Edward Abbott

Gorgeous Guy Laroche Haute Couture numbered silk-chiffon gown dating back to his romantic 1970 spring-summer collection. Guy Laroche was an a...

Breathtaking Jeanne Lafaurie Couture watercolor garden two-piece gown ensemble dating back to the mid 1950's era of fashion. Jeanne Lafaurie was a Pari...

Circa 1955 - 1960 United States of America Beautiful American ball gown in powder pink satin embroidered with sequins and rhinestones, by Harvey Berin, designed by Karen Stark dating from the 1950s. Whalebone bustier highlighted with pleated satin on the plunging bosom with large bare back neckline closed by zip. Wide cup skirt with pink tulle petticoat. Large sinuous stems loaded with flowers in sequin embroidery, iridescent pearls, daisies and rhinestone cabochons. Hand-stitched finish and bustier lining in faille à la couleur. Skirt lining in white tarlatan. To note three tiny rings...

Introducing the iconic Moschino Cheap And Chic 1990s Little Black Dress – a perfect blend of classic elegance and contemporary style. Thi...

Stunning Dress by Tom Ford for Gucci For his final summer collection for Gucci in 2004 Sample piece from the Atelier Beautiful panel silk dress Handstitching Pleating details Strip...

Elegant Moroccan caftan silk gold damask gorgeous vintage hostess gown. Light green floral leaf design on silk Kaftan circa 1970s. Exotic oriental long maxi caftan dress with long sleeves in shimmering brocade beige and gold fabric. One of a kind evening Moroccan Middle Eastern gown. This long maxi dress kaftan is embellished entirely by hand. The front is embellished at the front with woven gold buttons and loops that run down the center to the hemline. The cuffs and border seams are accented with handmade applique gold trim. This exotic Arabic maxi dress caftan gown makes a very extravagant garment for formal attire to transitions effortlessly to casual wear. Handcrafted in Morocco and tailored for a relaxed fit with wide sleeves, It is made in the traditional form of a Moroccan caftan using metallic brocade fabric and trimmed in handcrafted “passementerie”. The body of the garment is loose fitting and flares to the bottom. The sleeves are somewhat bell shaped with an open cuff that closes up with metallic gold buttons. The fabric is a rich looking metallic thread blend brocade. This long maxi dress kaftan is embroidered and embellished entirely by hand with detailing around a traditional neckline, with embellished sleeves In Morocco, fashion preserves its traditional style inherited from great civilizations that found their way to Northwest Africa, such as the Ottomans and the Moors. Moroccan fashion has been recognized for its style and has garnered a reputation, winning awards in international fashion shows throughout Europe. Marrakech Bohemian style. Sizing: No size is indicated, but, being a loose fitting garment, this should fit a range of medium to large sizes - please rely on the following measurements for fit: Measurements: Bust 36”. Waist 36”. Hips 44”. Across shoulders 13”. Sleeve length 25.5”. Centre back length 60”. Handcrafted by Moroccan Artist designer, this is a one of a kind caftan, inspired by the tales of princess of the Arabian Nights. The Kaftan is a long and wide tunic, collarless, long-sleeved, worn by man and women in Africa and the Middle East. The Moroccan kaftans inspired European and global designers as Yves Saint Laurent, Valentino, Oscar de La Renta, Emilio Pucci, and many more who made the Moorish caftans famous in the 1960s and 1970s. Loose fit this caftan blends ease and timeless style with its relaxed fit and intricate embroidery, for a casual evening out or dress it up with jeweled sandals...

Breathtaking and incredibly rare Helen Rose designer couture blush-pink beaded cocktail dress dating back to the early 1960's Old Hollywood era. Helen Rose won two Academy Awards for Best Costume Design: for "The Bad and the Beautiful" in 1952 and for "I'll Cry Tomorrow" in 1955. She was nominated a further eight times and was well-known for designing famous iconic looks of the stars of this era. She designed the wedding dress of Grace Kelly when she married Prince Rainier of Monaco in 1956. She also designed clothing for Elizabeth Taylor in the movies Father of the Bride and Cat on a Hot Tin Roof as well as Elizabeth Taylor's bridal gown when she married Conrad Nicky Hilton. Helen Rose, like Edith Head and Irene Lentz, was one of the rare women who became chief costume designer for a major film studio. Her style was elegant and understated but still extremely innovative. This sparkling museum quality dress is a perfect example of her pure genius. The fabric itself is a masterpiece; triple layered blush pink silk chiffon that has been embellished by hand with elegant glass-beads, large crystals, faux pink pearls in the most gorgeous floral motif. Such dazzling 3-dimensional texture! The sculpted low v-neck front and back bodice really compliment the elaborate fabrication. I adore the hourglass nipped waist cocktail silhouette which Helen Rose did so well. Helen's couture line existed from 1957-1971. In 1957, the price for her retail version of the Liz Taylor "Cat" short chiffon dress...

Wearable with a halter or strapless neckline, this romantic sundress would be the perfect ensemble for a breezy garden party or summer wedding. Ideal for larger busts, the ample shel...

Breathtaking Sarmi Couture evening gown dating back to the mid 1960's. Ferdinando Sarmi expressed interest in fashion during his youth but was discouraged from pursuing a design care...

c. 1970s HALSTON Orange Matte Jersey Halter Dress with Matching Jacket; Draped U-Neckline with Cowl Back; Rouleau Strap with Hook and Eye Closure; Slit at Center Front; Short Sleeve ...

SS 1997 Gianni’s LAST COLLECTION! Black asymmetric hem dress with iconic runway embellished shoulder strap. Round neckline Fully beaded hems - small black beads all along the dress ...

Adorable striped candy confection! C.1960 party dress in a linen blend heavy striped fabric in shades of hot pink, orangey-red, royal blue and white. It zips and hooks at the back with acetate lining in the bodice and a netted built-in crinoline at the skirt. The design has unique details including a fitted bodice, pleating at the side panels and faux flap pockets at the hem. It is pure sugar and spice! No design label present ... perhaps a custom order with style tag at the base of the zipper as shown in photograph 14. CONDITION The dress makes a wonderful impression and has been professionally cleaned. It is in great condition with some signs of wear and use. There is a rust spot at the inside acetate lining of the bodice which cannot be seen on the exterior, please see photograph 13 near the right hand strap. There is the slightest hint of discoloration under the arms which I only noticed under the photography lights...