20th Century Abstract Sculptures
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Period: 20th Century
Club
By Kiki Smith
Located in Palm Desert, CA
"Club" is a bronze cast sculpture made by Kiki Smith in 1992. The artwork is 33 x 8 x 6 inches and weighs less than 50 lbs. The work is signed and dated, lower middle, "Kiki Smith 19...
Category
Abstract 20th Century Abstract Sculptures
Materials
Bronze
Serie Sintesis, Mixed Media Op Art Sculpture by Jesus Rafael Soto
Located in Long Island City, NY
Serie Sintesis
Jesus Rafael Soto, Venezuelan (1923–2005)
Date: 1979
Screenprint on Plexiglass and Metal Rods
Edition of 36/110
Size: 11.8 x 27.5 x 5 in. (29.97 x 69.85 x 12.7 cm)
Pub...
Category
Op Art 20th Century Abstract Sculptures
Materials
Metal
"Golden Wave" Minimalist Vertical Fluid Sculpture by Lila Katzen
Located in Pasadena, CA
Lila Katzen said, "I feel marvelous when my works find a home. They are like my children. They are my links to the past. They are what I am."
The sculpture proposed here consists of...
Category
Minimalist 20th Century Abstract Sculptures
Materials
Bronze
Untitled (Organic abstract bronze sculpture)
Located in Wilton Manors, FL
Klaus Ihlenfeld (b.1934). Untitled, ca. 1960. Welded bronze. 8" h.; 5.5 " w; 3.25" d (base). Signed with initial under base.
Provenance: Directly from estate of Harry Bertoia. The piece was a gift from Ihlenfeld and is a very early example created during Bertoia apprenticeship era.
Excellent condition.
Klaus Karl Otto IhlenfeldHe was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA.
He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors.
Group Shows:
North Carolina Museum of Art in Raleigh, NC - 1957
Solomon R. Guggenheim Museum in New York City - 1962
Staempfli Gallery in New York City - 1962, 1964 and 1965
Gallery Ludwig Lange in West Berlin, Germany - 1977
Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981
Jack Savitt Gallery in Macungie, PA - 1981 and 1984
Heinz Ortleb Gallery, West Berlin, Germany - 1992
Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997
Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997
Mayfair Festival of the Arts at the Allentown Art Museum - 1998
Baum School of Art in Allentown, PA - 1997
Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001
Reading Public Museum in Reading PA, 2014
Solo Shows:
Kutztown University in Kutztown, PA - 1960 and 1965
Allentown Art Museum in Allentown, PA - 1960 and 1961
Staempfli Gallery in New York City - 1962
Penn State University in University Park, PA - 1964 and 1972
Berks Art Alliance in Wyomissing, PA - 1966
Bertha Eccles Art Center in Ogden, Utah - 1967
Mansfield University in Mansfield, PA - 1967
Huntington Museum of Art in Huntington, WV - 1971
Shippensburg University in Shippensburg, PA - 1972
Albright College in Reading, PA - 1973
Ianuzzi Gallery in Scottsdale, AZ - 1974
Gallery Heimat 85 in West Berlin, Germany - 1977
Jack Savitt Gallery in Macungie, PA - 1981
College Misericordia in Dallas, PA - 1983
Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013
Periodical Reference:
Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33.
Chronology:
1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia.
1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures.
1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe...
Category
Abstract 20th Century Abstract Sculptures
Materials
Bronze
Rare 1970 Israeli Abstract Sculpture Steel Menashe Kadishman Suspension
Located in Surfside, FL
Beautiful table top sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. There is a large monumentsal version of this in Rabin Square in th...
Category
Abstract Geometric 20th Century Abstract Sculptures
Materials
Stainless Steel
Banner (abstract expressionist sculpture, Tulsa OK artist)
Located in Wilton Manors, FL
Duayne Hattchett ((1925-2015). Banner, 1958. Welded metal, sculpture measures 11 h. x 9 w. x 3.75 d. inches. Measuring a total of 17.5 inch high on base. Base measures 5.5 x 5.5 by 6...
Category
Abstract Expressionist 20th Century Abstract Sculptures
Materials
Metal
Metamorphosis abstract nude 1960s sculpture by John Robert Murray McCheyne
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
Category
Abstract 20th Century Abstract Sculptures
Materials
Wood
Brutalist Modern Abstract Bronze Sculpture Metropolis Manner of Louise Nevelson
Located in Surfside, FL
A very heavy, massive bronze sculpture by an important Chicago sculptor. Signed and marked "Firenze" with "Fuse Marinelli". METROPOLIS. Seven abstract shapes on black marble base. 1...
Category
Modern 20th Century Abstract Sculptures
Materials
Marble, Bronze
The Sails - Sculptures by Tatiana Pomus - 1974
Located in Roma, IT
The Sails is a contemporary artwork realized by the artist Tatiana Pomus in 1974.
Wood and iron sculpture.
Signature of the artist engraved on the base.
Category
Contemporary 20th Century Abstract Sculptures
Materials
Iron
Salvador Dalí, "Triomphale", Daum glass plate, 1970
Located in Chatsworth, CA
Salvador Dalí
"Triomphale"
Original pâte de verre Salvador Dalí plate
Daum Editeur, Nancy, France
Inscribed Dalí on lower right, and numbered 1199...
Category
Surrealist 20th Century Abstract Sculptures
Materials
Plate Glass
Kusama Pumpkins (Set of 3 works)
By Yayoi Kusama
Located in NEW YORK, NY
Yayoi Kusama Set of 3 Pumpkins: Yellow and Black, Red & White and Red & Black
Naoshima:
An iconic, vibrantly colored pop art set - these small Kusama pumpkin sculptures feature the universal polka dot patterns and bold colors for which the artist is perhaps best known. Kusama first used the pumpkin at the 1993 Venice Biennale for the Japanese pavilion and since then it has appeared worldwide in various iterations, to ever rising acclaim and popularity.
Medium: Painted cast resin.
Red/White, Yellow/Black c. 2015. Red & Black Naoshima pumpkin...
