Stanley Kennedy North

British Empire Exhibition 1924 Wembley map by Stanley Kennedy North

1924

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Edwards (1878 - 1966) The Beaufort...

Frank Algernon Stewart (1877-1945) The Heythrop at Stow on the Wold Lithograph 24x63cm Signed in pencil A typical hunting print by Stewart, showing o...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Baptist Malchair (1730 – 1812) View from the Master's Lodgings, New College, Oxford (1929) Lithograph 33 x 46 cm A 1929 lithograph from a 1767 watercolour of New College by John Malchair. The artist's composition highlights the pale stone of New College on a winter's day. The chapel's spires stretch upward into a cold, cloud-filled sky, as do the bare branches of the trees. Malchair's watercolour (which is held by the Ashmolean museum) was reproduced as a lithograph in 1929, to be published in the "Oxford Almanack". The Oxford Almanack was an annual almanac published by the Oxford University Press for the University of Oxford from 1674 through 2019 (when printing sadly ceased due to "dwindling interest"). The almanac traditionally included engravings or lithographs of the University and information about the upcoming year. Other almanac artists have included James Basire, Michael Burghers, J. M. W. Turner, and John Piper. Malchair was a German-born watercolourist, violinist, drawing master, and collector of traditional European music. He is described as “one of the most distinctive figures of eighteenth century Oxford”, and is recognised as having been an influence on later landscape artists, including John Constable. Malchair was a talented artist, producing hundreds of paintings of English landscapes...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Robert Parkinson Exeter College Chapel from Broad Street (1964) Lithograph 33 x 46 cm A lithograph of Exeter's chapel, viewed from Broad Street, from a drawing by Robert Parkinson. Parkinson's depiction of the chapel centres around its architecture; markedly inspired by the Sainte-Chapelle in Paris and designed by Sir George Gilbert...

Fernand Léger The Viaduct, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c. 25....

Bernard Buffet French Riviera : Saint Tropez Village, 1977 Original lithograph (Mourlot workshop) Unsigned On vellum 76 x 65 cm (c. 30 x 26 in) Authenticated with the blind stamp o...

Fernand Léger Montparnasse, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c. 25...

Denis-Paul NOYER Mercedes 710 - Cabourg Grand Hotel Original lithograph, c. 1980 Handsigned in pencil Numbered / 115 copies On Arches vellum 75 x 105 cm (c. 30 x 42 in) INFORMATION : Cabourg Grand Hotel is a well known 5* hotel / palace located in Normandy. Marcel Proust...

Fernand Léger The roofs, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c. 25.9 ...

TREE ROOTS II is an original hand drawn, limited edition lithograph printed using traditional hand lithography techniques on archival Arches paper 100% acid free. TREE ROOTS II is a very fine impression depicting highly detailed forest landscape of surreal trees with roots intertwined among a network of pipelines creating an intriguing interconnected jungle. TREE ROOTS II is expressed using airbrush drawing to shade and define the pipeline structures and fine pen drawing for creating the tiny leaves for the puffy clusters of foliage crowns. TREE ROOTS II is an imaginative, thought provoking science-fi landscape comprised of earthy colors in shades of green, yellow, brown, light mulberry red, and black. Print size - 21 x 29 inches unframed, excellent condition, signed in pencil by Hanna Kay...