Tina Reuterberg Furniture

Bowl in glazed stoneware. Designed in 1944, executed in 1945. Model 20566. Signed. Axel Salto for Royal Copenhagen.

Elegant dish, bowl by Wilhelm Kåge from the “KAPA” series. The design was a collaboration between Kåge and three colleagues Björn Alskog, Axel Pettersson, and Birger Arvidsson. Desig...

Blue Stoneware Open Bowl By Dansk

Berndt Friberg, Stoneware Large Bowl with celadon haresfur glaze, Gustavsberg, Sweden 1957 Impressed "Friberg" "G (hand) " Incised "Ä" The entire piece is covered with a pale celado...

Berndt Friberg, Stoneware Pale Bowl with blue haresfur glaze, Gustavsberg, Sweden 1956 Impressed "Friberg" "G (hand) " Incised "Å" The entire body is covered with a brightly colored...

Berndt Friberg, Stoneware Bowl with yellow haresfur glaze, Gustavsberg, Sweden 1979 Impressed "Friberg" "G (hand) " Incised "1979" The entire body is covered with a brightly colored yellow glaze, which is then covered with a green glaze that mixes with each other and flows nicely. The glaze flows nicely both inside and out, and the glaze has a fine hairline. The rim has a nice gradation. The shape is that of a bowl with a regular circle rim, falling vertically from the rim and bending at the waist in the shape of a twilled bowl, a standard shape for Friberg's work. The style form is influenced by old Chinese ceramics...

Rare Gunnar Nylund shell-shaped bowl in chamotte stonewear. Manufactured by Rörstrand, Sweden mid-1900s. In good condition. Marked: NYLUND, SVERI...

ARO stoneware bowl in shade of tan and brown. Inscribed with artist signature and Rorstand studio mark. Excellent condition with no chips, cracks, or crazing.

Beautiful stoneware bowl by Gunnar Nylund, in an oval boat shape with an undulating edge. Large size. Purple and blue glaze with nuances of brown. Gunnar Nylund was one of the most influential ceramicists and designers of the Swedish mid-century period. He was Rörstrand’s creative leader from 1931 until 1949 and as such propelled the artistic work at the factory and served as mentor to younger artists, among them Carl-Harry Stålhane and Hertha Bengtsson. Nylund was a dedicated functionalist, who brought ideas of democratizing stoneware and creating beautiful, qualitative and affordable everyday items for the people to Rörstand in the mid-1920s. The factory had at the time lost its former leading market position, but Nylund’s efforts gave it a great reboot. He designed ceramic kitchenware...

Jacob Bang, Danish 1932-2011 Bowl in stone wear with grey, blue and black glaze. H: 16 cm. Made in Jacob Bang's own studio during the 1960s-1970. Marked on the base. Jacob Bang wa...

Unique bowl designed and made by Lisa Larsson. Done in her own studio in 1989. Made from stoneware with glaze shifting in green and blue. Very good condition with few signs of age re...

Sven Wejesfelt, Large bowl with a glossy glaze of mixed blue and red, Gustavsberg , Sweden 1991 Impressed "Swen" "G (hand) " UNIK 91. This is a large size bowl piece by Sven Wejesfelt, an artist who worked at the Gustavsberg Pottery in Sweden. Wejesfelt worked as a wheelwright at Rorstrand from 1946-53 before moving to Gustavsberg in 1953. He worked as a wheelwright for Stig Lindberg for a long time, and in 1974 he became the Art Director of Gustavsberg. He is a rare Scandinavian artist who throws, glazes, and fires all of his own work, and is famous in Sweden as the second most famous potter after Berndt Friberg. He continued to make pottery until his death in 2009, and in his final years he sold his glazes and recipes. This large bowl is entirely covered with a bright red cinnabar glaze, which is then covered with a double layer of bright blue glaze, blending with each other. The bright blue glaze is covered with a fine white furrow that gives it a vivid and lively appearance, as if oil paints had just been applied to it. The cinnabar glaze appears on the bottom and around the base, and the red of the prospective vase is particularly vivid. The contrast between the blue and red is so strong that it takes your breath away when you look into the vase. The glaze is slightly viscous, and when you touch it with your finger, it is raised, giving an uneven surface. This piece was exhibited in the exhibition "Modernism and Mingei: Nordic Ceramics...