Items Similar to A 16th century Renaissance North Italian marble heads of two puttis
Want more images or videos?
Request additional images or videos from the seller
1 of 16
UnknownA 16th century Renaissance North Italian marble heads of two puttis
About the Item
Lovely pair of heads of small cherubs carved in white Carrara marble.
The chubby faces adorned with admirable hair with abundant tight and deep curls with a quiff on the forehead.
These are elements from a large architectural ensemble.
16th century
Nothern Italy
Dimensions: h. 16cm (6.30 in) and 17cm (6.70 in.)
Iron bases
Height including bases : h. 24 cm (9.45 in) and h. 28cm (11.02 in.)
- Dimensions:Height: 6.7 in (17.02 cm)Width: 5.51 in (14 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU2433214004882
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2023
7 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: PARIS, France
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- A late 17th Italian carved limewood figure of Mermaid, circle of Filippo ParodiLocated in PARIS, FRA late 17th c. Italian carved figure of Mermaid, Circle of Filippo Parodi (Genoa, 1630 – July 22, 1702) Dimensions: h. 29.13 in, w. 30.31 in, p. 18.9 in (at the base) Magnificent Italian Baroque sculpture depicting a mermaid seated on the rock. All the virtuosity of the sculptor unfolds in this carved group. The fantastic creature is featured seated, the upper part of the body darting forward, the head looking upwards. Sophisticated hairstyle with rows of pearls intertwined in her hair, her loose locks fly in the wind and bring movement to the whole sculpture. The wide-open eyes with hollowed-out pupils make it possible to follow the mermaid's gaze, towards the sky. The half-open mouth further magnifies this bewitching and seductive attitude. Its long double tail ending in fins wraps on either side of a rocky mound strewn with objects evoking the underwater world: seashells and shells, branches of coral. The ornamental richness combined with the great care taken in its execution make it a work in which the splendor of Italian Baroque art unfolds in such characteristic scenic movement. The composition betrays a strong influence from Filippo Parodi, the leader of Genoese Baroque sculpture, and points to an artist from his circle. Our sculpture was probably part of a decorative monumental palace. The iconographic theme evoking the marine world finds its application in the numerous fountains and artificial grottos, designed in Italian palaces at the turn of the 17th and 18th centuries. Giacomo Filippo Parodi (Genoa 1630 – July 22, 1702) was an Italian Baroque sculptor of the Genoese school, who introduced Bernini's aesthetic to Genoa. In his youth fathers a first apprenticeship with a carpenter, he went to Rome where he became a pupil of Bernini. He had the opportunity to admire in person the works and style of the French sculptor Pierre Puget...Category
Late 17th Century Baroque Figurative Sculptures
MaterialsWood
- Virgin of the Annunciation, Burgundy, early 15th centuryLocated in PARIS, FRVirgin of the Annunciation Burgundy, cercle of Claus de Werve (Haarlem? - Dijon, 1439) Early 15th century Walnut carved in the round Hight: 60 cm The Virgin Mary stands, her right ...Category
15th Century and Earlier Medieval Figurative Sculptures
MaterialsWalnut
- Adoration of the Shepherds, attributed to Louis de Caullery, early 17th centuryLocated in PARIS, FRAdoration of the Shepherds Attributed to Louis de Caullery (1580-1622) 17th century Antwerp School, circa 1620 Oil on copper: h. 54 cm (21.26 in.), w. 72 cm (28.35 in) A 17th century...Category
Early 17th Century Old Masters Figurative Paintings
MaterialsCopper
- Allegory of four elements, pupil of Jan Brueghel the Younger (1601-1678)Located in PARIS, FR17th century Antwerp school Landscape, animals and stilllife by a pupil of Jan Brueghel the Younger (1601-1678) Figures by a pupil of Frans Francken II Oil on canvas: h. 52,5 cm, w. ...Category
Mid-17th Century Old Masters Figurative Photography
MaterialsCanvas, Oil
- Cercle of Ambrosius Francken, Adoration of the shepherds, 17th century AntwerpLocated in PARIS, FRAdoration of the shepherds, Cercle of Ambrosius Francken, Early 17th century Antwerp school Oil on oak panel: h. 55 cm, w. 43 cm (21.65 in x 16.93 in) 17th c. ebonized and moulded f...Category
Early 17th Century Old Masters Figurative Paintings
MaterialsOil, Wood Panel
- Adam and Eve in paradise, studio of Jan Brueghel the Younger, 17th centuryLocated in PARIS, FRStudio of Jan Brueghel the Younger 17th century Antwerp school Oil on oak panel, h. 37 cm, w. 49 cm Tortoiseshell veneered baroque style frame...Category
Mid-17th Century Old Masters Figurative Paintings
MaterialsOil, Wood Panel
You May Also Like
- ANTIQUE ITALIAN RENAISSANCE IONIC MARBLE CAPITAL WITH PUTTI, 16TH CENTURYLocated in Milan, ITFinely carved male capital dated from the 16th Century. Created in Italy, this fine works features the faces of winged cherubs.Category
16th Century Renaissance Figurative Sculptures
MaterialsMarble
- Rare and Important Italian White Marble Bust Sculpture of Jesus Christ, C. 1850Located in New York, NYRare and Important Italian White Marble Bust Sculpture of Jesus Christ, C. 1850 A truly exceptionally carved marble relief of Holy Jesus Christ. Ver...Category
19th Century Renaissance Figurative Sculptures
MaterialsMarble
- A Rare Italian White Marble Relief of "Young Saint John the Baptist" circa 1860Located in New York, NYA Rare Italian White Marble Relief of "Young Saint John the Baptist" circa 1860 after Desiderio Da Settignano. The original pietra serena relief by Desiderio Da Settignano, is in Th...Category
19th Century Renaissance Figurative Sculptures
MaterialsMarble
- Classical Male TorsoBy Martin GlickLocated in Milford, NHWonderful sculpture of a Twisting Male Torso in carved stone by contemporary New York City artist Martin Glick. Born in 1944, Martin Glick resides in Pomona, New York, just outside of New York City. He was taught by Conger Metcalf...Category
20th Century Renaissance Figurative Sculptures
MaterialsStone
- Saint Sebastian Lombard school. Italian Renaissance Carved alabaster.Located in PARIS, FRLarge Saint Sebastian finely carved in alabaster. The saint is attached to a column surmounted by a capital, beautiful soft features and superb hair wi...Category
16th Century Renaissance Figurative Sculptures
MaterialsStone, Alabaster
- Anatomical Study of the HorseLocated in Oswestry, GBPassionate about anatomy and the natural form, Davies modelled this hunter/thoroughbred type horse in a way that exhibits the inherent beauty of its skeletal shape and musculature, ...Category
21st Century and Contemporary Northern Renaissance Figurative Sculptures
MaterialsGranite, Bronze
Recently Viewed
View AllMore Ways To Browse
North Italy
Antique Head Sculpture
Antique Sculpture Head
Marble Head
Italian Head Sculpture
Small Head Sculpture
Sculpture Two Faces
White Head Sculptures
Marble Sculptures Pair
16th Renaissance
16th Century Renaissance
Renaissance Marble
Marble Sculpture Head
Antique Art Of Italy Pair
White Marble Head
Marble Sculpture Face
Italian Putti
Large White Marble Sculpture