Arman
Violon Découpé, hommage à Picasso

Name: Violon Découpé, hommage à Picasso
Brand: Arman
Price: 19920.32 USD
Availability: InStock

About the Item

Arman was an American-French artist best known for his unique style of found-object sculpture. Inspired by the philosophies and aesthetics of Dadaism, the artist gathered forks, instruments, and teapots which he staged within vitrines. “I maintain that the expression of junk and objects has an intrinsic value, and I see no need to look for aesthetic forms in them and to adapt them to the colors of the palette,” he said of his subject matter. Born Armand Pierre Fernandez on November 17, 1928 in Nice, France, while studying judo he met the artist Yves Klein, who would help him form the Nouveau Réalisme group along Jean Tinguely. Initially an abstract painter, Arman became more interested in the ideas surrounding the emergence of Pop Art. In the early 1960s, the artist began a series of works aimed at critiquing of consumerism, waste, and mass production, known as poubelles, or trash cans. The artist became a citizen of the United States in 1973, living in New York and working for Amnesty International for a number of years. Arman died on October 22, 2005 in New York, NY. Today, his works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Tate Gallery in London, and the Musée d’Art Moderne et d’Art Contemporain in Nice, among others.

Creator:

Arman (1928 - 2005, French)

Dimensions:

Height: 23.63 in (60 cm)Width: 11.82 in (30 cm)Depth: 7.88 in (20 cm)

Medium:

Bronze

Period:

2000-2009

Condition:

Gallery Location:

PARIS, FR

Reference Number:

1stDibs: LU2506213687762

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Arman

Arman was born in Nice, France, in 1928, and showed a talent for painting and drawing as a child. He studied at the the Ecole Nationale des Art Décoratifs in Nice followed by studies at the École du Louvre in Paris. In his early years he focused on abstract paintings. Then, in 1957, he became interested in common objects as works of art. He first did what came to be called his "allures d"objet" (object impressions), where he would dip an object into paint and press it on canvas thus leaving the object's shadow or impression. Then he decided the object itself was worth paying attention to and started to treat them in his own way. His intention was to remove the material purpose of an object so that its only remaining function was to "feed the mind" as a work of art. What better way to achieve that result than by breaking, slicing or even burning objects such as violins, telephones, typewriters or even whole cars? He also made objects useless by accumulating them, such as 2,000 wristwatches in a Plexiglass box that all kept different time. Once emotionally detached from the circumstances associated with a broken object, the viewer could grow to appreciate its abstract beauty; so, in a sense, Arman was literally teaching that things one never thought could be regarded as attractive could indeed turn out to be so. Through this achievement, Arman gained worldwide recognition and is regarded as one of the most prolific and inventive creators of the late 20th century. His work can be found in the collections of numerous museums including the Metropolitan Museum of Art in New York, the Tate Gallery in London and the Centre Pompidou in Paris. Arman’s work has also been exhibited in galleries, museums and public spaces worldwide including the Musée D’Art Contemporain in Tehran, Iran; the Museum of Art in Tel Aviv, Israel; the Musée Des Arts Decoratifs and Opéra De Paris in France; the La Jolla Museum of Contemporary Art in California; and the Museum of Arts and Design and the Guggenheim in New York He died in 2005 in New York.