Jan Ernst de Wet Furniture

Sleek, machined and polished "Aluminum Mirror", a semi-functional and highly-conceptual minimalistic tabletop object by New York City-based industrial design studio Visibility Office...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece is constructed with a small framed mirror...

Metropolis brass table lamp by Jan Garncarek Dimensions: 81 x 52 x 25 cm Material: Brass Handcrafted by Jan Garncarek. Sig...

Nico is a hand-built sculptural ceramic table lamp that inspires the joy of working with hands through unpacking, assembling and balancing weights. The handmade ceramic globes and th...

Roman round travertine tray by Le Lampade. Made in Italy This item can be also custom made.

Designed by Studio Chora, Biomorphic XL Series, 2023. Biomorphic: ‘bios' meaning life and 'morphe' meaning form. The Biomorphic series of organic light sculptures are one-of-a-ki...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece has a figurative painting mounted as a shrine then set upon a corinthian capital and a granite stand. A metal plaque at the top as well as at the bottom give the piece it's title 'The Fountain on Lies". John Seubert The Fountain of LIes mixed media Measures: 22.50h x 13.50w x 4d in 57.15h x 34.29w x 10.16d cm JSE069 In the early Nineties, John Seubert was living in a former hotel in a high-rise building on St. James Place in Chicago. The apartment was tiny, as hotel rooms tend to be, and clad with paper-thin walls allowing sound to pass from one apartment to the other. At the time, John’s artwork consisted of pounding copper sheets into tables which was a noisy endeavor to say the least. Following several noise complaints from the neighbors, John had a dream that he was living in a ramshackle house but with plenty of room to work and no attached neighbors. The following day after lunching at the McDonalds in Lincoln Park, John wandered the neighborhood a came upon a shabby, falling-down old Victorian house. He located the real estate agent, put in an offer, and weeks later was pushing a shopping cart full of his belongings to his new home. This 144-year-old Painted Lady provided a blank canvas for this inimitable artist. For many years the house remained so empty that John was able to ride his Japanese fold up bike throughout the 1st floor. “Some people want to have sex...

A functional mirror for a dressing room, or wooden masks and sculpture for your living or your entrance. The drop-shaped mask Bikita is made of solid beech wood stained Canaletto walnut, with a brass element on the mirror. The base is an iron stand black lacquered, but upon request it is possible to have a metal wall hook. The project Wise Mirrors recalls the 3 Wise Men...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece has two frames that are hinged together. A mirror adorns the outside. When opened, the right panel has a primitive figure painting while the left has a metal plaque with the phrase "I Need a Boy Toy" stamped into it. When closed, the back panel is stamped with "Like I Need a Refrigerator" and signed. John Seubert I Need a Boy-Toy (Like I Need a Refrigerator) mixed media 12.50h x 8.50w x 1.50d in 31.75h x 21.59w x 3.81d cm JSE074 In the early Nineties, John Seubert was living in a former hotel in a high-rise building on St. James Place in Chicago. The apartment was tiny, as hotel rooms tend to be, and clad with paper-thin walls allowing sound to pass from one apartment to the other. At the time, John’s artwork consisted of pounding copper sheets into tables which was a noisy endeavor to say the least. Following several noise complaints from the neighbors, John had a dream that he was living in a ramshackle house but with plenty of room to work and no attached neighbors. The following day after lunching at the McDonalds in Lincoln Park, John wandered the neighborhood a came upon a shabby, falling-down old Victorian house. He located the real estate agent, put in an offer, and weeks later was pushing a shopping cart full of his belongings to his new home. This 144-year-old Painted Lady provided a blank canvas for this inimitable artist. For many years the house remained so empty that John was able to ride his Japanese fold up bike throughout the 1st floor. “Some people want to have sex...

organic form sculptural glazed ceramic lamp by Arpad Rosti. Dark blue-green and grey in color. Best known for his remarkably inventive lamps, trays and vessels designed in organic, free form shapes, Arpad Rosti was a highly versatile artist, equally at home in both the ceramics and enameling fields. While most of his work was done in either clay or metal, in the late 1940s he also ventured into furniture design when he produced a group of tables in treated wood, mosaic, copper, and glass. His one-of-a-kind furniture was exhibited in 1949 at the Chinese Gallery in New York and written up in the New York Times. As further evidence of his wide-ranging talents, in 1972 he was commissioned to produce a stained glass window for a residence in North Caldwell, New Jersey which New York Times critic Joan Cook described as “a miracle of color and light.” Born in Subotica, Yugoslavia in 1909, Rosti studied architecture at the School of Industrial Arts in Budapest. In 1940, he moved with his wife Ilona to the United States and settled in New York where he became a naturalized citizen in 1945. In 1947 his work was featured in an exhibition organized by the Craftsmen’s Equity and presented at the Barbizon-Plaza Galleries in New York. The organization, of which he was President, aimed to “put craft on a business basis without sacrificing the individuality inherent in handmade articles.” Throughout the 1950s Rosti’s work was regularly chosen for the prestigious National Ceramic Exhibitions at the Syracuse Museum of Fine Arts (now known as the Everson Museum). It was included in seven of these exhibitions between 1946 and 1958 and in 1947 Rosti’s work was singled out by the New York Times critic Edward Alden...

Unique UFO mirror by Ia Kutateladze Dimensions: W 33 x H 26 cm Materials: Clay UFO 02 is a hand built ceramic mirror. Playful and bold functional decorative object, for various ...

A bronze vessel with a flared rim by Just Andersen, made for his eponymous company, model #LB 1596. Terrific patina.