Items Similar to Jacques Villon - Colorful Spirit - Handsigned Original Lithograph
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Jacques VillonJacques Villon - Colorful Spirit - Handsigned Original Lithograph1960s
1960s
About the Item
Jacques Villon - Colorful Spirit
Original Lithograph
Handsigned
Dimensions: 38 x 28 cm
Jacques Villon (1875 - 1963)
Jacques Villon was born Gaston Duchamp on July 31, 1875, in Damville, Normandy. His family is one of remarkable artistic repute; he and his three siblings Marcel Duchamp, Raymond Duchamp-Villon, and Suzanne Duchamp would all make important contributions to 20th-century art. While still a lycée student in Rouen, he began his artistic training under his grandfather, Emile Frédéric Nicolle, a shipbroker and artist. Nicolle taught Villon engraving and printmaking, and in 1891 he was the subject of one of Villon’s earliest prints. In January 1894 Villon moved in with his brother Raymond in Paris’s Montmartre neighborhood and began to study law at the University of Paris. He soon lost interest in legal studies and instead spent his time submitting drawings to various magazines and newspapers, some of which were politically oriented. Partly in order to distance his family's name from these publications, he changed his name to Jacques Villon (an homage to French medieval poet François Villon). In 1895 he began study at the Ecole des Beaux-Arts and frequented the Atelier Cormon.
For almost 10 years Villon worked largely in graphic media, contributing drawings to Parisian illustrated papers and making color prints and posters. In 1903 he helped organize the drawing section of the first Salon d’Automne, which would become one of the most significant annual exhibitions in the history of modern art. His first gallery exhibition, shared with his brother Raymond, took place at Galerie Legrip, Rouen, in 1905. He studied at the Académie Julian in Paris between 1904 and 1905, painting in a Neo-Impressionist style. In 1906 Villon settled in Puteaux and began to spend more time painting; by 1910 he had devoted himself primarily to painterly pursuits. In 1911, he and Duchamp-Villon helped found the Puteaux Group, a collective of Cubist artists that held meetings in Villon’s studio; its participants included Robert Delaunay, Marcel Duchamp, Albert Gleizes, František Kupka, Fernand Léger, Francis Picabia, and others. The following year, working with the Puteaux Group, Villon named and helped mount the Salon de la Section d'Or, a seminal exhibition in the development of the Cubist movement.
Villon exhibited nine paintings at the 1913 New York Armory Show, and his first solo exhibition in the United States was held at the Societé Anonyme, New York, in 1921; by the 1930s he was better known in the U.S. than in Europe. In 1932 he joined and began to exhibit with the Abstraction-Création group. An important presentation of his work was held in Paris in 1944 at the Galerie Louis Carré, from that time forward his exclusive representative. Villon received honors at a number of international exhibitions, including First Prize at the Carnegie International (1950) and Grand Prize for Painting at the Venice Biennale (1956). In 1955 he designed stained-glass windows for a cathedral in Metz, France, along with his contemporaries Marc Chagall and Roger Bissière. Villon died in Puteaux on June 9, 1963, at the age of 87.
- Creator:Jacques Villon (1875-1963, French)
- Creation Year:1960s
- Dimensions:Height: 14.97 in (38 cm)Width: 11.03 in (28 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Collonge Bellerive, Geneve, CH
- Reference Number:1stDibs: LU16122868511
Jacques Villon
Jacques Villon was born Gaston Duchamp in 1875. He was the oldest brother of the artists Marcel Duchamp, Suzanne Duchamp-Crotti and the sculptor Raymond Duchamp-Villon. Initially a law student, in 1894 he went to Paris to study art. It was there that he met Henri Toulouse-Lautrec and other influential artists in Paris, and changed his name to Jacques Villon, after the poet. Villon made prints of some of the most well-known belle-époque portraits and genre scenes of the early twentieth century. Around 1911, he came under the influence of Picasso and other cubists, and became a leading exponent of the style, exhibiting in the 1913 Armory Show in New York. In 1922, the Galerie Bernheim-Jeune commissioned Villon to produce a series of color aquatints after 38 major nineteenth- and twentieth-century paintings. This series included works by Pierre Auguste Renoir, Henri Matisse, Pablo Picasso, Paul Cezanne, Georges Braque, Raoul Dufy, Amadeo Modigliani, Edouard Manet, Pierre Bonnard, and others. Artists who were alive at the time of the printing collaborated with Villon, and signed the prints. The project took ten years to complete. Several of these prints are valued highly today, and some went on to be reproduced by the Louvre Museum as photo-etchings. Villon's 'cubist' etchings, with their characteristic cross-hatching, are amongst the most renowned prints of the twentieth century. Jacques Villon's long career brought him fame. The diverse nature of his paintings, from end-of-the-century portraits to cubist and abstract styles to graphic works, made him a major figure in twentieth-century art. He was made a Grand Officer of the Légion d'Honneur, and upon his death in 1963, and he was given a state funeral.
