Large Early 19th Century Gilded Carved Wooden Vietnamese Buddha

Beautifully carved Qing dynasty tea caddy from Elmwood (yumu), with floral motifs and finished with an oxblood color lacquer. The large size is very usual and was used in a large family compound. The tea caddy is designed to hold and keep warm, large tea pot filled with tea. The tea pot’s spout comes out the front opening for pouring. The horizontal bar used as the container’s handle has a pivoting lock when open, the handle bar can be removed and closing of the pivoting lock, the handle is secure for use. The wooden tea caddy...

This Ching Dynasty carved polychrome seated Taoist altar god was once used on the family altar to honor their ancestors. Ancestor worship plays a major role in Chinese religion. This...

Beautifully carved Qing dynasty tea caddy from Elmwood (yumu), with floral motifs. Beautiful original patina, the body is in a brown lacquer and the handle is finished with an red color lacquer. The large size is very usual and was used in a large family compound. The tea caddy is designed to hold and keep warm, large tea pot filled with tea. The tea pot’s spout comes out the front opening for pouring. The horizontal bar used as the container’s handle has a pivoting lock when open, the handle bar can be removed and closing of the pivoting lock, the handle is secure for use. The wooden tea caddy...

Beautifully carved Qing dynasty tea caddy from Elmwood (yumu), with floral motifs and finished with an oxblood color lacquer. The handle has a finely carved bat motif, which symbolizes good fortune. The large size is very usual and was used in a large family compound. The tea caddy is designed to hold and keep warm, large tea pot filled with tea. The tea pot’s spout comes out the front opening for pouring. The horizontal bar used as the container’s handle has a pivoting lock when open, the handle bar can be removed and closing of the pivoting lock, the handle is secure for use. The wooden tea caddy...

A beautiful late 19th century paint bowl with a lid that was once used for storing the famous Tibetan barley flour (Tsampa). These bowls were used by the Buddhist mountain people of ...

A beautiful late 19th century lacquer covered bowl that was once used for storing the famous Tibetan barley flour (Tsampa). This beautifully handcrafted wooden bowl has a gorgeous, l...

Material: wood 77 cm high 63 cm wide and 41 cm deep Weight: 30.25 kgs Gilded with 24 krt. gold Mandalay style Bhumisparsha mudra Originating from Burma 19th century With in...

Material : wood 10,6 cm high 7,8 cm wide and 6 cm deep Gilded with 24 krt. gold Mandalay style Bhumisparsha mudra 19th century Weight: 117 grams Originating from Burma Nr: 2530-11

A large and magnificent cast bronze image of the Medicine Buddha, Bhaisajyaguru, rendered in the Burmese Pagan style, and most likely based on a period example that was either damaged or lost, 19th century, Burma or Thailand. He can be identified as the Medicine Buddha by the hand that rests in his lap, with his middle finger touching the thumb. A medicine pot or fruit stem would originally have been placed in his upturned palm. The face of this Buddha has been sculpted masterfully. He has a beautiful heart shaped face topped by hair neatly arranged in the typical "snail shell curls", and surmounted by a high ushnisha. Long, pendulous earlobes frame his face, a symbol of his princely past. He gazes serenely outwards from heavily lidded, downcast eyes, a content smile upon his full, lush lips. The Buddha is portrayed seated in vajrasana (full lotus position), his elegant hands displayed in varada mudra, the gesture of granting favors and fulfilling wishes. Long, exquisite fingers extended, the thumb and middle finger touching in a gesture of compassion. He is clothed in a simple kasaya wrapped around his body and over one shoulder, leaving the shoulder and part of his chest bare. The diaphanous garment clings to his body, outlining his well proportioned and graceful, almost sensuous, form. The excess material pooled in neat pleats in front of him. A sash thrown over his shoulder. He sits upon a double lotus base upon a raised platform. The platform features two kneeling attendants, usually interpreted as the monks Ananda and Kasyapa. Between them is a circular disc representing the Wheel of Dharma. Contained in the disk is a flower with eight petals, symbolizing the eightfold path, one of the principle teachings of the Buddha. The sides and back of the platform featuring a series of singha, or lions, representative of the Buddha's royal past. An applied lacquer patina covers the entirety of the image. Large deposits of ash (from incense) are present between the curls of the hair, as well as some the other crevices, indicating this image was the subject of worship for many years. Bhaisajyaguru, also called the Medicine Buddha, or Buddha of Healing, is a revered figure in the Buddhist pantheon as a master able to cure suffering, both physical and spiritual, through his teachings. The Pagan Empire ruled most of present day Burma (Myanmar) from 849 to 1297. The capital, Bagan, served as a both the center of government and religion, where Buddhism reigned supreme. Bagan was also at a crossroads of the Buddhist world, with influence from India, Nepal, Tibet, China, and even Indonesia shaping their culture. As such, Pagan Buddha...

This Early 19th century Special antique bronze Burmese Buddha statue is a truly unique and special collectible piece. Standing at 39.5 cm high, 27.3 cm wide, and 20.3 cm deep, it is...

Old metal temple with antique wooden Buddha statue Material: Metal 36,8 cm high 15 cm wide and 14,7 cm deep The temple is originating from Nepal The gilded Buddha is from Burma and i...

Once an original part of a Mid-19th Century Buddha wood sculpture from Thailand, this reclaimed hand fragment is lacquered in black and gold, showing the...