Walter Gropius

Column with Rosettes

1870

JOHN JAMES AUDUBON John Bachman The Viviparous Quadrupeds of North America Published by V.G. Audubon Lithograph with Original Hand-Coloring New York 1849. Royal Octavo Edition ...

ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Chromolithograph. Berlin, 1870. 13” x 19” Unframed. A fine German work, the illustrations are of classical and neo-classical decorative designs. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate. Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum...

The Book of Poultry J. W. Ludlow, artist Lewis Wright (1838-1905), editor Cassell, Petter & Galpin London, Paris, New York, 1880 Vincent Brooks Day & Son Chromolithography ...

ONE THOUSAND AND ONE INITIAL LETTERS Owen Jones (1806-1889) Day & Sons London, 1864 Chromolithographs One Thousand and One Initial Letters playfully describes an artistic endeavor by Owen Jones. Teaching Applied Arts at the South Kensington School of Design, Jones honed his skills at transforming historical design into contemporary brilliance. Never imitating or duplicating, he remained true to the times and the materials available. Like his fellow artists, architects, painters and poets, he was on the cusp of change. In Jones’ lifetime a new aesthetic would develop. By the centuries’ end it would become an era with a heighten sense of nature coupled with design. The phrase ‘Art...

JOHNSON’S HOUSEHOLD BOOK OF NATURE Craig Hugh, Editor Henry J. Johnson, Publisher New York, 1880 64 Chromolithographs “…full & interesting description...

The Book of Poultry J. W. Ludlow, artist Lewis Wright (1838-1905), editor Cassell, Petter & Galpin London, Paris, New York, 1880 Vincent Brooks Day & Son Chromolithography ...

Jan De Ruth (American/ Czech, 1922-1991), " After the Bath" Edition 19/250, Figurative Lithograph on Paper signed and titled in Pencil, 30 x 21 (Image: 25 x 15.50), ca. 1970s, Late 20th Century Colors: Blue, Yellow, Red, Grey, White, Purple Jan De Ruth enjoyed special popularity as a portrait artist and has become one of the best known painters of the nude female in the world today. It's a long way from sketching in leftover coffee to painting a portrait of Ethel Kennedy for the cover of Time Magazine, twenty-five years in fact; and during that period, Jan De Ruth's personal experiences have been enough to fill two ordinary lifetimes. Through them all, art has sustained him and been his primary interest. To begin with, De Ruth, a native of Czechoslovakia and now an American citizen, spent the years of World War II being shunted through 5 different concentration camps, including the infamous Auschwitz. He made four escape attempts and finally made good on his fifth try. De Ruth constantly sought materials with which to draw, but "The only things we had were the few pieces of cloth we wore," he recalls. By chance, he was transferred to Germany as part of a labor detail and managed to sneak a pencil away from the camp supervisor-"I became a perfect thief during those years," he says. Jan drew a mother and child on a scrap of paper he scrounged from the factory where he worked, filled it in with shadings of coffee in various strengths-his finger was his brush. He exchanged the sketch for a piece of bread from a camp guard, and in effect, sold his first painting. In March of 1945, after being transferred to his native Czechoslovakia, he made his successful escape "knowing every step of the way." After the war, De Ruth became the commissar in a small Czech town and remained in the post for one year, just long enough to forge some documents that allowed him to flee to England. He took up residence in London and enrolled at the Ruskin Art School in Oxford University. He arrived in the USA in 1948. There are times in the life of a painter when his dedication to his art is overshadowed by the immediate requirements of self-preservation. This was one of those times! From '48 to 1955 he supported himself by working at night, earning his way painting designs on neckties and bathroom cups; as a fashion designer, illustrator, vacuum cleaner salesman, theatre manager, and actor. In '55 Jan De Ruth made his professional debut as a full-time artist and two years later his first one-man show established him as a serious painter. His work has been acclaimed for combining the technique of the old masters with a modern manner, and has been exhibited in more than 40 one-man shows in galleries and museums across the United States. He has been judged positively by juries in 28 national exhibitions and his numerous awards include the Purchase Prize of the Butler Institute of American Art, and the Gold Medal of the National Arts Club. De Ruth, author of the books "Portrait Painting" and "Painting the Nude," has devoted his entire life to painting the female face and form. He enjoys special popularity as a portraitist and has become one of the best known painters of the nude female in the world today. Often asked why he concentrates on this most demanding of all art subjects he replies: . . . "Each painting of the nude becomes a new experience . . . It (the human figure) is nature's most perfect and most imperfect creation, communicating, even in silence and immobility, the physical and spiritual power-and frailty-of humanity." Articulate, sophisticated, outspoken and well informed, De Ruth has also been a welcome guest on radio and television shows. But, it is painting that gives a purpose to Jan De Ruth's existence: "It is an unending challenge-there is no end, no final result-to be found in painting the human body. I have never seen two gestures that are alike, but so are the possibilities of expression. There will always be painters who will find one more way of saying: "See! This is what I feel about humans." . . . So until a greater challenge and a more profound symbol comes along, it is the human figure I wish to paint." AWARDS Butler Institute of American Art Purchase Prize Oguniquit Art Center Knickerbocker Artist 1964 Audubon Artist, Grumbacher Purchase Prize National Arts Club of America Gold Medal Windsor-Newton Award of the National Arts Club ONE MAN MUSEUM EXHIBITIONS B'nai B'rith Museum - Washington D.C. Florida Gulf Coast Art...

Original poster: Food and the War! American wheat to win! Rare and very seldom seen original World War 1 authentic vintage poster. Archi...

Chromolithograph of a Red-Throated Pipit Matt size 24.5cm x 29.5cm Image Size 10.5cm x 17 cm

1896 Jellyfishes Original Antique Print - Jellyfish - Natural History From a volume of Cassell's Natural History published in 1896 Matt size 37cm x 28cm ...

Chromolithograph of a Snow Bunting Matt size 24.5cm x 29.5cm Image Size 10.5cm x 17 cm

Chromolithograph of a Jay bird Matt size 24.5cm x 29.5cm Image Size 10.5cm x 17 cm