Thornton Utz Art

Monochromatic white on white study of a blond nude on knees and on looking cat. The following is from Harriet Shaplan of Champaign, Illinois:My husband and I knew Maud and Thornton Utz when we lived on Siesta Key, Sarasota, FL. in the 1980s. We bought the Greenhouse Restaurant (now called the Summerhouse) and Thornton had a lovely nude painting (Greenhouse Nude) hanging at the base of the stairs that eventually made its way to our home where it hung for several years. Prints had been made of it and Thornton wanted it to hang in a more public place so the painting was moved to the Museum of Modern Art in Dallas.Later it was bought by a Frenchman named Francoise Gardinier who owned a phosphate plant in FL. He hung the Greenhouse Nude in a resort he bought on Longboat Key called Far Horizons and later moved it to France.I have 3 large original oil nudes painted by Thornton, one being "Snowfall" which was made into prints, and several prints from his nude collection. Thornton was also commissioned to do portraits of some famous people. . . Princess Grace of Monaco, Jimmy Carter and family, and a royal family in Europe whose name I don't remember. He also did lovely portraits of children.Thornton was one of the kindest, gentlest souls I have ever met and those qualities came through in his nude paintings, which are lovingly and tastefully done.I'm glad to have a found a way to help perpetuate the memory of Thornton Utz. He was truly a gifted artist and a wonderful person.Attached are excerpts Thornton's obituary as it appeared in the Sarasota Herald Tribune on Dec. 4, l999:Numerous examples of Thornton Utz's work dot the landscape of Sarasota. From buildings on siesta Key to the chapel windows of the Catholic church of the Incarnation, Utz left behind a county filled with memoirs of his artistic gift.The internationally known illustrator and painter died Wednesday. He was 85.Utz was born Nov. 15, 1914, in Memphis, Tenn., where he spent his young years doodling in textbooks. After discovering his artistic talent, he struggled to save enough money to attend art school in Chicago. With the country in a depression, Utz could afford only one year at the American Academy of the Arts, and though he studied there for only a short time,k he learned the secret to being a great artist: drawing continually.And draw Utz did, as well as paint, illustrate and design. Initial recognition of his work came for his illustrations. During the 1940s and '50s, Utz provided advertising illustrations for clients such as Coca-Cola, General Electric and Ford Motor Co. His work also graced more than 50 covers of the 'Saturday Evening Post.'International fame came with portraits of Princess Grace...

Monochromatic white on white study of a blond nude on knees and on looking cat. The following is from Harriet Shaplan of Champaign, Illinois:My husband and I knew Maud and Thornton Utz when we lived on Siesta Key, Sarasota, FL. in the 1980s. We bought the Greenhouse Restaurant (now called the Summerhouse) and Thornton had a lovely nude painting (Greenhouse Nude) hanging at the base of the stairs that eventually made its way to our home where it hung for several years. Prints had been made of it and Thornton wanted it to hang in a more public place so the painting was moved to the Museum of Modern Art in Dallas.Later it was bought by a Frenchman named Francoise Gardinier who owned a phosphate plant in FL. He hung the Greenhouse Nude in a resort he bought on Longboat Key called Far Horizons and later moved it to France.I have 3 large original oil nudes painted by Thornton, one being "Snowfall" which was made into prints, and several prints from his nude collection. Thornton was also commissioned to do portraits of some famous people. . . Princess Grace of Monaco, Jimmy Carter and family, and a royal family in Europe whose name I don't remember. He also did lovely portraits of children.Thornton was one of the kindest, gentlest souls I have ever met and those qualities came through in his nude paintings, which are lovingly and tastefully done.I'm glad to have a found a way to help perpetuate the memory of Thornton Utz. He was truly a gifted artist and a wonderful person.Attached are excerpts Thornton's obituary as it appeared in the Sarasota Herald Tribune on Dec. 4, l999:Numerous examples of Thornton Utz's work dot the landscape of Sarasota. From buildings on siesta Key to the chapel windows of the Catholic church of the Incarnation, Utz left behind a county filled with memoirs of his artistic gift.The internationally known illustrator and painter died Wednesday. He was 85.Utz was born Nov. 15, 1914, in Memphis, Tenn., where he spent his young years doodling in textbooks. After discovering his artistic talent, he struggled to save enough money to attend art school in Chicago. With the country in a depression, Utz could afford only one year at the American Academy of the Arts, and though he studied there for only a short time,k he learned the secret to being a great artist: drawing continually.And draw Utz did, as well as paint, illustrate and design. Initial recognition of his work came for his illustrations. During the 1940s and '50s, Utz provided advertising illustrations for clients such as Coca-Cola, General Electric and Ford Motor Co. His work also graced more than 50 covers of the 'Saturday Evening Post.'International fame came with portraits of Princess Grace...

