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Artist: Marc Chagall
Medium: Lithograph
The Concert
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: The Concert
Portfolio: Derriere le Miroir 99-100
Medium: Lithograph
Date: 1957
Edition: 2500
Frame Size: 23" x 30"
Sheet Size: 15" x 22"
Image Size: 15" x...
Category
1950s Modern Lithograph Landscape Prints
Materials
Lithograph
Bateau-Mouche au Bouquet (Mourlot 352; Cramer 53), Marc Chagall
By Marc Chagall
Located in Auburn Hills, MI
Original Limited Edition Lithograph on Arches paper. Edition: 180, plus proofs. Inscription: unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: E...
Category
1960s Expressionist Lithograph Landscape Prints
Materials
Lithograph
Regards sur Paris-The Place de la Concord (Mourlot 353; Cramer 53), Marc Chagall
By Marc Chagall
Located in Auburn Hills, MI
Original Limited Edition Lithograph on Arches paper. Edition: 180, plus proofs. Inscription: unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: E...
Category
1960s Expressionist Lithograph Landscape Prints
Materials
Lithograph
Quai de la Tournelle (Mourlot 351; Cramer 53), Marc Chagall
By Marc Chagall
Located in Auburn Hills, MI
Original Limited Edition Lithograph on Arches paper. Edition: 180, plus proofs. Inscription: unsigned and unnumbered, as issued. Excellent Condition, with centerfold, as issued; neve...
Category
1960s Expressionist Lithograph Landscape Prints
Materials
Lithograph
Marc Chagall - Bateau Mouche au bouquet - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
Title: Bateau Mouche au bouquet
1962
Dimensions: 39 x 30 cm
Edition: 180
Unsigned as issued.
From Regards sur Paris
Published by André Sauret
Condit...
Category
1960s Modern Lithograph Landscape Prints
Materials
Lithograph
Place de la Concorde
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Medium: Lithograph
Title: Place de la Concorde
Portfolio: Verve Vol VII No. 27-28
Year: 1953
Edition: 6000
Signed: No
Framed ...
Category
1950s Lithograph Landscape Prints
Materials
Lithograph
Lovers With Red Sun
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Lovers With Red Sun
Portfolio: Mourlot Lithographe I
Medium: Lithograph
Year: 1960
Edition: Unnumbered
Framed Size: 20 1/2" x 17 1/2"
Image Size: 9 1/2" x...
Category
1960s Lithograph Landscape Prints
Materials
Lithograph
Marc Chagall The Bay of Angels
By Marc Chagall
Located in Washington, DC
Marc Chagall The Bay of Angels
Artist: Marc Chagall
Medium: Lithograph
Title: The Bay of Angels
Portfolio: 1960 Mourlot Lithographe I
Year: 1960
Editio...
Category
1960s Lithograph Landscape Prints
Materials
Lithograph
Vision de Paris II
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Vision de Paris II
Portfolio: 1953 Verve Vol VII No. 27-28
Medium: Lithograph
Date: 1953
Edition: 6000
Frame Size: 28 1/4" x 21 1/2"
Sheet Size: 14" x 20"...
Category
1950s Lithograph Landscape Prints
Materials
Lithograph
Marc Chagall - La Place de la Concorde - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
Title: La Place de la Concorde
1962
Dimensions: 39 x 30 cm
Edition: 180
Unsigned as issued.
From Regards sur Paris
Reference: Catalogue Raisonné, Mo...
Category
1960s Surrealist Lithograph Landscape Prints
Materials
Lithograph
Banquet at the Palace of Menelaus
By Marc Chagall
Located in Washington, DC
Marc Chagall Banquet at the Palace of Menelaus
Artist: Marc Chagall
Medium: Lithograph on Arches wove
Title: Banquet at the Palace of Menelaus
Portfolio: The Odyssey, Volume I
Year:...
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Marc Chagall - The Bible - David saved by Michal - from VERVE
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Lithograph from Verve depicting an instant of the Bible.
Technique: Lithograph in colours (Mourlot no. 234)
On the reverse: another black and white original lithograph (Mourlot no. 257)
Year: 1960
Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet)
Published by: Éditions de la Revue Verve, Tériade, Paris
Printed by: Atelier Mourlot, Paris
Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good.
Flight
After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research.
Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion.
With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way.
Haunted Harbors
Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky.
But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...
Category
1960s Modern Lithograph Landscape Prints
Materials
Lithograph
Marc Chagall - The Bible - Ruth at the feet of Boaz - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograh depicting an instant of the Bible.
Technique: Original lithograph in colours (Mourlot no. 234)
On the reverse: another black and white original litho...
Category
1960s Modern Lithograph Landscape Prints
Materials
Lithograph
Bataille de Fleurs (Carnaval of Flowers) from Nice and the Côte d’Azur
By Marc Chagall
Located in Missouri, MO
Marc Chagall (1887 - 1985)
"Bataille de Fleurs (Carnaval of Flowers)" (from Nice and the Côte d’Azur), 1967
Reference: CS 33
Color Lithograph
Image Size: 24 7/16 in x 18 in (62 cm x 45.8 cm)
Sheet Size: 29 9/16 in x 20 11/16 in (75 x 52.5 cm)
Framed Size: approx. 34 x 27 inches
Edition: Numbered 7 of 150 in pencil in the lower left margin and printed on Arches wove paper (aside from an edition of 75 signed and numbered in Roman numerals and 10 artist's proofs).
Signature: This work is hand signed by Marc Chagall (Vitebsk, 1887 - Saint-Paul, 1985) in pencil in the lower right margin.
Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant.
Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly.
His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew...
Category
1960s Modern Lithograph Landscape Prints
Materials
Lithograph
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Lithograph landscape prints for sale on 1stDibs.
Find a wide variety of authentic Lithograph landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Peter Max, John James Audubon, Marc Chagall, and Harold Altman. Frequently made by artists working in the Modern, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Lithograph landscape prints, so small editions measuring 0.01 inches across are also available
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