Category
Pop Art 20th Century Abstract Sculptures
Materials
Resin
Vintage Abstract Expressionist Ibram Lassaw Modernist Bronze Sculpture Pendant
By Ibram Lassaw
Located in Surfside, FL
IBRAM LASSAW
(Russian-American, 1913-2003),
Sculptural pendant
Gold plated bronze
Signed verso
Measurements: 2-7/8''h, 2-1/4''w.
Ibram Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents. After briefly living in Marseille, France, Naples, Italy Tunis, Malta, and Constantinople, Turkey his family settled in Brooklyn, New York, in 1921.His family settled in Brooklyn, New York. He became a US citizen in 1928. Ibram Lassaw, one of America's first abstract sculptors, was best known for his open-space welded sculptures of bronze, silver, copper and steel. Drawing from Surrealism, Constructivism, and Cubism, Lassaw pioneered an innovative welding technique that allowed him to create dynamic, intricate, and expressive works in three dimensions. As a result, he was a key force in shaping New York School sculpture.He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Taeuber Arp, and other artists. He also attended the City College of New York. Lassaw’s encounter with avant-garde art in the International Exhibition of Modern Art (1926), organized by the Société Anonyme at the Brooklyn Museum, made a powerful impression on him. In the early 1930s he explored new materials and notions of open-space sculpture. The ideas of László Moholy-Nagy and Buckminster Fuller were important to him, and he knew the work of Julio González, Pablo Picasso, and the Russian Constructivists. After experimenting with plaster, rubber and wire, Lassaw began working with steel, which became a frequent medium for the artist, along with other metals. His work reflects the influence of Surrealist artists such as Alberto Giacometti and Joan Miro as well as American Modernist Alexander Calder.A pioneer of abstract sculpture in the United States, in 1936 Lassaw was a founding member of the organization American Abstract Artists. Between 1933 and 1942 he worked for various federal arts projects: the Public Works of Art Project, Civil Works Authority, and WPA, the Works Progress Administration Federal Art Project. In 1938 he produced his first welded work. He served with the U.S. Army, where he learned direct welding techniques. During the 1940s he experimented with cage constructions and with acrylic plastics, adding color to his sculptures by applying dye directly to their surfaces. In 1949 Lassaw was a founder of the Club, an informal discussion group of avant-garde artists that had developed from gatherings at his studio, on Eighth Street.
During the mid-1930s, Lassaw worked briefly for the Public Works of Art Project cleaning sculptural monuments around New York City. He subsequently joined the WPA as a teacher and sculptor until he was drafted into the army in 1942. Lassaw's contribution to the advancement of sculptural abstraction went beyond mere formal innovation; his promotion of modernist styles during the 1930s did much to insure the growth of abstract art in the United States. He was one of the founding members of the American Abstract Artists group, and served as president of the American Abstract Artists organization from 1946 to 1949. In 1951, Samuel Kootz invited Lassaw to join his gallery in New York. He also had a summer gallery in Provincetown, MA. Lassaw had been summering in Provincetown since 1944, and in 1951 rented an apartment next door to the Kootz Gallery. Among the artists in the Kootz Gallery were Jean Arp, William Baziotes, Georges Braque, Jean Dubuffet, Herbert Ferber, Arshile Gorky, Adolph Gottlieb, David Hare, Hans Hofmann, Fernand Leger, Georges Mathieu, Joan Miró, Robert Motherwell, Pablo Picasso, Pierre Soulages, and Maurice de Vlaminck. Lassaw is a sculptor who was a part of the New York School of Abstract expressionism during the 1940s and 1950s. Jackson Pollock, Lee Krasner, James Brooks, Willem de Kooning, and several other artists like Lassaw spent summers on the Southern Shore of Long Island. Lassaw spent summers on Long Island from 1955 until he moved there permanently in 1963.
SELECT EXHIBITIONS
1961 International Exhibition of Modern Jewelry 1890–1961, organized by the Worshipful Company of Goldsmiths in association with the Victoria and Albert Museum, London
1967 Exhibition of Jewelry by Painters and Sculptors, organized for circulation by MoMA
1973 Jewelry...
Category
Abstract Expressionist 20th Century Abstract Sculptures
Materials
Gold, Bronze
Kusama Pumpkin (Kusama yellow & black large plush pumpkin)
By Yayoi Kusama
Located in NEW YORK, NY
Yayoi Kusama Yellow & Black Pumpkin (plush):
An iconic, vibrantly colored pop art piece - this large Kusama plush pumpkin features the universal polka do...
Category
Abstract 20th Century Abstract Sculptures
Materials
Nylon, Screen
Ileana, Bronze and Marble Sculpture by Constantin Antonovici
Located in Long Island City, NY
This Bronze portrait by Constantin Antonovici is laid directly into the surface of a cut slab of white marble. Intense and hollow eyes stare out from a smiling visage, creating an un...
Category
Art Deco 20th Century Abstract Sculptures
Materials
Marble, Bronze
Inflammatory Essays -- Sculpture, Pewter, Text Art by Jenny Holzer
By Jenny Holzer
Located in London, GB
Inflammatory Essays: Shriek When the Pain Hits During Interrogation, 1996
Jenny Holzer
Pewter multiple with engraved text
With the artist's incised signature and numbering verso
Fr...
Category
Contemporary 20th Century Abstract Sculptures
Materials
Metal
Large Stainless Steel Abstract Israeli Sculpture 'Three Tubes' Maquette
By Israel Hadany
Located in Surfside, FL
Israel Hadany (Israeli, 1941-). A stainless steel maquette for sculpture "Three Tubes", currently installed at the University of Pennsylvania ...
Category
Abstract Geometric 20th Century Abstract Sculptures
Materials
Stainless Steel, Iron
Gentleman, Marble and Travertine Conceptual Sculpture
By Maria Dompe
Located in Surfside, FL
MARIA DOMPE, (Italian, b. 1958), Gentleman Sculpture, marble and travertine, 1995, height: 20 in.
One of a pair, (Gentleman and Lady) being sold separately.
Maria Dompe was born in ...
