MURAKAMI Takashi, Flower dumpling , 2013
View Similar Items
Takashi MurakamiMURAKAMI Takashi, Flower dumpling , 20132013
2013
About the Item
- Creator:Takashi Murakami (1963, Japanese)
- Creation Year:2013
- Dimensions:Height: 18.12 in (46 cm)Diameter: 18.12 in (46 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:Seller: 953471stDibs: LU4704400482
Takashi Murakami
Japanese contemporary artist Takashi Murakami may be famous among collectors for the psychedelic flowers and chaotic cartoons that populate his prints and paintings, but artists likely know him as the theorist behind the contemporary art movement he calls “Superflat.”
Partially inspired by the Pop art of Andy Warhol, in which celebrity culture and mundane mass-produced items became the focus of bright and colorful works that both celebrated and criticized consumerism, Murakami’s Superflat encompasses painting, sculpture, digital design and more to present a subversive look at consumerism but is also an effort to blend fine art and lowbrow culture.
A multifaceted and remarkably influential artist as well as a compulsive art collector, Murakami has collaborated with brands such as Louis Vuitton, while one of his most famous Superflat works is the teddy bear on the cover of the Graduation album by American rapper Kanye West.
In 1993 Murakami earned his Ph.D. from Tokyo University of the Arts, where he was trained in nihonga, a style of painting that originated in the late 19th century by artists who worked to preserve and promote the conventions and processes associated with traditional Japanese art. While practicing nihonga, Murakami began to realize that his beliefs didn’t align with the tradition, so his art subsequently took on a satirical feel that embodied a critique of the movement. Before long, his style took a drastic turn, embracing otaku, a rising postwar cultural phenomenon among Japan’s younger crowd who loved anime and manga. (Otaku is also integral to Superflat.)
This is when Murakami’s most well-known character, Mr. DOB, was born. This anime-inspired icon, which Americans might interpret as a cross between Walt Disney’s Mickey Mouse and Lewis Carroll’s Cheshire Cat given its pronounced ears and broad and menacing grin, was part of the artist’s endeavor to elevate the otaku subculture but also to target mass consumerism. While Murakami conceived of Mr. DOB years ahead of his 2000-era Superflat theory, there is much common ground between the two. Not unlike his other creations, Murakami’s Mr. DOB is equal parts erotic, disturbing and cartoonish — an incisive mockery of the mingling of commerce and fine art so prevalent in Japanese popular culture.
Find original Takashi Murakami prints, sculptures and other art on 1stDibs.
- Miles from AmericaBy James RosenquistLocated in London, GBLithograph in colours, 1975, on wove paper, signed and dated in pencil, numbered from the edition of 200 (there were also 25 artist's proofs), published by APC Editions, New York, 76...Category
1970s Pop Art Abstract Prints
MaterialsLithograph
- Orofena, from Imaginary Places IIIBy Frank StellaLocated in London, GBLithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs), with the publisher's blindstamp, Tyler Graphics, Ltd., Mount Kisco, 54.6 x 55.2 cm. (21½ x 21¾ in.) Catalogue Raisonne: Axsom 252 Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from this series is recognisable for its teaming compositions of twisting, colliding and knotted forms. The shapes appear to spill out of their sheet, seemingly trying to escape their frames. As he had done since the ‘Swan Engravings...Category
1990s American Modern Abstract Prints
MaterialsEtching, Aquatint, Lithograph, Screen
- Aiolio, from Imaginary Places IIIBy Frank StellaLocated in London, GBLithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 51 (there were also twelve artist's proofs)...Category
1990s American Modern Abstract Prints
MaterialsEtching, Aquatint, Lithograph, Screen
- Iffish, From Imaginary Places IIIBy Frank StellaLocated in London, GBLithograph, screenprint and etching printed in colours, with relief, 1998, on TGL handmade paper, signed and dated in pencil, numbered from the edition of 55 (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, 55.9 x 53.7 cm. (22 x 21¼ in.) Catalogue Raisonne: Axsom 254 Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from this series is recognisable for its teaming compositions of twisting, colliding and knotted forms. The shapes appear to spill out of their sheet, seemingly trying to escape their frames. As he had done since the ‘Swan Engravings...Category
1990s American Modern Abstract Prints
MaterialsEtching, Lithograph, Screen
- Libertinia, from Imaginary PlacesBy Frank StellaLocated in London, GBRelief, screenprint, etching, aquatint, lithograph and engraving in colours, 1995, on TGL handmade paper, signed, dated and numbered form the edition of 50 in pencil (there were als...Category
Late 20th Century Abstract Abstract Prints
MaterialsEngraving, Etching, Aquatint, Lithograph, Screen
- Sea Sail (SF-92)By Sam FrancisLocated in London, GBLithograph in colours, 1969, on BFK Rives paper, signed and inscribed ‘AP’ in pencil, an artists’s proof aside from the standard edition of 20, printed and published by Tamarind Lith...Category
1960s Abstract Abstract Prints
MaterialsLithograph
- ART, Pop Art Lithograph by Jim Dine 1968By Jim DineLocated in Long Island City, NYArtist: Jim Dine Title: ART Year: 1968 Medium: Lithograph, signed and numbered in pencil Edition: 92/144 Paper Size: 35 x 24.75 in. (88.9 x 62.87 cm)Category
1960s Pop Art Interior Prints
MaterialsLithograph
- Robert Rauschenberg 'Core'By Robert RauschenbergLocated in New York, NYC.O.R.E. 1965 Lithograph Signed and numbered edition of 200 36 X 24 inches Robert Rauschenberg’s work reflects a methodology between the approaches of structuralism and post-...Category
21st Century and Contemporary Pop Art Abstract Prints
MaterialsLithograph
Price Upon Request - Israel Flag at the Speed of Light, Pop Art Print by James RosenquistBy James RosenquistLocated in Long Island City, NYArtist: James Rosenquist Title: Israel Flag at the Speed of Light Year: 2006 Medium: Lithograph, Signed and numbered in Pencil Edition: 50 Size: 33.5 x 22 ...Category
Early 2000s Pop Art Abstract Prints
MaterialsLithograph
- Abstract Minimalist Color Silkscreen Print Richard Smith On The Bowery Pop ArtBy Richard SmithLocated in Surfside, FLRichard Smith On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove paper Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Screen
- Abstract Minimalist Color Silkscreen Print John Willenbecher The Bowery Pop ArtLocated in Surfside, FLJohn Willenbecher On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 2...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Screen
- Abstract Minimalist Color Silkscreen Print Will Insley On The Bowery Pop ArtLocated in Surfside, FLWill Insley On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove paper Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Screen
