Lebandang

A mid 20th century lithograph print by Vietnamese / French artist Hoi Lebadang (1921 - 2015) signed and numbered. The colors employed, shades of red, white and charcoal set against a golden yellow, signify warmth and richness. The abstract composition beckons further inspection. The techniques used for creating this work of art include an embossed area of the work where the paper surface is raised in an abstract design. This work is presented in its original frame. I knew nothing of the artist when I bought this work, I simply knew that it appealed to me. A quick search online revealed this fascinating biography on the artist that I hope you'll read and enjoy. This comes from the Outside Folk Gallery website, "War shaped the life of Lebadang (Lê Bá Đảng.) Sometimes called Hoi Lebadang, this painter’s experiences in colonial-era Vietnam and WWII-era France flow into his work. Working at the turning point between 19th-century bohemianism and 20th-century modernism, he existed in two worlds simultaneously. The path that brought Lebadang to France in 1939 and secured his place in art history is complex. Looking at his childhood, you would never guess that this young Vietnamese boy would have such an impact on the art world. After shortening his name in 1950 to Lebadang, he only used Hoi when making lithographs. In colonial-era Vietnam, the French ruled Vietnam from the 1880s until 1954; France beckoned like a beacon for art and culture. Lê Bá Đảng (surname, middle name, given name), born in 1921, grew up with his eyes fixed on France. He grew up in a middle-class peasant family and, after primary school, felt the pull to travel. Lebadang signed...

Beautiful signed lithograph by renowned Vietnamese artist Lebadang whose poetic style has power and grace. Lebadang often did works to express his fascination with the horse. By prin...

A rare and hard to find owl image by Vietnamese born renowned French printmaker / artist Hoi Lebadang. The print is pencil signed and noted as artist proof in French by the artist...

Modern lithograph by Hoi Lebadang featuring a lovers embrace and herding bird details. Beautiful red hues. Limited edition (301/375) with a collectors edition certificate of aut...

Arne Brandtman (1925-2010), Swedish artist. Color print on paper. Abstract composition. Hand-signed in pencil and dated 67. In perfect condition. Image dimensions: 43.5 cm x 6.5 cm....

Mimmo Rotella silkscreen printing Title “Marilyn The magnificent prey” Mimmo Rotella silkscreen print taken from the poster of the film "The magnificent prey" with Marilyn Monroe. The silkscreen is made in 125 copies. This is 45 out of 125. Dry stamp of the Mimmo Rotella Foundation and numbering at lower left. Signature at lower right. This artwork, never before on the market, comes from a private collection and is beautified by an impressive original frame in silvered wood, in almost perfect condition. This work is also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Born in 1918 in Catanzaro into a middle-class family, in 1945 he moved to Rome where he frequented the young avant-garde made up of the exponents of Gruppo Forma 1 (Carla Accardi, Ugo Attardi, Pietro Consagra, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato). After his figurative beginnings and early experiments, he began to paint abstract-geometric pictures inspired by the works of Vasilij Kandinskij and Piet Mondrian. In 1950, he exhibited in Paris at the Salon des Réalités Nouvelles. In February 1951, he participated in the exhibition 'Abstract and Concrete Art in Italy - 1951' organised by Palma Bucarelli and Giulio Carlo Argan at the National Gallery of Modern and Contemporary Art in Rome. In 1951 he was awarded a scholarship by the Fulbright Foundation, which allowed him to go to the United States as an 'Artist in Residence' at the University of Kansas City. In 1952, he held his second solo exhibition at the William Rockhill Nelson Gallery of Art in Kansas City. For Harvard University, he completed a performance of epistaltic poetry. In the autumn he returned to Rome, devoting himself to phonetic production. In 1953, he realised that the pictorial medium was no longer a suitable medium for the expression of his poetics and suddenly had what he called a 'Zen enlightenment': the discovery of the advertising poster as an artistic expression. This is how décollage was born: Rotella took pieces of posters torn off the street from the walls of Rome and glued them to the canvas, then reworked them in the studio, adopting the collage of the Cubists and contaminating them with elements borrowed from an informal matrix close to Hans Arp and Jean Fautrier and with the Dadaist ready-made. Still in 1955, Carlo Cardazzo organised an exhibition entirely dedicated to décollage and retro d'affiches in his Galleria del Naviglio in Milan. His works are exhibited in London, at the Institute of Contemporary Arts (ICA). In 1958 he took part in the exhibition 'New Trends in Italian Art' organised by Lionello Venturi at the Rome branch of the Rome-New York Art Foundation. The following year he met the French critic Pierre Restany, with whom he began a long association. In 1960 he joined the Nouveau Réalisme of which Pierre Restany was the theoretician and which brought together, among others, Yves Klein, Spoerri, Tinguely, César, Arman, Christo and Niki de Saint Phalle. Along with décollages, Rotella also executed assemblages and ready-mades with objects purchased from junk dealers such as bottle caps, ropes, wicker baskets and pieces of fabric. In May 1961 he exhibited in the historic exhibition À 40° au-dessus de Dada, curated by Restany at Galerie J in Paris. In 1962, the same French gallery hosted the series of works inspired by the world of cinema on the occasion of the 'Cinecittà' exhibition. His décollages from the early 1960s are characterised by the presence of stars of the silver screen and music such as Marilyn Monroe, Liz Taylor, Marlon Brando and Elvis Presley. During this last exhibition, his work was compared with artists from France (Arman, Christo, Raymond Hains, Yves Klein, Martial Raysse, Daniel Spoerri, Jean Tinguely), Italy (Enrico Baj, Gianfranco Baruchello, Tano Festa, Mario Schifano), and the USA (Peter Agostini...

Large Hoi LeBaDang rare lithograph framed. Signed and numbered in pencil 51/250. Lebadang, Vietnamese (1922–2015) Lithograph, Overall Size 36" wide by 52" Tall. Some minor age-approp...

A vintage Coastal Original Lithograph on paper. Printed by PacePrints and tagged on the back. A monumental octopus composition in a graphic design. Acquired from a Palm Beach estate.

A bold and graphic geometric abstract serigraph on paper titled “Spur” by German artist Jurgen Peters. Hand signed in pencil bottom right, titled bottom mid, and annotated 217/250 on...

A calming and serene modern lithograph on rice paper titled "Boat at Docks" by Vietnamese-French artist Lebadang. Signed in pencil on the bottom right with an H.C. annotation on the ...

Beautiful work by Franco Angeli leading exponent of the Piazza del Popolo School “Roman eagle” Dry stamp Signed lower right in pencil by the Artist. “Prova d’Artista” Artist's proo...

Abstract eching on paper. Signed Garcia, numbered 26/100 in pencil along lower margin. Unframed, image size 15.75" x 16". mounted on foam core backing, wear tear to backing edges.