Thornton Utz (American, 1914-1999). An oil on panel board of a plantation workers picking in a wooded landscape. Signed lower right. Artist bio on verso. Site size is 23-1/2 in x 17-1/2 in. Thornton Robyn Utz, a Southerner, was born in Memphis, Tennessee in 1914 where his father worked as a craftsman in horse-drawn carriage trimming until he moved over to automobile upholstery. From a very young age, Thornton Utz began drawing and illustrating without any professional training. He made his own comic strips to pass out to schoolmates. By high school, Utz had received encouragement from his teachers to pursue a career in the arts. His passion for art and illustration would build into a defining style that heavily influenced advertising and illustrating throughout the 1950s and 1960s. Utz’s work was so popular he received steady work before even having graduated from Memphis Technical. Utz was quick to make friends throughout his life. At Memphis Technical, he met a young man by the name of Euclid Shook, who became his artistic partner for several years. The two worked semi-professionally on advertisements and boards for fairs and carnivals across the state. They graduated from high school in 1933 and together enrolled in The Academy of Art in Chicago. While studying art in Chicago, Utz shopped his skills around various advertising firms and print shops looking for work. His time in Chicago helped form his defining illustrative style. Looking back, Utz believed the time was wasted, saying, “I don’t think I learned much that year- except that I would never learn art in art school.” Much to the artist’s own chagrin, his style developed most in Chicago because of his schooling and the influence of his relationships. The most important artistic relationships he developed were those of Coby Whitmore and Ben Stahl. They all later became prominent members of The Chicago Gang of illustrators, friends who worked together to build a synonymous style for illustration. In Chicago, Utz met his wife, Louise Prohaska, through Ben Stahl. The two fell in love with one another over the course of a long period, eventually marrying on March 6th, 1940. Utz received his first major illustration contracts designing color page art for Bell Airacobra, leading to his discovery by The Saturday Evening Post for an illustration and agent signing in 1944. Utz quickly settled his family just outside of New York City in Westport, Connecticut where he could work for large publications and advertising firms from home while helping to raise two daughters and a son. Utz was fascinated by the WPA Americana style and often chose to depict suburban families living their everyday lives. Some of his favorite artistic choices involved objects of technology and movement such as buses, trains, and cars. The idea of mass transportation and its commentary on the speed of the times fascinated the southern boy whose father had to shift from working on horse carriages to automobiles. By the 1950s, Thornton Utz was using the interactions in his life to reach out to the rest of the country through art. His illustrations of American families going to work, cooking, cleaning, mowing the yard, and completing other chores made for a strong connection to the sensibilities of the time. His portrayals of the successes and humors of American stereotypes resonated with the country’s citizens in the post-war boom economy. His work made him one of the most popular illustrators in post-war America, fetching commissions for forty-five Saturday Evening Post covers during the decade. (N.C. Wyeth, Andrew Wyeth, Ellen Pyle, J.C. Leyendecker and of course Norman Rockwell all produced covers for the SEP) Thornton Robyn Utz was an American illustrator, cartographer and cartoonist. Today he is best remembered for his graphic work in The Saturday Evening Post during the 1940s and 1950s. Most of his cartoons featured romanticized scenes of suburban life in the United States, often involving transportation. His work is interesting for comics fans and historians too, because his gags are often told in three narrative sequences. Utz was part of The Chicago Gang, a group of illustrators who worked in a minimalist style. In 1939 he created a biographical text comic about the life of Norwegian composer Edvard Grieg, of 'Peer Gynt...