Walter Hoyle

King's College, Cambridge linocut print by Walter Hoyle

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922-2000) St Catharine's College, Cambridge (Cambridge Series 1956-66) Linocut 59 x 39 cm Signed lower right; inscribed and numbered 35/75 in pencil. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 – 2000) Jesus College Cambridge...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 – 2000) Gate of Honour, Caius College Cambridge (1965-6) Linocut 56x43cm Full sheet size 96x68cm Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists of whom in the post war era probably Bawden and Kenneth Rowntree are the most famous. Diverse in style, they created figurative work – in stark contrast to the abstract work of the St Ives artists at the opposite end of the country. (If he had not died whilst on active service as a war artist, off Iceland in an air-sea rescue, Eric Ravilious would have had this accolade.) The Fry Art Gallery in Saffron Walden was established to celebrate the works of the Great Bardfield group. Hoyle taught at St Martin’s School of Art from 1951-60, Central School of Arts and Crafts from 1960-64, and Cambridge School of Art from 1964...

The only mention I can find of Evelyn G. Schultz is that she was a charter member of the San Diego Watercolor Society. But the medium of the linocut (here on tan paper) was frequentl...

Harold E. Keeler worked in Hollywood as a set designer. That seems especially important here because the Water Fall looks a little as though it could be a woodland stage set -- to me...

"Country Church" is an original linoleum print by Elsa E. Ulbricht. A front facing view of a country church is proudly replicated within this print. Image:7" x 5" Framed: 15.25" x 13.25" Painter, Teacher When she directed The Milwaukee Handicraft Project, Elsa Ulbricht...

'Field' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents fields of flowers, trees and grasses below a cloudy sky, but rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the plants resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4.5 x 6 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...

In this image, Howard Thomas presents the viewer with a domestic interior. The image is dominated by the figure of a black woman, resting her arm on an ironing board. To the right, the tool of her task dangles a chord above a checker tiled floor. Beyond, though a window, neighboring homes fill the landscape. The careful line-work of the linocut adds a sense of expressionism to the scene, but the image nonetheless falls into the Social Realism that captivated most American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year. 6 x 5 inches, image 10 x 7.13 inches, sheet 12.37 x 12.43 inches, frame Entitled "Monday in Wick Haven" lower left (covered by matting) Inscribed "Linoleum Cut" lower center (covered by matting) Artist name "Howard Thomas" lower right (covered by matting) Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding. Quaker-born in Ohio, Thomas trained in the Midwest at Ohio State University and the Chicago Art Institute. He taught in the Art Department of the Milwaukee State Teachers College (now University of Wisconsin-Milwaukee) where he became good friends with Carl Holty, Edward Boerner, Robert von Neumann...

Kites [2021] original Linocut on paper Image size: H:11 cm x W:29.5 cm Complete Size of Unframed Work: H:22 cm x W:40 cm x D:0.5cm Sold Unframed Please note that insitu images are p...