About the Seller
4.9
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2015
1stDibs seller since 2015
910 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Collonge Bellerive, Geneve, Switzerland
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Kees van Dongen - Portrait - Original LithographBy Kees van DongenLocated in Collonge Bellerive, Geneve, CHKees van Dongen - Portrait - Original Lithograph 1950 Signed in the plate Dimensions: 22 x 16 cm Publisher: Sauret. From The Gods Are AthirstCategory
1950s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Andre Minaux - Portrait - Original LithographBy Andre MinauxLocated in Collonge Bellerive, Geneve, CHAndre Minaux - Portrait - Original Lithograph 1951 Signed in the plate Dimensions: 22 x 16 cm Publisher: Sauret. Frontispice of The Counterfeiters Unumbe...Category
1950s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Constantin Terechkovitch - Portrait - Original LithographBy Constantin TerechkovitchLocated in Collonge Bellerive, Geneve, CHConstantin Terechkovitch - Portrait - Original Lithograph 1957 Signed in the plate Dimensions: 22 x 16 cm Publisher: Sauret Frontispice of The Brothers KaramazovCategory
1950s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Maurice Mourlot - Portrait - Original LithographBy Maurice MourlotLocated in Collonge Bellerive, Geneve, CHMaurice Mourlot - Portrait - Original Lithograph 1956 Signed in the plate Dimensions: 22 x 16 cm Publisher: Sauret. Frontispice of KimCategory
1950s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Pierre Gandon - Portrait - Original LithographBy Pierre GandonLocated in Collonge Bellerive, Geneve, CHPierre Gandon - Portrait - Original Lithograph 1956 Signed in the plate Dimensions: 22 x 16 cm Publisher: Sauret. Frontispice from Tess of the d'UrbervillesCategory
1950s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Berthold Mahn - Portrait - Original LithographLocated in Collonge Bellerive, Geneve, CHBerthold Mahn - Portrait - Original Lithograph 1956 Signed in the plate Dimensions: 22 x 16 cm Publisher: Sauret. Frontispice of "Great Expectations" Un...Category
1950s Abstract Expressionist Abstract Prints
MaterialsLithograph
You May Also Like
- "Henry S. Miller" Lithograph in Ink on Paper, #3 of 8Located in Soquel, CA"Henry S. Miller" Lithograph in Ink on Paper, #3 of 8 Surrealist lithograph by Stephen Tracy White (American, 1947-2005). A figure in the lower right corner is partially enclosed by a red rectangle. Biomorphic shapes are flowing out of the rectangle, stretching across the composition. The shapes are rendered with intricate linework and soft green shading. Numbered, titled, signed, and dated along the bottom: 3/8 Henry S. Miller S. Tracy White 1969/April Tag on verso from Lee Nordness Galleries, New York Presented in a silver aluminum frame. Shipped without glass. Frame size: 26.5"H x 36.25"W Image size: 23.5"H x 34.25"W Stephen Tracy White (American, 1947-2005) was born in Bronwood, Georgia. They studied at the University of New Mexico, earning a Bachelor of Fine Arts in Art in 1969. They worked at the Tamarind Lithography Workshop, printing pieces by William Crutchfield...Category
1960s American Modern Portrait Prints
MaterialsPaper, Ink, Lithograph
- Portrait d'une fille (Maya)By (after) Pablo PicassoLocated in Palo Alto, CAThis exquisite portrait of Pablo Picasso's first daughter, Maya Picasso, exudes a personal, loving charm that only a father could capture. A playful, childlike nostalgia is forever e...Category
1960s Modern Portrait Prints
MaterialsLithograph
- Woman - Original Lithograph by Mario Tozzi - 1975By Mario TozziLocated in Roma, ITWoman is original lithography, realized by Mario Tozzi, Hand-signed and numbered, edition of XIX/L prints. The state of preservation of artwork is very go...Category
1970s Modern Abstract Prints
MaterialsLithograph
