Hermann Corrodi Furniture

Depicting an Italian scene; likely 18th century. The painter is unknown but likely Flemish. The canvas is in good overall good condition, now mounted on a hardboard backing. The comp...

Irene Cafieri Contemporary Oil on Canvas 1970s Measures: 36″ X 24″ Lovely landscape by contemporary artist.

A large bold pointillism painting of a landscape and pond in the manner of Georges Seurat. by Marc R. Rubin, signed l/r American, 20th century...

A contemporary of Paul Cadmus, and like him, highly focused on depicting the male figure in various settings and positions, John Lear never gained fame beyond his circle of admirers ...

Fitger Hermann - Vase of Flowers with Fruit Measures: 32cm x 44cm - frame excluded 50cm x 62cm - with antique fir frame oil on canvas applied to cardboard - 1946 20th cen...

Alpine Views (Northern Italy) – Henry Marko (1855 -1921) Work dimensions: 33 x 44 cm each Measurements with frame: 41 x 50 cm Technique: oil on canvas Period: circa 1890 Henry Mark...

This is a mountain landscape painting with sheep and shepherds. Antique oil on canvas painting. XIX century. This oil painting on canvas has an origina...

Domenico Carnevale (Sassuolo, 1524 - Modena, 1579) Adoration of the Shepherds Oil on copper, 42 x 28 cm Frame 54 x 36 cm Expert opinion of Prof. Emilio Negro The painting represents the Adoration of the Shepherds, the Child in the center, next to the Madonna kneeling in prayer and an angel behind her; towards him in the foreground a woman with a child in her arms, a shepherd with a sheep on the right, a bagpiper on the left and various other male and female characters turn to him. The architectures of the background, between which a glimpse of the landscape can be glimpsed, are hidden in the upper part by the clouds, where a "celestial glory" encamps with three flying angels. The painting shows mannerist characters that can be traced back to the second half of the sixteenth century, and can be traced back to an author from the Modena area, with stylistic references to the Bolognese Samacchini (1532 - 1577) and Passerotti (1529 - 1592). More precisely, it can be attributed to Domenico Carnevale (1524-1579), one of the most important masters of the sixteenth century active in the local area. The Carnival was formed in Emilia, his homeland, where he worked for many years. However, his works also show a clear Roman influence, dictated by a long experience in the city, during which he also dedicated himself to the restoration of the Sistine Chapel. Trained in the late-mannerist environment of Modena, he is also linked to the Parmesan Corrorese and Ferrarese Dossesque tradition; Carnival also always maintains a slight archaic sentiment in his work, The main stylistic reference must be identified in a work similar in subject and iconographic setting, coming from the church of the Pio Istituto Orfanelle di San Geminiano di Modena, currently part of the Art Collection of the Province, attributed to the same influence as the Carnival. Another interesting comparison should be identified with A Presentation of Jesus in the Temple...

Painting by Hermann Baisch (Dresden 1846-Karlsruhe 1894), “Farmers taking a Rest”, oil on canvas Hermann Baisch was a German painter and illustrator ...

Nostalgic painting of people iceskating on a frozen lake in Bavaria by Adolf Stademann (1824-1895.) Stademann is a very well known German painter of the 19th century. He lived and wo...

Vintage (20th Century) oil painting of a dog reclining alongside a lamb in a barn filled with farm implements on rectangular, unframed canvas.

Grand et beau tableau, huile sur toile, représentant " L'adoration des Bergers " Ce tableau est une œuvre réalisée au début du XIXème siècle par un peintre non identifié mais très talentueux puisqu'il fallait une certaine maitrise pour s'attaquer à la réalisation d'un tel tableau de si grande taille, encadré par un beau cadre en bois sculpté et doré, italien également. Pour comprendre l'origine de ce tableau il faut remonter au début du XVIIème siècle; en effet, une poignée d’artistes, d’Utrecht aux Pays Bas, arrivèrent à Rome appelés par des commanditaires, très impressionnés par le Caravagisme. Parmi eux se trouvait Gerrit van Honthorst...