Early/Mid-20th century Pair of Carved Bird Motif Fastening Rings, Nepal

Late 19th-early 20th century Tribal mask, West Nepal A large mask from West Nepal with a small grin and bared teeth surrounded with pink powder, faint traces of which can also be se...

Late 19th-early 20th century Tribal mask, West Nepal A mask from West Nepal with a rather heart shaped facial plane. There are three large iron staples, two of which may have secure...

Late 19th-early 20th century Tribal mask, West Nepal A mask from West Nepal with slanted almond shaped eyes, very small ears and an oval mouth showing carved upper and lower teeth o...

Late 19th-early 20th century Tribal mask, West Nepal A mask from West Nepal with a sharp straight nose, squinting eyes and a square mouth showing upper and lower teeth. There are re...

19th to early 20th century Iron hook and snare, Nepal A rare, esoteric device used by Buddhist Tantric practitioners in Tibet and Nepal as a method of controlling events. These powe...

Late 19th-early 20th century tribal guardian figure, Northwest Nepal The mere essence of a protector figure remains in this weathered fragmen...

A beautiful and unusual gilt bronze figure of a Bodhisattva, possibly Amoghapasha, Nepal, early to mid-20th century, circa 1930s or 1940s. The regal figure possibly depicting the bodhisattva Amoghapasha, the Unfailing Lasso. The enlightened being is portrayed seated upon a high double lotus pedestal. He is dressed as an Indian prince, wearing a luxurious foliate patterned dhoti around his waist and a billowing scarf around his shoulders. . His torso bare save for the jeweled necklaces and the sacred thread. A five pointed crown with an image of Amitabha Buddha in the central point graces his head. His princely face cold painted with beautiful detail, his hair colored blue with crushed lapis lazuli, indicating his peaceful nature. Amoghapasha holds a lasso in one hand, an axe in the other. He is considered an emanation of Avalokiteshvara. A bodhisattva of compassion, Amoghapasha is so named because of the lasso he holds in his hand. The lasso represents his vast compassion which is thought to extend to encompass all beings, bringing them into a state of perfection and enlightenment. The copper base plate, seemingly a later replacement, has been inscribed with a visvajra (double vajra...

A lovely Nepalese gilt bronze figure of Manjushri, the Bodhisattva of Wisdom, early to mid 20th century. The Bodhisattva of Transcendent Wisdom ...

This nicely carved bird figure is done in an 18th-century style but is from the very late 19th century to early republic period. The stone is a soft mellow celadon green with dark br...

A nice vintage early to mid-20th century gilt bronze sculpture of the Buddhist deity Avalokiteshvara in his four armed form, known as Chaturbuhja, or Chenrezig in Tibet. Chenrezig, a form of Avalokiteshvara, the bodhisattva of compassion (known as Guan Yin or Kwan Yin in Chinese), sits in vajrasana upon a high double lotus pedestal. One pair of hands is clasped in prayer at heart level, the other pair of hands raised upwards at shoulder lever and holding discreet attributes, a mala (prayer beads) in one hand, a lotus blossom in the other. Chenrezig is dressed in an elaborately patterned floral dhoti that covers his lower half. His torso bare, shoulders covered with a shawl and scarves that billow out around him. He is festooned with jewels, necklaces, bracelets, armlets, earrings, belt and a five pointed crown. The earrings studded with coral. The crown studded with turquoise. His face is cold painted with beautiful details. The hair has been pigmented blue with crushed lapis, indicating his peaceful nature. The copper base plate is inscribed with a visvajra (double vajra...

Material: Copper 47 cm high The height is the total height The diameter of the praying wheel is 16 cm Early 20th century Including special made metal wall-mounting. The praying wheel...

A large and impressive vintage gilt bronze figure of the tantric Buddha Vajrasattva, the Diamond Thunderbolt, mid 20th century, Nepal. Crafted of cast and richly gilt bronze, Vajrasattva sits in vajrasana, or full lotus position, his torso slightly bent at the waist. He holds an upright vajra scepter in one hand, raised at heart level. His other hand, resting on his hip, would originally have held a a ghanta, or bell, which is now missing. He is festooned in jewelry, including a five pointed crown, earrings, necklaces and armlets, all studded with coral and turquoise beads. His long hair falling in elegant tresses around his shoulders, the rest tied up in a high chignon topped by a vajra. Vajrasattva wears a dhoti covering his lower half. The dhoti intricately cast and carved with a scrolling vegetal design, and featuring images from the Ashtamangala, or Eight Auspicious Emblems, including the conch, endless knot, and double fish. Scarves billow out around his arms. The tantric Buddha sits upon a tall double lotus throne, the back with more intricately cast decorations of dragons and lotus blossoms against dense vegetal scrolls. The base sealed with a dented copper plate inscribed with a visvajra, or double vajra...