- VISAGE DE FEMME SUR FOND RAYE Lithograph, Abstract Portrait, Round Face, StripesBy (after) Pablo PicassoLocated in Union City, NJArtist: Pablo Picasso, After, Spanish (1881 - 1973) Title: VISAGE DE FEMME SUR FOND RAYE , #9-B Year of Original Artwork: 1934 Medium: Lithograph on Coventry Paper, 100% acid free Edition of 1000, unnumbered, estate approved printed signature Print Size: 29 x 19 in. Image size - 23 x 14 in. Year printed - 1979-1982 VISAGE DE FEMME SUR FOND RAYE is a limited edition lithograph re-created after an original painting from the estate Collection of Marina Picasso, Picasso's grand-daughter. Printed using hand drawn lithographic plates(not a photo reproduction or digital print) on archival heavy weight Coventry printmaking paper, 100% acid free. Edition was produced in accordance with the Picasso family under the supervision of Marcel Salinas, master chromist who worked closely with Pablo Picasso during his lifetime. Bears the estate approved printed signature of Picasso on center lower margin. Lithograph is in excellent condition, never been framed or mounted. VISAGE DE FEMME SUR FOND RAYE portrays Picasso's version of a color abstract female portrait. VISAGE DE FEMME SUR FOND RAYE depicts a woman's round face...Category
1980s Abstract Portrait Prints
MaterialsLithograph
- ÉTUDE DE MAIN Lithograph, Pastel Hand Study, Neutral Colors Pink Brown PeachBy (after) Pablo PicassoLocated in Union City, NJArtist: Pablo Picasso, After, Spanish (1881 - 1973) Title: Étude de Main #7-B(Hand Study) Year of Original Artwork: 1921 Medium: Lithograph on Coventry Paper, 100% acid free Edition of 1000, unnumbered, estate approved printed signature Print Size: 29.25 x 21.25 in. ÉTUDE DE MAIN is a limited edition lithograph re-created after an original painting from the estate Collection of Marina Picasso, Picasso's grand-daughter. Printed using hand drawn lithographic plates on archival heavy weight Coventry printmaking paper, 100% acid free. Edition was produced in accordance with the Picasso family under the supervision of Marcel Salinas, master chromist who worked closely with Pablo Picasso during his lifetime. Bears the estate approved printed signature of Picasso on lower margin. Lithograph is in excellent condition, never been framed or mounted. Picasso's ÉTUDE DE MAIN is an engaging modern pastel hand study comprised of three anatomical hands...Category
1980s Abstract Portrait Prints
MaterialsLithograph
- Tete de Femme, Lithograph, Abstract Portrait Head, Woman in Hat Terra Cotta PinkBy (after) Pablo PicassoLocated in Union City, NJArtist: Pablo Picasso, After, Spanish (1881 - 1973) Title: Tete de Femme , #26-2 Year of Original Artwork: 1938 Medium: Lithograph on Coventry Paper, 100% acid free Edition of 1000, unnumbered, estate approved printed signature Print Size: 29.25 x 21.25 in. Publisher - Estate of Picasso (Marina Picasso), With Estate-approved Picasso signature printed below image TETE DE FEMME is a limited edition lithograph re-created after an original ink wash painting from the estate Collection of Marina Picasso, Picasso's grand-daughter. Printed using hand drawn lithographic plates on archival heavy weight Coventry printmaking paper, 100% acid free. Edition was produced in accordance with the Picasso family under the supervision of Marcel Salinas, master chromist who worked closely with Pablo Picasso during his lifetime. Bears the estate approved printed signature of Picasso on lower margin. Typeset under image reads Collection Marina Picasso. Lithograph is in excellent condition, never been framed or mounted. Picasso's Tete de Femme is an eye-catching abstract portrait head of a woman wearing an imaginative rendition of a designer hat...Category
1980s Abstract Portrait Prints
MaterialsLithograph
Recently Viewed
View AllMore Ways To Browse
Colorful Glass Window
Suzanne Somers
Montmartre Poster
Original Posters Chagall
Medieval Art Poster
Francois Nine
Poster Normandy
Marc Chagall Original Posters
Studio Metz
Fernand Leger Poster
The Normandy Poster Original
Neo Medieval
Rouen Cathedral
Montmartre Vintage Posters
Vintage Original Posters Normandy
Francois Villon
Suzanne Duchamp
Paul Mccartney Lithograph