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About the Item
This impression is signed and annotated as etched and printed by the artist. It is numbered No. 11
Nelson Ethelred Dawson (1859–1941) was an English artist and member of the Arts and Crafts movement.
Dawson was born in Stamford, Lincolnshire and educated at Stamford School. He moved to London, where he operated his workshop first from Manresa Road, Chelsea (shared with Ernest Dade and in due course from the rear of his townhouse in Chiswick. He exhibited his art throughout England including at the Royal Academy and was elected an Associate of the Royal Society of Painters in Water Colours and a Fellow of the Royal Society of Painter-Etchers and Engravers.
As a potter, watercolour painter, jeweller, silversmith, metalworker, etcher, print-maker and writer on artistic subjects, his reputation has probably suffered because he spread his talents too thinly. Nevertheless, the British Museum, the Victoria & Albert Museum and National Maritime Museum at Greenwich hold collections of his work and papers. He married Edith Robinson in 1893 and together with his wife, he was one of the key figures in the jewellery of the Arts and Crafts movement.
Edith learned enamelling from her husband who had been taught by Alexander Fisher, a master enameller who in turn had learned his craft in France. Together, they revived the Renaissance practice of enamelling in their jewellery.
The bronze organ grill in Holy Trinity church, Sloane Street, Chelsea (described by Poet Laureate, John Betjeman as the "Cathedral of the Arts & Crafts Movement") is Dawson’s work and it takes its place beside treasures by William Morris and Edward Burne-Jones. Other commissions included a trowel and mallet used by Queen Victoria in her last public appearance, laying the foundation stone of the Victoria & Albert Museum in 1899, the casket presented to U.S. President Woodrow Wilson on his visit to England en route to the Paris Peace Conference, 1919, lavish bath fittings for Viscount Hambleden in copper and silver, and the gates of Hull Guildhall.
In 1901, Dawson founded The Artificers' Guild from his workshop in Chiswick but it was acquired by Montague Fordham (one time director of the Birmingham Guild and School of Handicrafts) in 1903.
He is noted for his maritime scenes. In 1910 he made a visit to the Étaples art colony.
Dawson left many of his pictures to Stamford School but although a number of etchings and watercolours still decorate the walls of the school, not all were stored or displayed properly and some canvasses were even painted over by pupils.
Georgetown University Library in 2009 hosted an exhibition of his marine views called Etched by the Sea.[4]
- Creator:Nelson Dawson (1859 - 1941)
- Dimensions:Height: 8.25 in (20.96 cm)Width: 10.5 in (26.67 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU84135611551
Nelson Dawson
Painter, printmaker, ceramicist, jeweler, and designer Nelson Ethelred Dawson was a noted member of the English Arts and Crafts movement. Born in Lincolnshire, England, in 1859, he was primarily self-taught in the arts. Following his graduation from the Stamford School for Boys he moved to Chelsea, London, opening a painting studio with painter Ernest Dade, where he began a career as a painter of marine and nautical life. He took courses in silversmithing and enameling from famed English master enameler Alexander Smith, which allowed him to expand his professional oeuvre during the rise of the decorative art scene. He quickly became acquainted with leading artists of the time, including Frank Bragnwyn and James Whistler, and was elected an associate member of the Royal Watercolor Society and a Fellow of the Royal Society of Painter-Etchers and Engravers. In 1893 he married artist Edith Robinson, and together they founded a design studio in which they produced objets d'art such as enameled boxes, jewelery, and ceramics. Studio Magazine highlighted their work in an 1897 article about bohemian artists in London, and they began to receive major commissions, among them the organ at the Holy Trinity Church in Chelsea; the gates of Hull Guildhall; and, in 1899, the ceremonial trowel used by Queen Victoria for the groundbreaking of the Victoria and Albert Museum. When the couple closed their studio in 1909, Dawson focused on printmaking, returning once more to his beloved nautical themes. Living for a time on the Yorkshire Coast, he was particularly inspired by the traditional fishing boats and the fishermen whose livelihoods were slowly being replaced by mechanized steam trawlers. He traveled throughout Europe cataloging his visits to ports in Italy and France. With the outbreak of World War I, he created a series of etchings recounting the role of Brits in maritime clashes with Germany. He was also an illustrator, creating works for works such as the book A Wanderer in London, a travelogue by E.V. Lucas (1904). Dawson continued to work in a variety of media until the late 1930s. After retirement he donated his collection to the Stamford School, and in 2008 the school held a retrospective of his work. Georgetown University held an exhibition of his marine views called "Etched by the Sea" in 2009. Dawson died in London in 1941.
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