Polly Jones
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Corralled Horse (Artists Proof), 1940s Framed American Modernist Horse Etching
By Ethel Magafan
Located in Denver, CO
, he hired them as his assistants. Along with Edward (Eduardo) Chavez and Polly Duncan, they helped him
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1940s American Modern Figurative Prints
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Etching, Paper
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Lone Horse ( Artist Proof), 1940s American Modernist Portrait of Horse Print
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Edward (Eduardo) Chavez and Polly Duncan, they helped him with his federal government mural commissions
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Distant Country (Semi-Abstract Mountain Landscape: Purple, Gold, Green, Brown)
By Ethel Magafan
Located in Denver, CO
, he hired them as his assistants. Along with Edward (Eduardo) Chavez and Polly Duncan, they helped him
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Quiet Water (Landscape with Pond)
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Located in Denver, CO
Edward (Eduardo) Chavez and Polly Duncan, they helped him with his federal government mural commissions
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Two Horses, 1960s Framed Semi Abstract Tempera Painting Figural Horses Landscape
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Located in Denver, CO
Edward (Eduardo) Chavez and Polly Duncan, they helped him with his federal government mural commissions
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Morning Clouds, 1970s Semi Abstract Mountain Landscape Tempera Painting
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End of the Meadow, 1970s Abstract Colorado Mountain Landscape Tempera Painting
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two months, he hired them as his assistants. Along with Edward (Eduardo) Chavez and Polly Duncan
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Polly Jones For Sale on 1stDibs
An assortment of polly jones is available on 1stDibs. There are many Abstract, Contemporary and Impressionist versions of these works for sale. Polly jones available on 1stDibs span a range of colors that includes gray, brown, beige and more. Each of these unique pieces was handmade with extraordinary care, with artists most often working in mixed media. Some polly jones are too large for some spaces — a variety of smaller iterations, measuring # 8 inches across, are available.
How Much are Polly Jones?
Prices for pieces in our collection of polly jones start at $350 and top out at $2,900 with the average selling for $1,838.
Ethel Magafan for sale on 1stDibs
Ethel Magafan Born Illinois, 1916
Died New York, 1993
Jenne and Ethel Magafan were identical twins, born in Chicago to a Greek immigrant father and a Polish mother. Due to health concerns about their father, the family moved to Colorado, living first in Colorado Springs and then in Denver. He was a proud supporter of their artistic ambitions but died suddenly 1932, a heavy blow to both of them. They attended East High School in Denver, where they found a mentor in their art teacher Helen Perry. She had studied at the Art Institute of Chicago but had later abandoned a career as an artist, making her all the more determined to help the Magafan twins succeed artistically.
While still in high school, the twins impressed artist Frank Mechau, and Helen Perry paid for their lessons with him. He subsequently invited them to apprentice with him at his Redstone studio. In 1936, Jenne won the Carter Memorial Art Scholarship and shared it with her sister so that they both could attend the Broadmoor Art Academy in Colorado Springs. Once they ran out of money, Mechau, now teaching there, hired them as assistants. Through their involvement at the Academy, the twins entered into careers as muralists, working at first with Mechau and then with Peppino Mangravite.
From 1937 to 1943, Ethel was commissioned to paint her first of seven government sponsored murals. Located in the US Post Office in Auburn, Nebraska, this commission made Ethel (at age 26) the youngest artist in America to receive such an honor. Denver Art Museum director Donald J. Bear once commented that “[Ethel and Jenne's] study of local detail makes them appear as little Bruegels of ranch genre – natural and unforced.”
As mural painting commissions diminished, Ethel began to do more easel painting for which she used a palette knife and tempera paints to great effect. After settling in California for five years, the twins permanently relocated to Woodstock, New York in 1945, where the sisters lived apart for the first time. Ethel developed an increasing focus within her work, particularly for horses and abstract landscapes. She met fellow artist Bruce Currie at an artist’s party, and the two were married in 1946.
The twins and their husbands went to Greece and Italy for a year when Jenne’s husband and Ethel were granted Fulbright Scholarships. Upon their return, Jenne died suddenly of a cerebral hemorrhage — a loss that Ethel would mourn deeply. With her sister gone, her landscapes became much more abstract, as she sought out the feeling of the scene rather than an exact representation. During the mid-fifties, she began to make annual trips to Colorado. Her stature within the art world was solidified in 1971 when the United States
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