Daum Furniture

French Art Deco glass vase by Daum (Nancy), France, 1930s. Thick blown and bubbled glass vase. Color : green. Height : 7.7"(19.5cm), Diameter : 7.1"(18cm). Signed "Daum + Nancy Franc...

Daum And Majorelle Art Deco Chandelier Glassware designed by Daum Nancy. Wrought iron frame by L. Majorelle. The height can be reduced. Electr...

Most rare & breathtaking! This Daum Nancy ''Pinecone'' chandelier / ceiling light 1910 France in the Art Nouveau design style. A very soft colour pallet decorated with branches & pi...

French blown glass pendant chandelier by Daum Nancy, with elegant bronze chain and canopy. Professionally rewired and ready for installation. Six lights 60watts each.

Stylish & Timeless! This breathtaking French art deco chandelier / pendant light by Edgar Brandt & Daum Nancy 1920. Incredible craftsmanship in the hand made wrought iron frame show...

French blown glass pendant chandelier by Daum Nancy, with elegant bronze chain and canopy. Professionally rewired and ready for installation. Six lights 60watts each.

Daum Nancy Art Nouveau Applied Handle footed Vase. A very rare donut shaped vase with beautiful applied handles. From reds to pinks to creams to green. Height: 5 Inches Width: 3.75 ...

French Art Deco glass vase by Daum (Nancy), France, 1930s. Thick blown and bubbled glass vase. Color : green. Measures: Height : 7.5"(19cm), Width : 8.7"(2...

Art deco suspension around 1925 signed Daum Nancy wrought iron frame made by the Majorelle workshops. Electrified and in perfect condition. Mater...

Art deco cone vase circa 1930 in green color. Signed Daum Nancy France. In perfect condition Note micro scratches inside Height: 27.3 cm Neck diameter: 14.5 cm Base: 11.3cm x 11.3cm...

Edgar Brandt and Daum Nancy Art Deco chandelier. Art deco chandelier circa 1925 in wrought iron decorated with leaves and windings. Frame stamped E. Brandt. Coupe in blue and cream glass paste signed Daum Nancy. In perfect condition and electrified. Total height: 95 cm Diameter: 50cm Weight: 12 Kg You can contact me for more information and delivery costs. Edgar Brandt was born in Paris in 1880 and studied at the Vocational School of Vierzon. In 1925, BRANDT took part in the International Exhibition of Modern Decorative and Industrial Arts. Following the success of the Salon, the same year, he inaugurated his gallery at 27 boulevard Malesherbes. He exhibits there his creations of artistic ironwork, furniture, sculptures, lighting and decorative objects, but also the creations of other artists with whom he collaborates (Daum, Lalique). The BRANDT gallery will be the first decorative art gallery in Paris. BRANDT is considered the greatest exponent of Art Deco ironwork. He died in Collonge-Bellerive on May 8, 1960. Daum (French establishment created in 1878) is a glass and crystal workshop located in Nancy. Founded by the industrialist and notary Jean Daum, the workshop was then taken over by his sons Auguste and Antonin, who ran it during the Art Nouveau period. It was not until the Universal Exhibition of 1900 that the company was at the forefront of the decorative art scene, when Daum received the prestigious Grand Prix medal. At this time, Daum glass became more complex, acid treatment was often used in the cutting, enameling and etching of a piece to produce glass masterpieces. Daum also produces applied glass elements, such as handles and ornamental motifs in naturalistic shapes. The Daum brothers quickly became big names in Art Nouveau, rivaling the famous designer Émile Gallé, and established themselves as leaders in the field of decorative glass after his death. In 1906, Daum revived glass paste, a process by which glass is transformed into paste, then it is applied to the surface of a mold and fired. This technique originates from ancient Egypt. Today, Daum is the only industrial crystal manufacturer that uses the glass paste process for its glass objects and crystal sculptures. Following the First World War, Paul Daum began to develop works in the Art Deco style, moving away from naturalistic forms and turning to linear, angular, simplified forms and geometric patterns characteristic of the movement. After the Second World War, Henri and Michel Daum became interested in the transparency of glass and pure lines. Daum collaborates with a large number of famous artists, such as Louis Majorelle, Salvador Dalí, Hilton Mac Connico, Elizabeth Garouste and Mattia Bonetti to create glass paste objects.

Cameo glass vase, monumental landscape, signed Daum Nancy with the Croix de Lorraine.