Chen Zhiguang

Contemporary Stainless Steel Sculpture-Unique work - Tree is not Wood #2

2021

Stainless Steel Sculpture by Chen Zhiguang Title: Tree is not Wood #3 Material: Stainless Steel Dimension: 85 x 100 x 60 cm Date: 2021 About the artwork: Bonsai (Potted landscape...

This sculpture by Wang Dapeng is signed and numbered. Edition 20/ 99. Wang Dapeng is a contemporary Realist sculptor. He makes images of spiritual animal...

Stainless Steel Sculpture by Chen Zhiguang Title: Tree is not Wood #1 Material: Stainless Steel Dimension: 218 x 118 x 70 cm Date: 2021 About the artwork: Bonsai (Potted landscap...

The sculpture is signed and numbered. Edition 20/99. About the Artwork: The Chinese Zodiac can’t be ignored in the traditional culture of China. It’s closely interconnected with the social customs and habits, the aesthetic taste and the opinion of value. The Twelve animals of Year represent the traditional Chinese wisdom that the laws of Nature governs all things and that man must seek harmony with Nature. I created this Series of twelve zodiac animals made of gold and pottery, trying to give the “zodiac”-this long-standing cultural symbols a meaning of the prosperity and the luckiness. –He Wenjue About the artist: He Wenjue was born in 1970 in Hunan Province, China. He received his MA in painting from Jilin Academy of Fine Arts. Member of Chinese Art Association, Member of Chinese Painting Association.The vice-President of Hunan Oil-Painting Association. Research Fellow of Beijing Academy of China Xieyi Oil Painting.He is currently the vice president of Hunan Oil Painting Society, a member of China Artists Association and a member of Chinese Oil Painting Society. His works have been displayed on exhibitions at“Scenery in Map”ShangHai Solo Exhibition、Solo Exhibition, Frank Schlag Gallery, Essen, Germany、Sense of the Sparkle: He Wenjue Singapore Solo Exhibition, Singapore、Water: Senses of Sparkle, Tang Gallery, Bangkok, Thailand、The 9th & The 10th National Annual Fine Arts Exhibition、The first Chinese Freehand Brushwork Oil Painting、4th Jakarta Contemporary Ceramics Biennale, 6th BICMA ,、Painting the Present, Certosa di San Giacomo, Via Certosa 1 - Capri, Capri, Italy、The 2nd Chinese Oil Painting Biennale, The National Art Museum of China、The Xinjiang International Art Biennial 2014、Ethics as the DNA Art: The 9th Florence Biennale、SEA OF PEACE: Japan-Korea Contemporary Art Exhibition, Incheon Art Platform, Incheon, Korea、Faces and Figures, Germany、East side, Michael Schultz Gallery, Berlin, Germany、Vanhaerents Museum Collection, Brussel Belgium、China...

This sculpture by Wang Dapeng is signed and numbered. Edition 45/50 Wang Dapeng is a contemporary Realist sculptor. He makes images of spiritual animals –...

The sculpture is signed and numbered. Edition 20/99. About the Artwork: The Chinese Zodiac can’t be ignored in the traditional culture of China. It’s closely interconnected with the social customs and habits, the aesthetic taste and the opinion of value. The Twelve animals of Year represent the traditional Chinese wisdom that the laws of Nature governs all things and that man must seek harmony with Nature. I created this Series of twelve zodiac animals made of gold and pottery, trying to give the “zodiac”-this long-standing cultural symbols a meaning of the prosperity and the luckiness. –He Wenjue About the artist: He Wenjue was born in 1970 in Hunan Province, China. He received his MA in painting from Jilin Academy of Fine Arts. Member of Chinese Art Association, Member of Chinese Painting Association.The vice-President of Hunan Oil-Painting Association. Research Fellow of Beijing Academy of China Xieyi Oil Painting.He is currently the vice president of Hunan Oil Painting Society, a member of China Artists Association and a member of Chinese Oil Painting Society. His works have been displayed on exhibitions at“Scenery in Map”ShangHai Solo Exhibition、Solo Exhibition, Frank Schlag Gallery, Essen, Germany、Sense of the Sparkle: He Wenjue Singapore Solo Exhibition, Singapore、Water: Senses of Sparkle, Tang Gallery, Bangkok, Thailand、The 9th & The 10th National Annual Fine Arts Exhibition、The first Chinese Freehand Brushwork Oil Painting、4th Jakarta Contemporary Ceramics Biennale, 6th BICMA ,、Painting the Present, Certosa di San Giacomo, Via Certosa 1 - Capri, Capri, Italy、The 2nd Chinese Oil Painting Biennale, The National Art Museum of China、The Xinjiang International Art Biennial 2014、Ethics as the DNA Art: The 9th Florence Biennale、SEA OF PEACE: Japan-Korea Contemporary Art Exhibition, Incheon Art Platform, Incheon, Korea、Faces and Figures, Germany、East side, Michael Schultz Gallery, Berlin, Germany、Vanhaerents Museum Collection, Brussel Belgium、China...