Category
Conceptual 20th Century Abstract Sculptures
Materials
Travertine, Marble
Untitled Glazed Slab (Oval)
By Jun Kaneko
Located in Kansas City, MO
Jun Kaneko
Untitled Glazed Slab (Oval)
Ceramic, Glaze
1990
Approx. 26 x 22 x 4 in
Signed and dated (verso)
COA provided
Ref.: 90-9-41
Ref.: 924802-1007
"Scale in nature presents a ...
Category
Modern 20th Century Abstract Sculptures
Materials
Ceramic, Stoneware, Glaze
Abstract Form No. 2
Located in Columbia, MO
EMERSON WOELFFER
Abstract Form No. 2
1979
Terra cotta on wooden plinth
3.5 x 5.5 x 8.5 inches
Category
Abstract 20th Century Abstract Sculptures
Materials
Wood, Terracotta
Untitled Slab with Colored Tears (#891)
Located in Kansas City, MO
Jim Leedy
Untitled Slab with Colored Tears (#891)
Raku-Fired Stoneware
1989
Approx. 20 in in diameter
COA provided
Comes with original papers
Ref.: #891
Ref...
Category
American Modern 20th Century Abstract Sculptures
Materials
Stoneware, Glaze
No title
Located in Paris, FR
Sculpture, 1990
Handsigned by the artist in pencil
Compression of capsules and wires
Unique work of a series in 500 different copies
Depth: 2.30 cm
A modestly sized compression of ...
Category
Abstract 20th Century Abstract Sculptures
Materials
Iron
L'Oiseau
By Joan Miró
Located in Palm Desert, CA
"L'Oiseau" is a sculpture by Surrealist Joan Miró. The bronze sculpture is signed verso, "Miro" and inscribed 'N.3', and with foundry stamp 'Clementi cire perdue (Paris).
André Bret...
Category
Surrealist 20th Century Abstract Sculptures
Materials
Bronze
60s Kadishman Israeli sculpture in steel or aluminum Suspension
Located in Surfside, FL
Beautiful table top sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. it is signed and numbered and dedicated Janet love george
Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London. From 1947 to 1950, Kadishman studied with the Israeli sculptor Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv, and in 1954 with the Israeli sculptor Rudi Lehmann in Jerusalem. In 1959, he moved to London, where he remained until 1972. He had his first one-man show there in 1965 at the Grosvenor Gallery. His sculptures of the 1960s were Minimalist in style and so designed as to appear to defy gravity. This was achieved either through careful balance and construction, as in Suspense (1966), or by using glass and metal so that the metal appeared unsupported, as in Segments (1968). In 1995, he began painting portraits of sheep. These instantly-recognizable sheep portraits...
Category
Modern 20th Century Abstract Sculptures
Materials
Stainless Steel
Repose
Located in Detroit, MI
Jim Miller-Melberg (1929 - 2017) was a mid-century industrial designer and sculptor known for his ubiquitous playground sculptures. Jim studied at the University of Michigan, Cranbrook Academy of Art in Bloomfield Hills...
Category
20th Century Abstract Sculptures
Materials
Marble, Bronze
Polychrome Bronze Organic Sculpture Polich Tallix Art Foundry Sleeping Beauty
Located in Surfside, FL
Robert Kushner, born in 1949, in California, lives in New York, and is a painter and sculptor. He gained attention in the early seventies as a performance artist, using food, fabric and nudity. Kushner was associated with the Pattern and Decoration movement and used fabric collage in large-scale, bold paintings of the figure. Since 1987 he has used flowers as the subject of his paintings, more recently adding a cornucopia of fruits and vegetables to his repertoire. Kushner's use of rich color harmonies and bold, fluid drawing, mark his belief in the importance of beauty in our lives. Kushner draws from a unique range of influences, including Islamic and European textiles, Henri Matisse, Georgia O'Keeffe, Charles Demuth, Pierre Bonnard, Tawaraya Sotatsu, Ito Jakuchu...
Category
Contemporary 20th Century Abstract Sculptures
Materials
Bronze
1970's Enamel Metal Vasarely Silkscreen Screenprint Axo Kinetic Op Art Sculpture
Located in Surfside, FL
Victor Vasarely (1908-1997)
Axo
This piece is hand signed and numbered
circa 1972-1977
I have seen it described as enamel on steel and enamel on aluminium. it is a serigraph on meta...
Category
Op Art 20th Century Abstract Sculptures
Materials
Metal, Enamel
Girl Seated a la Japonaise Bronze Sculpture Morris Singer Foundry.
By Helaine Blumenfeld
Located in Surfside, FL
Girl Seated a la Japonaise, 1964, polished bronze. It was exhibited at The Chapman Gallery NYC in 1968. Cast at Morris Singer Foundry and numbered 4/6 signed with the artists monogram.
Helaine Blumenfeld OBE (born, New York 1942) is an American Sculptor working in Britain and Italy, best known as an artist who has pioneered new methods of carving in stone and for her semi-abstract marble, granite and bronze sculptures which are located around the world as Public art. Her forms are often abstractions of human forms and of elements in nature. She is widely recognized as the most significant sculptor of her generation and "the heir apparent to HenryMoore and Barbara Hepworth."
In 1973, Blumenfeld, who had recently moved to England, exhibited at Kettle's Yard in Cambridge England. These early sculptures, which were mostly cast in bronze were largely figurative work in the tradition of sculptors such as Constantin Brâncuși, Jacob Epstein, Jean Arp, Henri Gaudier-Brzeska, Henry Moore and of course her one time teacher Ossip Zadkine. In 1985, the Alex Rosenberg Gallery in New York showed her sculpture in dialogue with Henry Moore
In 1978, Blumenfeld's first visit to Pietrasanta in Italy marked a turning point in her work as she started carving in marble, mostly at Studio Sem, founded in the 1950s by Sem Ghelardini (1927-1997) who gained international notoriety producing the large scale works of Henry Moore, César Baldaccini, Emile Gilioli, Joan Mirò, Georges Adam and many other celebrated sculptors during the first wave of modern abstract sculpture in the 1960s.
