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Laurencin, Tête de jeune fille (Marchesseau 250), Du cubisme (after)1947
1947
About the Item
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Française des Arts Graphiques, Paris; printed by R. Girard et Cie, Paris, 1947. Excerpted from the folio (translated from French), Du Cubisme was completed to print on July 31, 1947. The draw includes, No. 1, Copy on paper from Auvergne with a few states and two suites of the plates; No. 2 to 20, Copies on paper from Auvergne with two suites of the plates; No. 21 to 35, Copies on paper from Auvergne with a series of plates; Nos 36 to 435. Copies on pure Lana thread paper; In addition, it was printed 20 copies on Lana paper numbered in Roman numerals for the Legal Deposit and collaborators.
MARIE LAURENCIN (1883-1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or. During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier, and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912), and Galeries Dalmau (1912) at the first Cubist exhibition in Spain. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and lesbian writer Natalie Clifford Barney. She had relationships with men and women, and her art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing the art world with her brand of "queer femme with a Gallic twist." She had a forty years long love relationship with fashion designer Nicole Groult .
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