Susan Lisbin

Candy Striper

2018

Stoneware clay and encaustic

Stoneware clay and terra sigillata

Stoneware clay and terra sigillata

Stoneware clay, underglaze, and acrylic paint

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...

Sara Fine-Wilson's "Bend" is a gestural 16 x 9 x 6 inch ceramic sculpture in white and cream constructed in white stoneware with porcelain sli...

Sara Fine-Wilson's "Fold" is a gestural 20 x 9 x 8 inch ceramic sculpture in white and cream with accents of grey and blue. It is constructed out of white stoneware with porcelain...

Sara Fine-Wilsons ”Milky Jumble” is a gestural 12.5 x 10 x 8 inch ceramic sculpture in shades of brown, white and cream. In this powerful and evocative sculpture individual slab and ...

Sara Fine-Wilson's "Tousle" is a gestural 13 x 10 x 8.5 inch ceramic sculpture in white and cream with accents of grey and blue. It is constructed out of white stoneware with porcelain...

Grace Khalsa Gray Whale Medium: Black stoneware and white slip Year: 2021 Size: 25" x 13" x 6.5" Description: Slip-trailed skeleton sculpture Signed COA provided (by representing gallery) ------------------------------ ARTIST STATEMENT “We humans are poised between microcosm and macrocosm, containing one, sensing the other, comprehending both.” - Frank Wilczek The focus of my work is to bring attention to natural forms and patterns that implicate vast interconnection. I am captivated by the diversity and intricacy of natural systems and I consistently find myself searching for commonalities within them. These commonalities provide me with a tangible form of navigating the intangible perceptions of existence. My most recent body of work examines and illustrates the skeletons of various animals. In looking closely at their anatomy, I find undeniable similarities indicating common evolution. Shared spines, ribs, teeth and vestigial structures are the signatures of millions of years of complex relationships. After sculpting the body of the animal, I then meticulously slip-trail each skeletal detail layer by layer. This process requires an understanding of how every layer, however small, will affect the greater whole. I see clay as a material of ‘deep time’ both in a geological and cultural sense. Fired clay, ceramic, is an archival material, a record keeper of human history. Taking the role of a scientific illustrator, these works are my mark in time, paying homage to the creatures they portray. I hope to highlight the pervasive entanglement of life and honor the delicate, nuanced relationships that exist between human and non-human. BIO Grace Khalsa is a ceramic artist from Knoxville, TN. She is currently an Artist in Residence at the Mendocino Art Center in Mendocino, CA. Khalsa received her BFA in Art Practices with minors in Art History and Anthropology from the University of Colorado Boulder. She has completed two years of Post-Baccalaureate study in ceramics, one year at the University of Colorado Boulder and one at Louisiana State University. Khalsa has exhibited work at the Artists Co-Op of Mendocino, Ann Connelly...

Grace Khalsa Yellow Stingray Medium: Black stoneware and white slip Year: 2021 Size: 10" x 19.5" x 2" Description: Slip-trailed skeleton sculpture Signed COA provided (by representing gallery) ------------------------------ ARTIST STATEMENT “We humans are poised between microcosm and macrocosm, containing one, sensing the other, comprehending both.” - Frank Wilczek The focus of my work is to bring attention to natural forms and patterns that implicate vast interconnection. I am captivated by the diversity and intricacy of natural systems and I consistently find myself searching for commonalities within them. These commonalities provide me with a tangible form of navigating the intangible perceptions of existence. My most recent body of work examines and illustrates the skeletons of various animals. In looking closely at their anatomy, I find undeniable similarities indicating common evolution. Shared spines, ribs, teeth and vestigial structures are the signatures of millions of years of complex relationships. After sculpting the body of the animal, I then meticulously slip-trail each skeletal detail layer by layer. This process requires an understanding of how every layer, however small, will affect the greater whole. I see clay as a material of ‘deep time’ both in a geological and cultural sense. Fired clay, ceramic, is an archival material, a record keeper of human history. Taking the role of a scientific illustrator, these works are my mark in time, paying homage to the creatures they portray. I hope to highlight the pervasive entanglement of life and honor the delicate, nuanced relationships that exist between human and non-human. BIO Grace Khalsa is a ceramic artist from Knoxville, TN. She is currently an Artist in Residence at the Mendocino Art Center in Mendocino, CA. Khalsa received her BFA in Art Practices with minors in Art History and Anthropology from the University of Colorado Boulder. She has completed two years of Post-Baccalaureate study in ceramics, one year at the University of Colorado Boulder and one at Louisiana State University. Khalsa has exhibited work at the Artists Co-Op of Mendocino, Ann Connelly...