Throughout the 1980s and 1990s Blumenfeld's sculpture, now less clearly figurative but still often of portraying couples and family units in multiple configurations, was exhibited at the Bonino Gallery in New York and in solo and group shows around the world. A member of the Visual Arts Panel of the Arts Council of Great Britain between 1981 and 1988, Blumenfeld was elected a member of the Royal British Society of Sculptors in 1993.
Blumenfeld has created over 80 large scale sculptures in bronze, granite, marble and steel in Europe and the United States for private and public clients, including the British Petroleum headquarters in London, the Lincoln Center in New York the Cass Sculpture Foundation at Goodwood and Family (Blumenfeld) at the Henry Reuss Plaza in Milwaukee and The Lancasters at Lancaster Gate in London. At Cambridge University, her sculpture has been commissioned by Clare Hall (Flame, 2004) and Newnham College...
Category
20th Century Abstract Sculptures
Materials
Bronze
Large 1970's Israeli Abstract Sculpture Steel Menashe Kadishman Tel Aviv Uprise
Located in Surfside, FL
Hitromemut (Uprise)
Beautiful large sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. There is a large monumental version of this in front of the Habima Theater, Israel's National Theatre in the heart of Tel Aviv.
this is from the small edition of 10.
The elements of this work, are balanced on top, in opposition to its construction.
Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London. From 1947 to 1950, Kadishman studied with the Israeli sculptor Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv, and in 1954 with the Israeli sculptor Rudi Lehmann in Jerusalem. In 1959, he moved to London, where he remained until 1972. He had his first one-man show there in 1965 at the Grosvenor Gallery. His sculptures of the 1960s were Minimalist in style and so designed as to appear to defy gravity. This was achieved either through careful balance and construction, as in Suspense (1966), or by using glass and metal so that the metal appeared unsupported, as in Segments (1968). In 1995, he began painting portraits of sheep. These instantly-recognizable sheep portraits...
Category
Abstract Geometric 20th Century Abstract Sculptures
Materials
Stainless Steel
Exotica Series, Abstract Woven Tapestry by Ritzi Jacobi and Peter Jacobi
Located in Wilton, CT
Exotica Series, Abstract Woven Tapestry, Textile Sculpture. Cotton, goat hair and sisal, 114" x 60" x 6", 1975.
Ritzi Jacobi (1941 - 2022) and Peter Jacob...
Category
Abstract 20th Century Abstract Sculptures
Materials
Fabric, Textile, Cotton, Thread
Large Bronze Modernist Biomorphic Sculpture Abstract Bird Colin Webster Watson
Located in Surfside, FL
Colin Webster Watson (1926-2007).
A patinated cast bronze sculpture of a stylized bird with a steel ring.
Signed, numbered and dated (1985). With a Tallix foundry mark.
Measu...
Category
Modern 20th Century Abstract Sculptures
Materials
Bronze, Stainless Steel
Scottish Abstract Contemporary Minimalist Art Bronze Sculpture Alan Johnston 2/2
Located in Surfside, FL
Alan Johnston (Scottish, born 1945),
Untitled, 1988, cast bronze, edition of 2, cast #2
Incised A.J. 2/2 88 on underside
Provenance: Jack Tilton Gallery, NY
This is a weighty, solid bronze sculpture mounted to a clear, lucite, acrylic or plexiglass base
Alan Johnston, one of the leading British geometric abstract artists of his generation. Known for his large-scale architectural interventions and wall drawings including collaborations with architects such as Diener & Diener in Basel, Reiach & Hall architects Edinburgh, Shinichi Ogawa architects Tokyo and Hiroshima and Shinichi Ogawa in Japan, in 2013, he was commissioned to create a large ceiling drawing as part of the refurbishment of Tate Britain.
His work has its roots in the practice of art, architecture and visual thinking in the West and the East, and relates to concepts and practices such as Wabi Sabi and Minimalism. His work is also related to the work of Patrick Geddes. He has engaged in collaborative initiatives in art and architecture with Professor Shinichi Ogawa, Tokyo, and Neil Gillespie, Edinburgh.
Lives and works in Edinburgh, Scotland
EDUCATION
1972 - 73 Kunstakademie, Düsseldorf
1969 - 72 Royal College of Art, London
1964 - 69 Edinburgh College of Art, Edinburgh
SELECT SOLO EXHIBITIONS
2015 Alan Johnston, H-I-C-A, Inverness-shire, Scotland, UK
2015 SAFN, Berlin, Germany
Mies van der Rohe Haus, Berlin, Germany
2013 Bartha Contemporary, London, UK
Wall Drawing, Tate Britain, London, UK
2012 Drawing A Shadow: No Object. Henry Moore Institute, Leeds, UK
2011 Spazio attivo ovvero struttura: Renata Fabbri Contemporary Art, Milano, Italy
2010 Drawing House of Art. Budejovice, Czech Republic
2010 exhibition at the Henry Moore Institute
2009 Wall Drawing Peloton, Sydney Australia
2008 Wall Drawing U8, Nagoya, Japan
Tanizaki’s Mountains. Concept Space. Gunma, Japan
2007 Encased A.P.U.F.A.M. Museum, Aichi, Japan
Shadow Without Object, NSA Gallery, Hiroshima, Japan
Wall drawing, New Bedford Art Museum. New Bedford, USA
2005 Cairn Gallery Pittenweem Fife, Scotland, UK
1999 Northern Mirror Bury Museum, Bury, Greater Manchester, UK. Exhibition and installation
Two Cubes, I.A.V.A Akiyoshidai International Contemporary Art and Architecture Academy. An
