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Robert LongoForest of Doxa - Contemporary, 21st Century, Pigment Print, Limited Edition2014
2014
About the Item
This mythological woodland hints at the enigma and emotions of nature with a masterful use of chiaroscuro.
Robert Longo, Forest of Doxa
Contemporary, 21st Century, Pigment Print, Limited Edition
Pigment print
Edition of 25
93,4 x 151,7 cm (36.7 x 59.7 in.)
Signed and numbered
In mint condition, as acquired from the publisher
PLEASE NOTE: Images of edition number are example references only.
The seller can only provide the specific edition number to buyers at the actual point of sale. Please message the seller to request this information at the point of purchase. The piece is offered unframed.
Longo’s epic narrative strength comes from his transformation of the intimate practice of drawing into the monumental scale of painting, elevating the medium to a scale never seen before. He achieves an extremely emotional range through his use of chiaroscuro, harnessing light and dark as primary material.
"I was able to do whatever I wanted material-wise and medium-wise.” — Robert Longo
This forest alludes to mystery and emotions that come from nature in itself, without the presence of the human being. The evergreen forest surrounding the lake of Doxa, in western Corinthia, Greece, is represented as immerse in a mythological and mystical atmosphere thanks to the used of chiaroscuro, in which Longo is a great master.
ROBERT LONGO
Best known for his photorealistic drawings, Longo explores imagery within a complex social and cultural forces. Robert Longo was born in 1953, in Brooklyn, New York, and has had a childhood fascination with mass media: movies, television, magazines, and comic books, which continue to deeply influence his art. One of the quintessential artists of the 1980s, Longo is perhaps best known for the writhing, dancing figures in his iconic Men in the Cities series.
The American artist´s drawings are, perhaps, his most iconic. They are as much about the content they depict as they are about the artist´s intense devotion to the practice of drawing. His amazingly deep, anthracite charcoal drawings show emotional motives.
“As an artist, we’re reporters. Our job is to report what it’s like to be alive now. We’re one of the few professions left in the world that has the opportunity to try to tell the truth.” —Robert Longo
Perhaps the best known photorealist series of Robert Longo´s is Men in the Cities, depicting contorted, life-size human figures in an urban setting. Robert Longo´s art focuses on his never-ending investigation of the themes of power and authority, which also permeate his series of blackened American flags (Black Flags, 1989–91), and oversized handguns (Bodyhammers, 1993–95). Longo´s series, Monsters, which depict massive breaking waves, and The Sickness of Reason, featuring atomic bomb blasts, followed in 2002 and 2004. It was during the 1980s that Robert Longo started to produce editions, mainly lithographs. He then gradually developed a high-end print technique, Pigment Print, which allows him to reproduce his drawings perfectly. Robert Longo´s prints capture the same level of detail and emotional impact of the original drawings.
- Creator:Robert Longo (1953, American)
- Creation Year:2014
- Dimensions:Height: 36.78 in (93.4 cm)Width: 59.73 in (151.7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Zug, CH
- Reference Number:1stDibs: LU156228114022
Robert Longo
The drawings by artist Robert Longo are a sensory experience: They are monumental, detailed and hard-hitting in their subject matter, which often includes critiques of power, social unrest and consumer capitalism.
Longo has spent his career exploring mediums as varied as the Photorealistic charcoal drawings for which he is best known and film direction. In all of his work, however, he draws inspiration from his deep background in sculpture. “I always think that drawing is a sculptural process. I always feel like I’m carving the image out rather than painting the image. I’m carving it out with erasers and tools like that,” he once said.
The Long Island, New York, native attended high school with a man who was shot at Kent State University while protesting the U.S. invasion of Cambodia during the Vietnam War in 1970, and the famous image of this man lying dead on the ground influenced Longo so deeply that he began to consider all art political. Longo attended Buffalo State College, where he met and became friends with artist Cindy Sherman, and later the two moved to New York City together.
Longo’s revered work includes his charcoal and graphite “Men in the Cities” drawings. The Photorealist series, which debuted at Metro Pictures gallery in Manhattan in 1981, depicted people in formal business clothing. Posing in suspended animation in unusual contortions, the figures take on a choreographic quality and represent the career-minded “yuppies” of the era.
“Men in the Cities” was inspired by punk rock music and decades later has been cited as a visual reference for the opening sequence of the popular television drama Mad Men. The work was among the most recognizable and iconic of the Pictures Generation — the movement by artists who came of age in the 1970s and were disillusioned by the social and political conditions of the time. In 2014, Longo created 12 charcoal drawings for a series titled “Gang of Cosmos,” which were black-and-white depictions of famous Abstract Expressionist works by artists like Jackson Pollock, Willem de Kooning and Lee Krasner.
Through his provocative, detailed and highly precise prints, drawings, photography and sculpture, Longo continues to challenge traditional sources of power and authority.
Find original Robert Longo art on 1stDibs.
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