Franz von Stuck

Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...

Original vintage poster Bitter Campari Spiratello Leonetto Cappiello, 1921 This is a beautiful art deco poster by the famous artist, Leonetto Cappiello from 1921. Cappiello influenc...

Original vintage poster, Cordial Campari Nizzoli, 1927 Condition backing / material: Linen (backed on acid-free paper and cotton canvas) Printer...

Selection of modernist art, circa 1950s. From left to right, they are: 1) SOLD Modernist nudes painting by Lillian Lent, American, circa 1950s. It is executed on board in it's original frame. It measures 14.5" H x 16.5" W. Lillian Lent lived and worked in the Woodstock Artist colony in New York. She attended the Tyler School of Fine Art in Philadelphia. In 1959, she was awarded first prize for one of her paintings from the Albany Museum. Among some of the galleries to exhibit her work were the Albright Gallery, the Norlyst Gallery, and The Creative Gallery. 2) Amedeo Modigliani lithograph...

Artist  Leonetto Cappiello Year 1930 Dimensions 137 x 198cm Condition Good.    

Pair of Art Nouveau picture frames. There's a slight difference in coloration as seen in the photos. They measure 9.5" wide, 4" deep and 11.75" high.

I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by Kate Boxer. Kate Boxer m...

House on Cliff Walk, Newport, R.I. 1931-1932. Etching and drypoint. Hausberg catalog 13 state .i/ii. Edition 75 in this state. 5 7/8 x 7 7/8 (sheet 9 x 13 1/2). A rich impression pr...

Great poster of the heavens. Original color. Good condition. Published by Alexander Gross Unframed.

An original British School Regency Period watercolor portrait, mounted in a Georgian Period fruitwood frame – Dated 1834. These watercolors were largely painted by young girls fro...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

I Refuse To Have A Bath Until I See The Trees is a limited edition drypoint etching by Kate Boxer. Kate Boxer's combination of imagery and text in I Refuse To Have A Bath Until I See...