Architectural Collaboration with Shinichi Ogawa, Akiyoshidai, Japan
1998 The Norwich Gallery, N.S.A.D. Norwich
Jack Tilton Gallery, NYC, USA
1996 The Lisson Gallery, London.
1994 Jack Tilton Gallery, NYC, USA
Haus Wittgenstein, Vienna, Austria
1993 Shimada Gallery, Yamaguchi, Japan
1979 Graeme Murray Gallery, Edinburgh, Scotland, UK
1978 Museum of Modern Art, Oxford, UK
1977 Graeme Murray Gallery, Edinburgh, Scotland, UK
1975 Nigel Greenwood Gallery, London, UK
1974 Von Der Heydt Museum, Wuppertal, Germany
SELECT GROUP EXHIBITIONS
2012 A Parliament of Lines, CAC Edinburgh, UK. Including Charles Avery, Paul Chiappe, Layla Curtis, Nathalie De Briey, Moyna Flanagan, Luca Frei, Euan Gray, Sam Griffin, Marie Harnett, Callum Innes, Andrew MacKenzie, David Shrigley, Graeme Todd, Ainslie Yule
2011 Faster and Slower Lines - From the Collection of Pétur Arason and Ragna Róbertsdóttir, The Reykjavik Art Museum, Reykjavik, Iceland. Curated by Birta Gudjondottir and Petur Arason. Including Ingolfur Arnarsson, Birgir Andresson, Stanley Brouwn, Helmut Federle, Ian Hamilton Finlay, Roni Horn, Kristjan Gudmundsson, Donald Judd, Richard Long, Dieter Rot, Karin Sander, Lawrence Weiner
Presente Futuro, Bordarier, Renata Fabbri arte contemporanea, Milano, IT. Inlcuding McLune, Radi,
Sartorio, Shanahan, Thurston
2010 IFF, Marseilles, FR. curated by Gavin Morrison. Including Douglas Gordon, Sean Shanahan, Fraser Stables
2009 Tactile Vision, Slewe Gallery, Amsterdam, Netherlands. Curated and participated group exhibition including Roger Ackling, David Connearn, Yoko Terauchi, Thomas Clark, Andreas Karl Schulze, Eiji Watanabe, Taka Iwasaki, Ragna Robertsdottir, Ian Hamilton Finlay, Takaya Fujii, Thomas Struth, Hideo Shimada, Richard Tuttle, Adam Barker-Mill, On Kawara, Tom Benson, Takashi Suzuki, John McLaughlin, Atsuo Hukuda, Kenzo Onada, Shinichi Ogawa, Yasuko Otsuka, Masayuki Yasuhara
SNO Contemporary Art Projects. 48, Sydney, Australia. Curated by Richard Dunn. Including Mark Brown, Richard Dunn, Marita Fraser, Manya Ginori, Alex Lawler, Adrian McDonald, Ragna Robertsdottir, Tsong Eng Tan
2007 The Secret Theory of Drawing, The Drawing Room, London
Niland Gallery Model Arts Sligo Ireland. Including David Austen, Trisha Donnelly, Olafur Elliasson, Ceal Floyer...
Category
20th Century Abstract Sculptures
Materials
Bronze
Minimalist Abstract Bronze Sculpture
By Ruth Vollmer
Located in Surfside, FL
In this abstract sculpture by Ruth Vollmer, the fusion between contrasting concepts: mathematical precision and natural "organicism", materials in both raw and manipulated states are evident. Signed by the artist.
Ruth Vollmer (1903 - 1982 New York City), was a German artist born in Munich. She was born in 1903 and named Ruth Landshoff. Her father, Ludwig Landshoff, was a musicologist and conductor and her mother, Phillipine Landshoff, was an opera singer. Their family was Jewish. At age 19 she began to work as an artist and took the advice of her father to draw every day. She also had many connections to the teachers and students at the Bauhaus. In 1930 she married a pediatrician named Hermann Vollmer, whom she met in Berlin. Ruth and Hermann move from Germany to New York in 1935. Ruth begins work designing window displays for Bonwit Teller, Tiffany's, Lord & Taylor, and other department stores. Her displays experimented with wire, steel, and copper mesh to create figural forms. In 1943, Vollmer becomes a U.S. citizen. In 1944 she receives a commission from the Museum of Modern Art for its fifteenth anniversary exhibition, "Art in Progress." Vollumer continues to work with wire mesh and shows her work Composition in Space at the Museum of Modern Art's 1948 exhibition "Elements of Stage Design." In 1950, she was commissioned to create a mural for the lobby of 575 Madison, where Vollmer created a large wall relief that used wire rods and wire mesh to play with light, texture, and transparency. Vollumer visits Giacometti for a second time during the summer of 1951. During the 1950s she begins to works with clay as well. Additionally, in 1954 she begins to teach at the Children's Art Center at the Fieldston School in Riverdale and continued to teach until the mid-sixties. In 1960, Vollmer participates in the NYU discussion series "Artists on Art" with her friend Robert Motherwell. 1960 is an important year because she also has her first one-person exhibition at Betty Parson's Section Eleven gallery space. Throughout the 1960s Vollmer works with bronze and as well as showing at Betty Parson's gallery several times. In 1963, she joins the group American Abstract Artists (AAA) and includes her work in their exhibitions from 1963 on. By 1970 Vollmer's art is working with complex geometrical forms and mathematical concepts, particularly spirals and platonic solids. Sol LeWitt wrote a short essay on Vollmer's work for Studio International titled "Ruth Vollmer: Mathematical Forms." Vollmer protests the cancellation of the Hans Haacke at The Solomon R. Guggenheim exhibition by writing a letter to the director, Thomas Messer, in 1971. In 1976, she had a large one-person exhibition at the Neuberger Museum of Art. In 1982, Ruth Vollmer dies after a long battle with Alzheimer's. A majority of her large personal art collection of over one hundred sculptures, paintings, and drawings is donated to MoMA. Her art collection included works by Carl Andre, Mel Bochner, Eva Hesse, Sol LeWitt, Ad Reinhardt, Frank Stella, Agnes Martin, and Vardea Chryssa.
Exhibitions
1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...
Category
Minimalist 20th Century Abstract Sculptures
Materials
Bronze
Argentine Modernist Brutalist Abstract Bronze Sculpture Jewish Latin American
By Naum Knop
Located in Surfside, FL
Naum Knop (Ukrainian-Argentinean, 1917-1993) Modernist Brutalist bronze figural sculpture with heavy verdigris green finish. Melted forms in the shape of an ...
