Eduard Locota Figurative Sculptures

Art Deco silver plated bronze sculpture of a rabbit hare. Lovely paperweight. Edouard Marcel Sandoz (1881-1973). Signature/ Marks: Ed.M. Sandoz - Susse Fre'...

Colorful acrylic sculpture by Vasa (Velizar Mihich), unsigned, circa 1970s. Looks incredibly different from every angle.

Fractured cast bronze French Horn, encased in resin, by Arman Armand Fernandez. Mounted on original polished bronze base. Signed "Arman." The dimensions are without the base.

Bronzed Resin Jailbird Sculpture, 1982. Illegible signature.

SCULPTURE SERIES BUMBA MEU BOI "I am your life My ox so true Dancing in the yard From my fantasy I'm a poet When I see your ballet My beloved bull You are my poetry" Capricious Ox ...

Modern lake wall mirror by Noom Designers: Maryna Dague & Nathan Baraness Model shown in picture: Number 4 Base black marble alanya "Lakes" is a nature-inspired collection o...

This limited edition of twelve wall mounted bronze sculptures is inspired by a fascinating natural phenomenon. In a maelstrom, hidden forces are in play in an alluring dance choreogr...

Carved by Ohio sculptor Charles Herndon, the soft contours of this two piece sculpture create a calm, organic statement in three dimensions. Pedestal is available separately.

Abraham Palatnik (1928-2020) Sculpture "Elephant", c. 1960 Vintage label (made in Brazil). Polyester resin and pigment in black. Kinetic art - Beautiful and rare polyester resin sculpture from the HOME AND FARM collection representing an elephant signed in the base. This sculpture is part of the series of animal sculptures that Abraham Palatnik made from the 1960s, in small format, they are small jewels of kinetic art, a movement of which he was one of the pioneers. "Born in Natal, Rio Grande do Norte, Brazil, in 1928 to a family of Russian Jews, Palatnik moved with his family to Tel Aviv (then Palestine) when he was four years old. He attended Montefiori Technical School, where he specialized in internal combustion engines, and studied art under the tutelage of the painter Haaron Avni and the sculptor Sternshus at the Municipal Institute of Art. When he returned to Brazil in 1948, his output consisted mainly of figurative and landscape paintings and charcoal drawings. However, his encounters with the complex works made by schizophrenic patients at the Pedro II Psychiatric Hospital, where he taught painting workshops alongside Almir Mavignier and Ivan Serpa, caused him to abandon his early approach to traditional image-making: “I decided to start all over from scratch,” Palatnik said. “The discipline from the school, the studio, was no longer of any use.” Freed from the perceived restrictions of his training, Palatnik became closely associated with Grupo Frente, a movement started by Serpa and rooted in geometric abstraction. He used his knowledge of engineering and mechanics as well as his interest in natural forces to build his first Kinechromatic work. Titled Azul e roxo em seu primeiro movimento (Blue and Purple in First Movement), 1949, the piece debuted at the inaugural São Paulo Bienal in 1951. “In reality, it was luck that got me into the biennial,” Palatnik said in a 1986 interview. “At first, my machine was rejected, because it wasn’t a painting, a sculpture, a drawing, or a print.” The piece, which eventually gained entry, shocked the biennial’s grand prize jury, who gave Palatnik an honorable mention, calling his work an “important manifestation of modern art.” By 1969, he had participated in seven more editions of the international exhibition. Palatnik would also present work in the 1964 Venice Biennale, the 1966 Biennial of Córdoba, and the 1997 and 2005 editions of the Mercosul Biennial. His art was featured in significant exhibitions on kinetic art, including “Mouvement 2” (1964) at Denise René gallery in Paris; “Lumière, Mouvement et Optique” (1965) at the Brussels Palace of Fine Arts; “Kinetic Art” (1966) at the Museum of San Francisco; and, more recently, “Delirious: Art at the Limits of Reason, 1950–1980” (2017) at the Metropolitan Museum of Art in New York and “The Other Trans-Atlantic: Kinetic & Op Art in Central & Eastern Europe and Latin America 1950s–1970s” (2018) at Sesc Pinheiros in São Paulo. A major retrospective, “Abraham Palatnik—The Reinvention of Painting,” was staged at several venues across Brazil, including the Centro Cultural Banco do Brasil Rio de Janeiro (2017); the Fundação Iberê...

Pierre Giraudon fractured resin sphere, sculpture, clear and yellow gold. Medium scale tabletop acrylic sculpture with internal fractured inclusions and colored with a yellow gold tint. The base of the sphere is flat for stable display (see photo 16). Roughly the size of a soccer or bowling ball. The fracturing of the resin is produced by exposing the liquid acrylic...

1928 - 2005 Armand was an artist who used found objects as his medium and encased them in resin form. This rare scale of his work appears to be a token example for an exhibition given out to patrons for a show. I'm sure no two are alike. It's stamped within "Arman Galerie Lawrence 11 Mai 1965 De 5 A 8". Mixed industrial metals encased in resin. Great jewel of an art object for collections of modern art. The size is 1 1/8"h x 1 7/8" x 2"... From the estate of the late Naomi Caryl...

Resin Nude Sculpture by Nicola Seastio, Italy, 1970