Antique Japanese Satsuma Pottery Bud Vase

A fine diminutive, antique Japanese Satsuma pottery cabinet vase. Decorated throughout with gilding and raised enamel. There are...

A fine antique Japanese Satsuma pottery incense burner. With a cream ground and an extensively gilt exterior. There are numerous cartouches around the censer with each having a un...

A fine antique Japanese Sumidagawa pottery moon flask vase. Decorated to both sides. One side has a man playing a shinobue flute and a child dan...

A fine antique Japanese Nippon porcelain vase or covered urn. With green, pink, and white tones in raised moriage enamel that gives a three-dimensional effect. Decorated with 4 cartouches throughout. The main cartouche features a moriage dragon...

A fine antique Japanese Meiji period Kutani porcelain vase. By Matsumoto Sahei/Shoundo. In an aka-e style decorated throughout in iron red with extensive gilt accents. There are cartouches to either side both with branches of red flower with a backdrop of clouds on a white ground. With 2 figural dragon finial handles. Marked to the base with '九谷松雲堂製' which translates as 'Made by Shoundo of Kutani' Matsumoto Sahei (1851-1918) was a master potter who enjoyed success & recognition during his era. In 1876, Sahei received the artist name Shoundo from the nanga painter Tokuda Kansho - he would use that title for nearly 20 years until passing it onto his son as his successor in 1893. Sahei also has the distinction of taking Tokuda Yasokichi I as an apprentice when the latter was 17-years-old. The Tokuda family is perhaps one of the most famous families of Japanese ceramics: Yasokichi I is credited with revitalizing the lost art of ko-Kutani and Yasokichi I, II, & III were all recognized as "Living National Treasures" during their lifetimes. Shoundo exhibited internationally numerous times at the tail end of the 19th Century. The Keisei Isogaya Museum of Art (which specializes in Meiji Kutani) has a vase of Sahei's that was exhibited in the Philadelphia Centennial Exhibition of 1876. He is listed as exhibiting a wide variety of porcelain goods at the 1878, 1889, and 1900 Paris World Exhibitions. He is also listed as exhibiting 'incense burners & porcelain' at the World's Columbian Exhibition held in 1893 in Chicago. The pair of vases that Sahei exhibited in Paris in 1900 bear a strong resemblance to this pair. Simply a wonderfully rare Japanese porcelain...

A fine antique Japanese (or Chinese) porcelain plate. With a white ground decorated with an ocean landscape scene along with flowers and birds in tones of green, red, yellow, and br...

A good and unusual pair antique Japanese Satsuma Meiji diamond shaped pottery vases decorated with monk figures with a scrolling dragon dating from the 1...

Fabulous Japanese vase by Taizan Yohei. Very nice quality for the domestic market Marked base Taizan Yohei Condition: Perfect condition. Size: 185m...

Fabulous Japanese vases with an all around scene of lovely ladies, 19th century. Marked at base, ?? Yasui Condition Overall condition vase 1 perfect, just some minimal enamel...

A beautiful Japanese Satsuma pottery studio vase featuring multiple kesa-clad enlightened Buddhist monks on each side of the vase. The piece is finely detailed with rich raised gilt highlights throughout and beautifully decorated in gold and various hand painted other colors. From the Meiji period (1868-1912). This piece has the all-important Shimazu Family crest mark (red circle with a cross inside) on the base authenticating the work as an old and original Satsumaware work. The mark shows the pottery was made under the rule of the Shimazu clan. From a Los Angeles Collection...

A petite and beautiful hand-decorated ceramic baluster vase, painted all around with traditional Japanese motifs, including native flora, birds and bamboo stems on a creamy glazed background. The colour palette is bold and bright, with highlights of green, red and blue, together with plentiful gilt relief...

An early Satsuma vase depicting a Japanese nobleman and woman on two panels front and back, with gilt decoration and painted details overall. Now mounted as a lamp.