Category
Abstract 20th Century Abstract Sculptures
Materials
Stone, Bronze
Yaacov Agam, Star of Love, spinningmorph sculpture, 1980's
By Yaacov Agam
Located in Tel Aviv, IL
Yaacov Agam, Star of love, spinningmorph sculpture, 1980's art,Kinetic art, Television, Internationa; artist, Israeli artist, Israeli art
Category
Kinetic 20th Century Abstract Sculptures
Materials
Plywood, Paper
Bronze Sculpture on Wood Base by Leonardo Nierman
Located in Long Island City, NY
Artist: Leonardo Nierman
Title: Untitled (Sculpture B)
Year: circa 1968
Medium: Bronze Sculpture, raised on Wood Base, signature and number inscribed
Edition: III/VI
Size: 32 x 9.25 ...
Category
Modern 20th Century Abstract Sculptures
Materials
Bronze
Found Object Wall Sculpture/Relief by Gertie Lowe
By Gertie Lowe
Located in Long Island City, NY
Wall sculpture assemblage by Gertie Lowe, from 1978, is a conceptual abstract with everyday objects. Muted neutral tones are contrasted with vibrant accents. Signed and dated verso...
Category
Conceptual 20th Century Abstract Sculptures
Materials
Plastic, Wood
Pandora's Box, Polished Bronze Sculpture, by Stefan Vladescu 1993
Located in Long Island City, NY
Artist: Stefan Matty Vladescu, Romanian/American (1952 - )
Title: Pandora's Box
Year: 1993
Medium: Bronze Sculpture, signature and date inscribed
Size: 34.5 in. x 10 in. x 10 in. (87...
Category
Modern 20th Century Abstract Sculptures
Materials
Bronze
Nexus
Located in Wilton Manors, FL
Abstract sculpture by American artist, Jack Youngerman (b.1926). Nexus, 1990. 24.5 inches. Aluminum, numbered 2/3. Signed and numbered on base.
1926 Born, St. Louis, Missouri; moved with family to Louisville, Kentucky in 1929
1943-44; 1946-47 Attended University of Missouri
1944-46 U.S. Navy, University of North Carolina
1947-49 Ecole des Beaux-Arts, Paris
1949-55 Lived and worked in Paris
1956 Returned to the United States; lived in New York City 1956-1995
1995-current Resides in Bridgehampton, New York
ONE MAN EXHIBITIONS:
1951 Galerie Arnaud, Paris
1958 Betty Parsons Gallery, New York (1960, 1961, 1964, 1967, 1968)
1959 Museum of Modern Art, New York, "Sixteen Americans"
1962 Galerie Lawrence, Paris (also 1965)
1963 Galeria dell' Ariete, Milan
Everett Ellen Gallery, Los Angeles, California
The Phillips Collection, Washington, D. C.
1971 Pace Gallery, New York (also 1972, 1975)
1972 Portland Center for the Arts, Oregon
Seattle Art Museum, Washington
1973 The Arts Club of Chicago, Illinois
Galerie Denise Rene, Paris
1975 Hopkins Center, Dartmouth College, Hanover, New Hampshire
1976 Parrish Art Museum, Southampton, New York
1981 Washburn Gallery...
Category
Abstract 20th Century Abstract Sculptures
Materials
Aluminum
Large 1970's Israeli Abstract Sculpture "Birth" Iron, Wood Menashe Kadishman
Located in Surfside, FL
Menashe Kadishman (Israeli, 1932-2015)
Birth
Iron
17-1/2 inches (44.5 cm) high on a 6-1/4 inches (15.9 cm) high wood base
Hand signed and Inscribed on base
Sculpture with base measur...
Category
Abstract Expressionist 20th Century Abstract Sculptures
Materials
Iron
Seascape Abstract Wall Hanging Sculpture Brad Howe LA Artist Colorful Pop Art
By Brad Howe
Located in Surfside, FL
Brad Howe (born 1959) is an American sculptor from California. His work has been exhibited domestically and internationally. This is done in a bold and colorful Pop Art style reminiscent of the work of the Memphis Milano Group.
Brad Howe was born in 1959 in Riverside, California. As a student of International Relations at Stanford University, Howe attended the University of São Paulo to specialize in Literature and Economic History. It was there that he discovered his passion for art and architecture that would eventually lead to his first exhibitions.
He started his career as a sculptor in Brazil, using stainless steel, aluminum and polyurethane. He credits sculptor Alexander Calder as an early influence in his work.
Since then, he has exhibited in over eighteen countries worldwide and his works have been placed in collections in more than 32 countries, including Brazil, Mexico, France, Germany, South Korea and United States.
His work can also be found at various universities including Massachusetts Institute of Technology (MIT) in Boston, Temple University in Philadelphia, and UCLA.
Monumental and Public Art have become a major focus of his career. Over the past ten years, he has completed over 30 public projects in 7 different countries. One of his sculptures can be seen in the city of Palo Alto, California. Moreover, as part of the Beverly Hills Centennial Arts of Palm Installation, he designed four sculptures outside the Beverly Hills City Hall, on North Santa Monica Boulevard in Beverly Hills, California. The Crocker Art Museum (Sacramento, California), the Honolulu Museum of Art, the Lancaster Museum of Art and History (Lancaster, California), and the Pasadena Museum of California Art (Pasadena, California) are among the museums holding work by Brad Howe. His work was included in the Arts of Palm exhibition in Beverly Hills, palm trees by prominent artists including Brad Howe, Michael McMillen, Mike Stilkey, Peter Shire, Peter Alexander and Ryan Schmidt.
His studio is actively completing site-specific commissions and installations for cities, universities, museums, and private corporations. Brad Howe also actively participates in group gallery shows with smaller works that serve as models, or maquettes, for his large-scale pieces.
SELECT GROUP EXHIBITS:
On The Road: American Abstraction, David Klein Gallery, Detroit, Michigan
Properties of Light, George Billis Gallery, Los Angeles, California
Blur the Lines, Brad Howe and Takashi Murakami, Asian Art Works, Busan, Korea
Brad Howe, Zachary Thornton, Lopez-Herrera, Thomas Punzmann Fine Arts, Frankfurt, Germany
Gary Komarin and Brad Howe, Galerie Proarta, Zurich, Switzerland
Color Balance, Marco Casentini and Brad Howe, Melissa Morgan...
