Lorenzo Weber

Pio VI blessing on horseback during the Cavalcata for the Possession

Arturo Martini (Treviso 1889 - Milan 1947), La Botola (1930 / 1933) Terracotta sculpture 34 x 42 x 9 cm signed lower left; label of Galleria del Milione, Milan, on back. Provenance...

Raffaelle "Lello" Scorzelli (Naples 1921 - Rome 1997), Portrait of Neapolitan actor Raffaele Viviani (1942) Terracotta sculpture 38 x 51 x 26 cm signed and dated 1942 on the back of...

Alfredo Biagini (Rome 1886 - 1952), Female Face Bronze sculpture 23 x 17 x 21 cm signed at bottom.

Luigi Preatoni (Novara 1845 - ?), Maiden with hat Marble bust 66 x 43 x 36 cm signed (L Preatoni) on edge of dress.

Giulio Tadolini ( Rome 1849 - 1918 ) ( attr. to ), Bust of veiled woman Bronze 61 x 37 x 22 cm.

Alfio Castelli (Senigallia 1917 – Rome 1992), Altar boy Bronze sculpture of 58 x 40 x 20 cm signed lower left.

Impressive white Candoglia marble bust depicting the Greek philosopher Diogenes of Sinope. Northern Italy, first half of the 18th century. Diogenes of Sinope, called the Cynic, was ...

19th Century Italian School Grand Tour Bronze Sculpture of Dionysus, 19th Century Bronze with black-green patination 24 x 10 x 10 inches Dionysus, in Greco-Roman religion, a nature ...

Early 19th Century Italian School The Borghese Gladiator, c. 1810 Bronze with green patination 27 x 18 x 26 inches Since its discovery in the early seventeenth century, the Borghes...

These four plaques represent either domestic (a horse, two rams) or exotic animals (a rhinoceros and an elephant). Made on slate slabs cut to shape (a rectangle with concave angles), they are all based on the same narrative scheme: in a frame of Egyptian porphyry, an animal in multicoloured marble is represented advancing on a green marble floor, standing out against a black slate background. These plates were made in Italy, probably in Florence or in Rome, during the 18th century. We think that their primary purpose was to decorate the drawers of a cabinet. Like many other compositions in hard stone, these plaques were inspired by engravings that were a widespread decorative repertoire in the workshops. Three of the plaques presented here were directly inspired by works by Antonio Tempesta (1555 - 1630): the Rhinoceros, the Polish Horse...

Magnificent neoclassical head in pure white Carrara marble, depicting Aphrodite of Cnidia. Italy, early 19th century around 1830. There are numerous specimens of this head, many of w...

The Philosopher by Vincenzo Gemito (1852-1929) Bust in bronze with a nuanced dark brown patina Signed "Gemito" Stamped with the foundry mark "Fonderia Gemito Napoli - Merca di Fabbr...