Jane Hamlyn Furniture

Beautiful weathered piece of pottery from the South of Spain. Amazing blue decoration Spain circa 1750-1800 Good but weathered condition.

Large late 18th early 19th century rustic French pancheon or dough bowl. This antique French dough bowl has a beautiful green glazed interior...

Signed midcentury Studio Pottery bowl in the style of Maxwell.

20th Century Santa Clara Pueblo black on black with geometric designs by Genevieve Suazo. Bowl measures 1 3/4 x 4 1/4 in.

Stoneware pottery small dog bowl. Small Dog Bowl 2.75 height x 6 diameter.

The Natzlers moved to Los Angeles from Austria in 1938. They were trained artisans. She made the simple pristine pot forms and he made the amazing glaze designs. This piece is anothe...

A French Provincial glazed pottery pouring jug from the 19th century, with single spout, three handles and great rustic character. Created in ...

Wonderful and fragile Danish design relic. No damage. Any perceived imperfections are just natural to the porous clay material.

A great piece of California modern design. By the husband + wife duo G + O Natzler. She threw the pottery on a wheel and he mixed the amazing glazes. Rare footed bowl. Thin wall...

LLANGOLLEN POTTERY - Early wheel thrown terracotta studio pottery vase - glossy cat's eye glaze (brown streaked with white) - white glazed interior - dramatic form showing finger rid...

Hand made glazed studio pottery shallow bowl or plate by Amelie (Amely, Aly) Richter, in plum, lavender and black ues. Signed Aly Richter on underside. Before her marriage to Dr Georg Martin Richter, in November of 1920, naturalised American citizen, Amelie (Amely, Aly) Richter, had been a Baroness, born in Bavaria and raised in France. A long-time hobbyist, after Dr Richter’s death in 1942, Amelie opened her own studios for art and interior design in New York and London, where she refurbished and embellished old furniture. Inspired by her many trips with Georg to museums and archives, Amelie was known to utilise motifs borrowed from prehistoric cave paintings and American Indian art, and to accent her pieces with semi-precious stones, in shades of purple and turquoise. After directing the arts and crafts department at private high schools in Arizona and California, between 1947 and 1951, Amelie moved to Boston where she studied ceramics at the Museum School of Fine Arts, under the tutelage of Norman Arsenault. She continued her training at the Alfred University where she took technical classes in glaze calculations and clay-body composition, before becoming a member of the Pottery Workshop...

20th century Spanish glazed cruche or pitcher, Toledo, Spain The purpose of storing water in an earthenware pitcher is to keep the water cool.