Robert RauschenbergSketch for Monogram, 1959 -- ScreenPrint, Lithograph, Art by Robert Rauschenberg1973
1973
About the Item
- Creator:Robert Rauschenberg (1925 - 2008, American)
- Creation Year:1973
- Dimensions:Height: 11.97 in (30.4 cm)Width: 9.02 in (22.9 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU809114461472
Robert Rauschenberg
Robert Rauschenberg was one of the preeminent American artists of the 20th century, occupying a singular position that straddled the Abstract Expressionist and Pop art movements, drawing on key elements of each. An artistic polymath equally adept at painting, collage and silkscreening, Rauschenberg is best known for for the complex assemblages of found objects he termed “combines.”
Rauschenberg was born in Port Arthur, Texas, in 1925. He first began to seriously consider a career in art in 1947, while serving in the U.S. Marines. After leaving the service, he briefly studied art in Paris with support from the G.I. Bill, then moved to North Carolina to attend Black Mountain College, home to a flourishing cross-disciplinary art community. Among his peers there were choreographer Merce Cunningham and composer John Cage, both of whom became friends and artistic collaborators.
Relocating to New York in the mid-1950s, Rauschenberg was initially put off by what he perceived as the self-seriousness of the adherents of Abstract Expressionism, then the dominant movement in the New York art world. Like Andy Warhol and Roy Lichtenstein, Rauschenberg was drawn to the visual landscape of popular culture and mined its imagery for inspiration. He used unorthodox materials like house paint and tried novel techniques in his studio like running paper over with a car whose wheels he had inked. Shortly after his inaugural solo exhibition at Leo Castelli Gallery, which featured paintings and drawings, he pivoted to a new format, creating his first found-object combines, which became his signature. The most famous of these is the 1959 Monogram in which a taxidermied goat is surrounded by a car tire, recalling the way a person’s initials are interwoven in the design referred to by the title.
Later in the 1960s, Rauschenberg turned his attention to silkscreening, creating prints that feature iconic figures of the day, very much in line with the style and content of Pop art. One such work, 1965's Core, which was created to commemorate the Congress of Racial Equality, combines photographs of President Kennedy, an unidentified Native American man, and a statue of a Civil War soldier with images of highways, amusement parks, street signs, and other features of the built environment. A circular color-test wheel sits at the composition’s formal core, reflecting the work’s commentary on race and ethnicity.
Throughout the 1960s and ‘70s, Rauschenberg experimented with printing on unusual materials, such as Plexiglas, clothing and aluminum. Venturing even further afield, he created performance works, such as his 1963 choreographed piece “Pelican” and the 1966 film Open Score. In 1998, the Guggenheim Museum presented a large and comprehensive retrospective of Rauschenberg’s work, highlighting his influence on American art in the second half of the 20th century.
Find original Robert Rauschenberg art for sale on 1stDibs.
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Montreux Jazz Festival -- Screen Print, Pop Shop by Keith HaringBy Keith HaringLocated in London, GBMontreux Jazz Festival, 1983 Keith Haring Screenprint in colours, on wove Printed by Serigraphie Uldry Bern, Switzerland Published for the Montreux Jazz Festival Sheet: 100 × 70 cm...Category
1980s Contemporary Figurative Prints
MaterialsScreen
- Montreux Jazz Festival -- Print, Screen Print, Contemporary by Keith HaringBy Keith HaringLocated in London, GBKEITH HARING Montreux Jazz Festival, 1983 Screenprint in colours, on wove Printed by Serigraphie Uldry Bern, Switzerland Published for the Montreux Jazz Festival Sheet: 100.0 × 70....Category
1980s Contemporary Figurative Prints
MaterialsScreen
- Raw -- Print, Screen Print, Text Art, Contemporary Art by Ed RuschaBy Ed RuschaLocated in London, GBRaw, 1971 Ed Ruscha Screenprint with varnish overlay, on Louvain Opaque Cover paper Signed, dated and inscribed 'Artist’s Proof' An artist's proof aside from the edition of 90 Pri...Category
1970s Contemporary More Prints
MaterialsScreen
- Double Cheeseburger End of the World Giveaway -- Screen Print, Food, by ShrigleyBy David ShrigleyLocated in London, GBDouble Cheeseburger End of the World Giveaway, 2020 David Shrigley Screenprint in colours, on wove paper Signed on an accompanying COA Numbered from the edition of 125 Sheet: 76 × 5...Category