Category
Pop Art 20th Century Abstract Sculptures
Materials
Metal
Abstract Form No. 1
Located in Columbia, MO
EMERSON WOELFFER
Abstract Form No. 1
1979
Porcelain on wooden plinth
3.5 x 3.5 x 11.5 inches
Category
Abstract 20th Century Abstract Sculptures
Materials
Wood
House #12 - To My Ancestors
Located in Kansas City, MO
Torbjorn Kvasbo (Torbjørn Kvasbø)
House #12 - To My Ancestors
Medium: Stoneware, Slab Built, Woodfired
Year: 1991
Size: 7.5 x 20 x 8 inches
Comes with ...
Category
Modern 20th Century Abstract Sculptures
Materials
Stoneware
White Abstract Marble Sculpture by Ellen Brenner-Sorensen
Located in Long Island City, NY
Artist: Ellen Brenner-Sorensen, American
Year: circa 1970
Title: Abstract
Medium: White Marble Sculpture
Size: 24 x 18 x 18 in. (60.96 x 45.72 x 45.72 cm)
Category
Abstract 20th Century Abstract Sculptures
Materials
Marble
Abstract Expressionist Biomorphic Welded Metal Sculpture
Located in Surfside, FL
Welded, brazed sculpture on wooden base
This is not signed or dated
This work is unsigned. We were told it was the work of Seymour Lipton but as there is further documentation we are selling it as attributed and cannot guarantee it as such.
Seymour Lipton (1903 – 1986) was an American abstract expressionist sculptor. He was a member of the New York School who gained widespread recognition in the 1950s. He initially trained as a dentist, like fellow sculptor Herbert Ferber, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. His early choices of medium changed from wood to lead and then to bronze, and he is best known for his work in metal. Like his contemporary, Abstract Expressionist Jackson Pollock, and Arshile Gorky Lipton was influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture. The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. He made several technical innovations, including brazing nickel silver rods onto sheets of Monel to create rust resistant forms. Seymour Lipton is best known for his textured torch welded metal sculptures...
Category
Abstract Expressionist 20th Century Abstract Sculptures
Materials
Metal
The Edge V (Op Art plexiglass box wall sculpture)
By Mon Levinson
Located in Wilton Manors, FL
Mon Levinson (1926-2014). The Edge V, 1965. Plexiglass, acetate and paper. 24 x 24 x 3 inches. Minor scuffing on surface of plexiglass. Original gallery label affixed en verso.
Biog...
Category
Op Art 20th Century Abstract Sculptures
Materials
Plexiglass, Paper
STEEL ROOM California Minimalist Abstract Sculpture
By Peter Lodato
Located in Surfside, FL
STEEL ROOM, 1989, steel sculpture, 8 x 8 x 8”, signed and dated.
Peter Lodato was born in 1946 in Los Angeles, California, has exhibited extensively and received significant acclai...
Category
Minimalist 20th Century Abstract Sculptures
Materials
Steel
Silver Composition - Silvered Bronze Sculpture by N. Franchina - 1960
Located in Roma, IT
Silver Composition is an original decorative object realized by Nino Franchina in 1960.
Original sculpture realized in silvered bronze.
Bronze patinated silver sculpture.
Signed a...
Category
Contemporary 20th Century Abstract Sculptures
Materials
Bronze
Abstract 3D Wall Hanging Sculpture Brad Howe LA Artist Laser Cut Steel Pop Art
By Brad Howe
Located in Surfside, FL
Letters and numbers cut from a sheet of brushed steel. Hand signed and dated
Brad Howe (born 1959) is an American sculptor from California. His work has been exhibited domestically and internationally. This is done in a bold and colorful Pop Art style reminiscent of the work of the Memphis Milano Group.
Brad Howe was born in 1959 in Riverside, California. As a student of International Relations at Stanford University, Howe attended the University of São Paulo to specialize in Literature and Economic History. It was there that he discovered his passion for art and architecture that would eventually lead to his first exhibitions.
He started his career as a sculptor in Brazil, using stainless steel, aluminum and polyurethane. He credits sculptor Alexander Calder as an early influence in his work.
Since then, he has exhibited in over eighteen countries worldwide and his works have been placed in collections in more than 32 countries, including Brazil, Mexico, France, Germany, South Korea and United States.
His work can also be found at various universities including Massachusetts Institute of Technology (MIT) in Boston, Temple University in Philadelphia, and UCLA.
Monumental and Public Art have become a major focus of his career. Over the past ten years, he has completed over 30 public projects in 7 different countries. One of his sculptures can be seen in the city of Palo Alto, California. Moreover, as part of the Beverly Hills Centennial Arts of Palm Installation, he designed four sculptures outside the Beverly Hills City Hall, on North Santa Monica Boulevard in Beverly Hills, California. The Crocker Art Museum (Sacramento, California), the Honolulu Museum of Art, the Lancaster Museum of Art and History (Lancaster, California), and the Pasadena Museum of California Art (Pasadena, California) are among the museums holding work by Brad Howe. His work was included in the Arts of Palm exhibition in Beverly Hills, palm trees by prominent artists including Brad Howe, Michael McMillen, Mike Stilkey, Peter Shire, Peter Alexander and Ryan Schmidt...
Category
Pop Art 20th Century Abstract Sculptures
Materials
Metal
1960 Italy Modular Kinetic Stainless Steel Abstract Wall Panel by Maldonado
Located in Brescia, IT
The mirrored surfaces of the stainless steel Maldonado work of art, reflect the world around.
Maldonado's artistic research has an ethological matrix: a sign as a kind of pre-Incan g...
Category
Abstract Geometric 20th Century Abstract Sculptures
Materials
Stainless Steel
Unique White Marble OP Art Sculpture by Domenico Casanta
Located in Long Island City, NY
A unique carved marble sculpture by well-known Italian/Venezuelan Kinetic Artist, Domenico Casasanta (1935 - ). It is signed and dated 1972.
Artist: Domenico Casasanta, Italian (1...
