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Otto DixDame mit Reiher (Woman with a Tuft of Heron Feathers) /// German Expressionism1923
1923
About the Item
Artist: Otto Dix (German, 1891-1969)
Title: "Dame mit Reiher (Woman with a Tuft of Heron Feathers)"
*Signed and dated by Dix in pencil lower right
Year: 1923
Medium: Original Lithograph on light smooth wove paper
Limited edition: approx. 120
Printer: likely the artist Dix himself, either Dresden or Düsseldorf, Germany
Publisher: Euphorion Verlag, Berlin, Germany for the "Die Schaffenden" Vol. 5, No. 1. portfolio
Reference: "Otto Dix: Das Graphische Werk" - Karsch No. 62/II c, page 84, 147
Sheet size: 16.25" x 12.25"
Condition: In excellent condition
Rare
Notes:
Provenance: private collection - Robert Kuennen, Oberlin, OH. Euphorion Verlag chop mark/blind stamp lower right. Pencil inscribed "Dix Fraukopf (Dix Woman Head)" at lower center.
Biography:
Otto Dix (born December 2, 1891, Untermhaus, Thuringia, Germany—died July 25, 1969, Singen, Baden-Württemberg, Germany [then West Germany]), has been perhaps more influential than any other German painter in shaping the popular image of the Weimar Republic of the 1920s. His works are key parts of the Neue Sachlichkeit ("New Objectivity") movement, which also attracted George Grosz and Max Beckmann in the mid 1920s. A veteran haunted by his experiences of WWI, his first great subjects were crippled soldiers, but during the height of his career he also painted nudes, prostitutes, and often savagely satirical portraits of celebrities from Germany's intellectual circles. His work became even darker and more allegorical in the early 1930s, and he became a target of the Nazis. In response, he gradually moved away from social themes, turning to landscape and Christian subjects, and, after serving in the army during WWII, enjoyed some considerable acclaim in his later years.
- Creator:Otto Dix (1891-1969, German)
- Creation Year:1923
- Dimensions:Height: 16.25 in (41.28 cm)Width: 12.25 in (31.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU12129115482
Otto Dix
Otto Dix (born December 2, 1891, Untermhaus, Thuringia, Germany—died July 25, 1969, Singen, Baden-Württemberg, Germany [then West Germany]), has been perhaps more influential than any other German painter in shaping the popular image of the Weimar Republic of the 1920s. His works are key parts of the Neue Sachlichkeit ("New Objectivity") movement, which also attracted George Grosz and Max Beckmann in the mid 1920s. A veteran haunted by his experiences of WWI, his first great subjects were crippled soldiers, but during the height of his career he also painted nudes, prostitutes, and often savagely satirical portraits of celebrities from Germany's intellectual circles. His work became even darker and more allegorical in the early 1930s, and he became a target of the Nazis. In response, he gradually moved away from social themes, turning to landscape and Christian subjects, and, after serving in the army during WWII, enjoyed some considerable acclaim in his later years.
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