Pietro Lazzari

Sensational image by John Martin. Titled: Adam Reproving Eve Drawn and engraved by John Martin. From the highly regarded Washbourne Publication of Milton's Paradise Lost, 1853. Un...

Max Beckmann (German, 1884-1950) German Expressionist Date: 1916 Medium: Drypoint etching Dimensions: Plate - 3 5/8” x 7 5/8” (~9.2 x 19.4 cm) Sheet - approx. 10” x 16.5” (~25...

Set of twelve individual sheets with affixed printers' devices, each featuring individual designs along with wording in old french, dating from approximately 1700. Printers' devices ...

By John Pine considered the foremost heraldic and decorative engraver of his generation. Depicting the defeat of the Spanish by the English Fleet in 1588. These are after a set of tapestries that hung in the House of Commons...

Set of twelve with cream colored faux bamboo frames. Each depicting Chinese furniture and interiors.

George Edwards Set of Twelve Parrot Engravings with chinoiserie Frames, Natural History of Birds, Engraved by Georg Dionysius Ehret, Mid-18th cent...

Stencil Print by Sadao Watanabe, hand colored on hand-made washi paper. This image depicts Adam & Eve with the snake in the garden of Eden from Genesis. Artist’s chop mark and penci...

Set of twelve black and white photogravure. Karl Blossfeldt photogravure from the edition of the book 'Wunder in der Natur' in 1942. In original condition, with minor wear consis...

Set of 4 signed abstract intaglio prints by Kazuko Watanabe, framed. Signed in pencil by the artist and numbered 16/30, 19/20, 7/10, 9/10. Kazuko Watanabe is a graduate of the San...

Leopard by Mark King. Expressionist serigraph on paper, signed lower right. Limited edition. Mark King, British (1931) Mark King was born in Bombay, India to British parents in 1931. King’s childhood was one of exotic experience and privileged education. After graduating from La Martiniére College in Calcutta, the sixteen-year-old King sailed to England to attend Bournemouth College of Art. There he studied painting, sculpture, architecture and theatre design. Subsequently, he spent seven years as the resident scenic designer at the Oxford Playhouse Theatre. In 1961, he decided to concentrate on painting, and he moved to Paris, where he studied at the École des Beaux-Arts and the Louvre. It was there that he developed his impressionistic style, influenced by the wealth of examples of European masters. Mark King describes his approach to painting as ninety percent preparation. “It takes a great deal of time for me but once I begin, I work with great impetus, with immense bursts of energy. It is not until the last ten or fifteen minutes before completion that I am able to see where the painting is going and to catch the mood of the moment.” Change has played an important role in both King’s art and life. “I have a need, artistically, for exposure to new ideas and images,” he says, and it was this need that brought him to America in 1968, a move that prompted a shift in his working methods. A landscape painter in France, King began to expand his subject matter to include sports. With his work as a sports artist King found the camera an indispensable tool, and began to work from photographs. Since coming to America...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...

Set of twelve black and white photogravures. Karl Blossfeldt Photogravure from the edition of the book 'Wunder in der Natur' in 1942. In original condition, with minor wear consi...