Category
Op Art 20th Century Abstract Sculptures
Materials
Marble
Angustia vital
Located in Barcelona, ES
Certificate of authenticity Included (issued by gallery)
Category
20th Century Abstract Sculptures
Materials
Wood
Colorful Composition 2
By Jozef Bajus
Located in Buffalo, NY
An original woven paper and staple wall sculpture by Jozef Bajus. This piece is comprised of hundreds of pieces of old textile patterns created by the artist in his capacity as a fa...
Category
Abstract 20th Century Abstract Sculptures
Materials
Ink, Mixed Media, Acrylic, Paper
Mixed Media Gravel Painting, Sculpture Abstract Expressionist Thomas Nozkowski
Located in Surfside, FL
Thomas Edward Nozkowski (American, 1944-2019). Original mixed media abstract composition art utilizing colored rock gravel. Titled, "Gravel Piece." Hand signed on verso, dated 5/73.
Provenance: Collection of the Bass Museum of Art, Miami Beach, Florida (Museum Inventory No. t.13.2000.053.)
Thomas Nozkowski was an American contemporary painter. He achieved a place of prominence through his small scale paintings and drawings that push the limits of visual language. His work appeared in more than 300 exhibitions over the past 40 years. He had more than 70 solo exhibitions, and 24 of his paintings were featured in a large-scale retrospective in 1987 at Corcoran Gallery of Art in Washington, DC
Nozkowski was born in Teaneck, New Jersey and raised in Dumont, where he graduated from Dumont High School in 1961. He spent his youth in the New Jersey suburbs, admiring New York culture from afar before moving there after graduating high school. His father worked in an Alcoa Aluminum factory and then as a postman. His mother worked in factories and as a bookkeeper. One of his aunts was a schoolteacher who gave him and his younger sister art supplies. When he was a senior in high school he won a scholarship to attend a painting class at New York University's School of Education, where he studied with Robert Kaupelis and Hale Woodruff. While he earned his BFA at Cooper Union, Nozkowski was making sculpture. He graduated in 1967. He later transitioned to large scale abstract expressionist painting, and exhibited some of his earliest works in group shows at the storied Betty Parsons Gallery. Richard Tuttle had his first show a year after he began assisting Betty Parsons. Thomas Nozkowski worked for her after graduating from Cooper Union. Between 1949 and 1951. In the course of 36 years, the Betty Parsons Gallery mounted important early shows of Robert Rauschenberg, Kenzo Okada...
Category
Contemporary 20th Century Abstract Sculptures
Materials
Stone
Spinning Sculpture - Steel Sculpture by Pietro Consagra - 1975
Located in Roma, IT
Signed and numbered (lower right). Steel and cast iron base (10 x 10 cm).
Bibliography:
Giuseppe Appella, I Multipli di Consagra, Ed. La Cometa, n. 19.
Ver...
Category
20th Century Abstract Sculptures
Materials
Stainless Steel
Central Structure - Iron Sculpture by Claudio Palmieri - 1998
Located in Roma, IT
Central structure is a contemporary metallic sculpture, realized in 1998 by the Italian artist Claudio Palmieri.
Original Title: Struttura Centrale
In excellent conditions, this o...
Category
Contemporary 20th Century Abstract Sculptures
Materials
Iron
Swoosh, Large Bronze Sculpture on Wood Base by Leonardo Nierman
Located in Long Island City, NY
Artist: Leonardo Nierman
Title: Untitled (Sculpture A)
Year: circa 1968
Medium: Bronze Sculpture, raised on Wood Base, signed
Size: 41.25 x 14 x 15 inches (including base)
Category
Modern 20th Century Abstract Sculptures
Materials
Bronze
The EYE, Abstract Copper and Wood Sculpture
Located in Long Island City, NY
Artist: Unknown
Medium: Hand-Hammered and Welded Copper and Wood Construction
Size: 89 in. x 19 in. x 2 in. (226.06 cm x 48.26 cm x 5.08 cm)
Category
Modern 20th Century Abstract Sculptures
Materials
Copper
Large Biomorphic Abstract Bronze Sculpture Phoebe Adams Wall Hanging
Located in Surfside, FL
"What Remains"
Cast bronze with patina, 1985.
Cast at Johnson Atelier, Hamilton NJ
Exhibited at Guggenheim Museum 1985
Provenance: Sold through Grace Borgenicht Gallery, NY
The second photo is the picture in the catalogue. I received it from the artist. I do not have the catalogue available.
Studio handcrafted solid cast bronze Biomorphic shell wall sculpture. Abstract exoskeleton theme. This is a corner piece as can be seen in the catalogue photo (we do not have the catalogue). To be mounted on left side wall of corner, piece reached across to right side across corner (as per artists instructions).
Phoebe Adams is an American female Post War & Contemporary artist who was born in 1953. Their work was featured in several exhibitions at key galleries and museums, including the Locks Gallery and the David Richard Gallery, New York. Phoebe Adams has been featured in articles for the ARTFORUM and the "New York Times".
Phoebe Adams has emerged as one of the Philadelphia area's most prominent artists and has also achieved national recognition. Her unique cast bronze sculptures, to which she occasionally adds copper and wood, are rooted in physiological phenomena, appearing by turns archeological and anatomical. They derive from the tradition of biomorphism as pioneered by Jean Arp, Joan Miro and, more recently, Louise Bourgeois. Adams' sculptures evoke a wide range of associations with organic processes such as fossilization and decomposition and with natural forms such as shells, ammonites, human organs and bones, crustacean appendages, pods and cocoons. In her oeuvre images of growth and transformation are metaphors for psychic processes: the manner in which ideas grow, turn in on themselves and give birth to new thoughts. Her work has the organic aesthetic qualities found in the work of Michele Oka Doner, Lynda Benglis and Nancy Graves. Her work was included in the fourteenth International Sculpture Conference in Philadelphia, 1992. Featuring works by Phoebe Adams, Anthony Caro, John Chamberlain, Mark Di Suvero, Joel Fisher...
Category
Abstract 20th Century Abstract Sculptures
Materials
Bronze