Lowell NesbittIris1974
1974
About the Item
- Creator:Lowell Nesbitt (1933-1993, American)
- Creation Year:1974
- Dimensions:Height: 42 in (106.68 cm)Width: 30 in (76.2 cm)
- More Editions & Sizes:Edition of 50Price: $800
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:
Lowell Nesbitt
Lowell Nesbitt was one of the most celebrated and noted artists for his floral works of art. An artist with a highly personal style, he made realistic studies of many themes throughout his career. His most well-known series, and perhaps his most beautiful and poetic, are the more than four hundred works he created using the flower as a theme. Beginning with his first show in 1957, Nesbitt had more than 80 one-man shows. His painting, drawings and prints are included in the collections of many prestigious museums such as the Metropolitan Museum of Fine Art in New York and the National Gallery of Fine Art in Washington, D.C.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyThis item cannot be returned.
- Black BrookBy Alex KatzLocated in New York, NYAlex Katz Black Brook, 1992 aquatint, Edition of 50 (Printers Proof available) 30 1/4 x 67 in. (76.8 x 170.2 cm) Alex Katz has painted scenes of the countryside in the American stat...Category
1990s Pop Art Landscape Prints
MaterialsAquatint
- The World Above/The World Below According to the Pattern of the Rose Apple TreeBy Alice AycockLocated in New York, NYAYCOCK, Alice The World Above/The World Below According to the Pattern of the Rose Apple Tree 21/45, 1990 Silksreen print (Acquerelio 400 gm grey) 39 1/4 x 27 1/2 inches (unframed)Category
1990s Abstract Geometric Landscape Prints
MaterialsScreen
- LoonBy Neil WelliverLocated in New York, NYNeil Welliver Loon, 1998 color etching, ed. of 175 29 3/4 x 29 5/8 in. (75.6 x 75.2 cm)Category
1990s American Realist Animal Prints
MaterialsEtching
- Wood DuckBy Neil WelliverLocated in New York, NYHand-colored Etching Edition of 90Category
1980s Landscape Prints
MaterialsEtching
- After Constable's ElmBy Lucian FreudLocated in New York, NYetching edition of 46 + 12 AP image: 12 3/8 x 9 in. (31.4 x 22.9 cm) sheet: 21 1/4 x 15 in. (54 x 38.1 cm) framed: 20 3/4 x 16 3/4 in. (52.7 x 42.5 cm) Printed on Somerset White pape...Category
Early 2000s Naturalistic Landscape Prints
MaterialsEtching
- Sunset: Lake Wesserunsett IIBy Alex KatzLocated in New York, NYAlex Katz Sunset: Lake Wesserunsett II, 1972 screenprint, edition of 60 30 x 36 in. (76.2 x 91.4 cm)Category
1970s Pop Art Landscape Prints
MaterialsScreen
- DescentBy Rosalyn RichardsLocated in Palm Springs, CASigned, titled and numbered in pencil, edition of 15. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite p...Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsEtching, Aquatint
- Process LandscapeBy Tom MarioniLocated in San Francisco, CAArtist: Tom Marioni – American (1937- ) Title: Process Landscape 1998 Year: 1998 Medium: Color spit bite aquatint Image size: 15.75 x 10 inches. Paper size: 20 x 16 inches Framed size: 21.75 x 17.75 inches Signature: Signed, dated lower right Edition: 50. This one: 24/50. Published by: Crown Point Press Printed by: Paul Mullowney Condition: Excellent Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches. Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world. In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco. He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco. Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City. Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974. Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...Category
1990s Abstract Impressionist Abstract Prints
MaterialsPaper, Aquatint
- Claro de LunaBy Christian BozonLocated in Palm Springs, CASigned, titled and numbered from the edition of 50. Aquatint and sugarlift etching. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypo...Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsAquatint
- Bridge in Merida, Aquatint Etching by Diana Gonzalez GandolfiLocated in Long Island City, NYAn Etching with Hand Coloring on paper, signed, numbered and dated in pencil by Argentinian/American artist, Diana Gandolfi.Category
1980s Abstract Expressionist Abstract Prints
MaterialsEtching, Aquatint
- Florence Ponte Vecchio etching by Valerie ThorntonLocated in London, GBTo see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Valerie Thornton (1931 - 1991) Ponte Vecchio, Florence (1972) Etching and aquatint 33 x 20 cm Numbered 1/60 lower left, titled below, and signed and dated lower right, all in pencil. Here, Thornton muses on the dramatic differences in tone and texture between the water of the River Arno, the smooth paleness of the Ponte Vecchio, and the dark terracotta of the city's roofs. Her work is deeply concerned with material, and many of her etchings focus on eroded stone, emotive landscapes, and weathered architecture. Valerie Thornton was a British etcher and printmaker. She was born in London, but was evacuated to Canada with her two brothers during World War II. She returned to London in 1944 and studied at the Byam Shaw School of Art in 1949. From 1950 to 1953 Thornton studied under P.F. Millard at the Regent Street Polytechnic, then spent eight months at Atelier 17 in Paris. In the early 1960s, she moved to New York and worked at Pratt Graphic Art Center. In 1955, she succeeded Howard Hodgkin as assistant art teacher at Charterhouse School and in 1965 she became a founding member of the Print Makers Council. In 1970 she became a Fellow of the Royal Society of Painters-Etchers and Engravers. Thornton was a member of The Regent Street Group (a group of nine artists who studied together at the Regent Street Polytechnic in the early 1950s). The group also included Susan Horsfield, Renate Meyer, Michael...Category
1970s Abstract Landscape Prints
MaterialsEtching, Aquatint
- Guadalmar, by Christian BozonBy Christian BozonLocated in Palm Springs, CASigned, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsEtching, Aquatint