Robert Kasimir

European Castle & Ruins in wooded landscape along a river - Color Etching

circa 1960

A wonderful impression of the Cathedral in Koln. This artwork titled "Cologne Cathedral" is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed i...

IN PRISTINE CONDITION. A color Chromolithograph published by the Atchison, Topeka and Santa Fe Railroad in 1912 after the original oil painting, “Gr...

Sanguine on paper. Signed and dated upper left. Provenance: Acquired directly from the artist at his home in Chiang Mai, Thailand in 1969.

This is a large and wonderful painting by Alan Magee. “Stones with Red Brick” from 1982 is acrylic on canvas and painted in a photo realism style.

Dated: 1987/55 Signed and dated upper edge Provenance: The artist Coe Kerr Gallery, New York Wright Gallery, New York Private collection, New York (Purchased from above, 1995) This...

A limited edition bronze on a black marble base. From the limited edition of 8. Signed 1/8 Paula Blackman has been a bronze sculptor for 30 years working in Cleveland Ohio. Ms. Blac...

This detailed etching depicts Notre Dame in France. The foreground shows an alleyway, with cracking and peeling buildings, plants climbing the walls, and a shifting stone road. Each ...

A fine etching titled “Shipwreck,” part of the Sources & Structures series of etchings by American artist Robert Stackhouse (b. 1942). Stackhouse was born in West Chester, PA, and ha...

John Duffin Thames Bridges Limited Edition Etching Edition of Sheet Size: H 76cm x W 56cm x D 0.1cm Sold Unframed Please note that in situ images are pur...

Jörg Olberg (*1956 Dresden), Agony, 1987. etching, E.A. (edition of 30), 24 x 17 cm (image), 46 x 37 cm (sheet), each signed in pencil lower right "Olberg" and dated "IX [19]87", inscribed lower left "E.A. [Epreuve d'Artiste]". - minimal crease and dust stains in the broad margin - The architecture of decay - About the artwork Jörg Olberg draws here the sum of his artistic study of the Berlin ruins, which were still present in the cityscape well into the 80s. With his work "Agony" he creates an allegory of decay. Positioned in the landscape of ruins, a ruined house grows before the viewer, rising like the Tower of Babel into the sky, its roof and gable brightly illuminated by the sun. But already the roof shows mostly only the rafters, and as the gaze is drawn further down, the building visibly disintegrates, the beams protruding in all directions looking like splintered bones. Slowly but inexorably - in agony - the house will collapse in on itself and become nothing more than the burial mound of itself. At the same time, the small-scale stone composition and the plaster form a pattern-like ornamentation of decay. The tension in the picture is fed by the counter-movement of growth and collapse, which is heightened by the dramatic formation of clouds. The swirls of clouds are reminiscent of a world landscape...

A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park. New York: 1884. Etching with aquatint on cream laid p...

Artist: Stephen McMillan – American (1949- ) Title: The Slot #9 Year: 1981 Medium: 3 plate aquatint etching Sight size: 36 x 24” Sheet size: 41.5 x 29.5 inches on Arches paper Signat...