2010s Contemporary More Prints
MaterialsScreen
- I’ve Got Your Lipstick -- Print, Animal, Bird, Text Art by David ShrigleyBy David ShrigleyLocated in London, GBI’ve Got Your Lipstick, 2021 David Shrigley Screenprint in colours, on wove paper Signed on an accompanying COA Numbered from the edition of 125 Sheet: 76 × 56 cm (29.9 × 22.0 in) ...Category
2010s Contemporary More Prints
MaterialsScreen
- Shakespeare's Room -- Triptych, Lithograph, Contemporary by Paula RegoBy Paula RegoLocated in London, GBShakespeare's Room, 2006 Paula Rego The set of three lithographs in colours, on three sheets of Somerset Velvet Signed, initialled and numbered from the edition of 35 Printed by T...Category
Early 2000s Contemporary More Prints
MaterialsLithograph
- Eskimo CurlewBy Frank StellaLocated in New York, NYA very good impression of this color lithograph and screenprint on Arches 88 white wove paper. One of 14 numbered artist's proofs, aside from the edition of 50. Signed, dated, inscri...Category
1970s Contemporary Abstract Prints
MaterialsColor, Lithograph, Screen
- Fingers and Holes (Black and White)By Bruce NaumanLocated in Hollywood, FLArtist: Bruce Nauman Title: Fingers and Holes (Black and White) Size: 30 x 40 Inches Medium: Lithograph and Screenprint Edition: Edition of 50. AP #7/10 Year: 1994 Notes: Hand Signed, Dated and Numbered by the Artist in Pencil. Printed by Gemini Gel #36.34. From the collection of Brook Alexander Gallery, NYC. Fingers and Holes, a captivating artistic exploration initiated by Bruce Nauman (American, born 1941), originated from a unique challenge he set for himself. Using his non-dominant hand, he drew his right hand, and vice versa, meticulously annotating each sketch with the count of holes formed between the fingers. This seemingly simple endeavor evolved into a profound study of algebraic topology, a mathematical field investigating fundamental properties of distorted objects, such as solids and voids. Nauman ingeniously translated his anatomical sketches into this abstract language. In this realm of mathematical inquiry, seemingly dissimilar objects transform into one another. A coffee cup and a doughnut, for instance, are considered equivalents due to their shared characteristic of having an unbroken surface surrounding a single "hole," a concept known as homeomorphisms. Nauman's deep dive into topology revealed connections between disparate elements, encapsulated in his statement, “Things that don’t look alike morphose one into another.” However, Fingers and Holes goes beyond mathematical intricacies. It delves into the realm of transformation—topological, visual, and linguistic. The iconic "three fingers, one hole" gesture, a symbol of sexual intercourse in what Nauman referred to as "kids’ sign language," served as a pivotal motif. This gesture reappeared in various forms within the series, including daisy chain formations and overlays on clowns' handshakes, which Nauman identified through his exploration. The clowns in Nauman’s work epitomize ambiguity, embodying a spectrum from humor to threat. Their double handshakes, simultaneously obsequious and aggressive, mirror the complexities of human interactions. Nauman found inspiration in this ambiguity, appreciating the clowns for their enigmatic nature. By integrating the "three fingers, one hole" motif into the handshake of his clown prints...Category
1990s Contemporary More Prints
MaterialsLithograph, Screen
- Michele Maria: bright yellow red Maria Callas opera artist portrait with poetryBy Rene RicardLocated in New York, NYTouched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. In this bright yellow, red, ...Category
1980s Contemporary Abstract Prints
MaterialsLithograph, Screen, Woodcut
- Two Columns (framed): colorful pop art abstracted Greek pillars Micheal HursonBy Michael HursonLocated in New York, NYPop art scene of abstracted Greek pillars and green leaves. Drawings in black and white, pale blue, red and grey compose this colorful print. Layers of p...Category
1980s Contemporary Figurative Prints
MaterialsLithograph, Screen
- "Statue of Liberty" signed screen print and collage by Robert RauschenbergBy Robert RauschenbergLocated in Boca Raton, FL"Statue of Liberty" screen print and collage by Robert Rauschenberg from the "New York, New York" portfolio published by the New York Graphic Society. Signed Rauschenberg...Category
1980s Contemporary More Prints
MaterialsLithograph, Screen
- Agam Silkscreen Jerusalem Lithograph Hand Signed Israeli Kinetic Op Art PrintBy Yaacov AgamLocated in Surfside, FLYaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...Category
1980s Op Art Abstract Prints
MaterialsLithograph, Screen