Hung Yi was born in Taichung, Taiwan in 1970. The artist’s works are inspired by Taiwanese culture or day-to-day life in Taiwan. In the 1990s, it was popula...

Joseph's statement pieces both literally and figuratively reflect their audience - drawing attention to phrases, words, or expressions that challenge the viewer to look beneath the s...

AP 2 Ernest Trova was an artist whose signature creation, a gleaming humanoid known as “Falling Man,” appeared in a series of sculptures and paintings and became a symbol of an imperfect humanity hurtling into the future. Mr. Trova was largely known as a sculptor, but his “Falling Man,” a standard of Pop Art, began life as a painted figure, taking shape on his easel in the early 1960s. Faceless, armless, with a hint of a belly and, its name notwithstanding, of indeterminate sex, the figure struck a variety of poses, sometimes juxtaposed with other like figures, sometimes with mechanical appendages. In October 1963 his one-man show, “Falling Man Paintings,” was the inaugural exhibition of the Pace Gallery on West 57th Street in Manhattan; it sold out, with the works purchased by the Museum of Modern Art, the Whitney Museum, the architect Philip Johnson and others. In three dimensions, the “Falling Man” figure was made from different materials over the years — nickel and chrome-plated bronze, enamel on aluminum, stainless steel — and often, like the Oscar statuette, was polished to an industrial sheen. It was clearly a space age creation, a forerunner of C3PO, the golden robot in “Star Wars.” “He found the space age both inspiring and dehumanizing,” Arne Glimcher, who founded the Pace Gallery, now PaceWildenstein, said in an interview on Friday. By the end of the 1960s, “Falling Man” had become Mr. Trova’s trademark, provoking Hilton Kramer, the art critic of The New York Times, to write that Mr. Trova had subjected his favorite figure “to almost as many variations as the Kama Sutra describes for the act of love.” Ernest Tino Trova Jr. was born in St. Louis on Feb. 19, 1927. Shortly after his high school graduation his father, an industrial tool designer and inventor, died, and young Ernie, as he was known, went to work, most significantly as a window dresser for a department store. His early paintings were in the Abstract Expressionist mode, but his attentiveness to the mannequins had an influence on his art. Through the 1970s and 1980s he continued with “Falling Man,” though he also became interested in formalized, almost mechanical-seeming landscapes, and the figures began to appear, reduced in size, within the context of abstractly rendered gardens. A self-taught artist with an impish wit and an eccentric turn of mind, Mr. Trova craved the recognition that was available to artists only in New York City, but he never visited for more than a week at a time and made almost no friends among New York artists. He did befriend Ezra Pound. As a fevered fan of Julio Iglesias...

"Peter Pan, 2014" is a Stainless Steel Sculpture by Rainer Lagemann. Lagemann began his metal sculpting career when he learned to weld in 2005. In 2009 he moved from San Francisco t...

"Hanging On, 2011" is a Stainless Steel Sculpture by Rainer Lagemann. Lagemann began his metal sculpting career when he learned to weld in 2005. In 2009 he moved from San Francisco ...

Born in Düsseldorf in 1959, Rainer Lagemann concentrates on the human body in a modern interpretation of classical sculpture. Lagemann is fascinated by the long-held tradition of artistic expression and struggle depicted through the natural form explored in all shapes, materials, and mediums since the beginning of art history. His sculptures capture the human body in motion--a freeze-frame of classic, timeless gestures and emotions, both ethereal and concrete. The forms he creates possess the grace of a Nureyev or Baryshnikov in mid-flight. Lagemann uses hollow metal squares to sculpt the human figure, creating works that elicit both the strength and delicacy of the body. Each square represents the trials and tribulations of life, the four corners symbolizing the intellectual, emotional, physical, and spiritual dimensions of human beings that form the framework of the spirit and the image of the body. The hollow squares strip away distractions, leaving a powerful vision and exploration of the human body, adding an element of tangible levity and formless abstraction. With all of Rainer's sculptures, there is a secondary layer of beauty and mystery - the exquisite shadows of form, body, and spirit cast themselves upon the walls creating a second sculpture of light...