaeBy John Taylor ArmsLocated in Middletown, NYEtching on antique cream laid paper with an "England" watermark; 13 7/8 x 8 5/8 inches (353 x 221 mm), full margins. Signed, dated, titled, numbered "III," and inscribed in pencil. O...Category
Mid-20th Century American Modern Landscape Prints
MaterialsHandmade Paper, Etching, Laid Paper
- New England Winter: The Old Homestead.By Gustave Adolph HoffmanLocated in Storrs, CTNew England Winter: The Old Homestead. 1896. Etching and aquatint printed in grey-green. 7 3/4 x 11 3/4 (sheet 10 x 13 1/16). A rich impression in p...Category
Late 19th Century American Modern Landscape Prints
MaterialsEtching, Aquatint
- 'Coenties Slip' — 1920s Lower Manhattan, Financial DistrictBy Luigi KasimirLocated in Myrtle Beach, SCLuigi Kasimir, 'Coenties Slip', color etching with aquatint, 1927, edition 100. Signed in pencil. Dated in the plate, lower right. Annotated 'NEW YORK HANOVER SQUARE (COENTIES SLIP)'...Category
1920s American Modern Landscape Prints
MaterialsEtching, Aquatint
- From Knoedler's Window MCMXXXVBy John Taylor ArmsLocated in Storrs, CTFrom Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...Category
1920s American Modern Landscape Prints
MaterialsAquatint, Etching
- September 13, 1918. St. Mihiel [The Great Black Cloud].By Kerr EbyLocated in Storrs, CTSeptember 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...Category
Early 20th Century American Modern Landscape Prints
MaterialsMixed Media, Etching, Aquatint
- Lower East Side Tenements Yiddish Barber Shop 1920's Aquatint Etching JudaicaBy Max PollakLocated in Surfside, FLHand signed, numbered and titled. It depicts the old lower east side of New York city with its tenements and different language signes, barber shop poles...Category
1920s American Modern Landscape Prints
MaterialsEtching, Aquatint
- 'Brooklyn Bridge' — 1920s view of an iconic New York City landmarkBy Luigi KasimirLocated in Myrtle Beach, SCLuigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...Category
1920s American Modern Landscape Prints
MaterialsEtching, Aquatint