Marina Gutierrez 2007 "En Aqua Memoriam 1"

A wonderful bronze abstract in the form of a female nude mounted on a terrazzo base. It is by the noted Mexican artist Jonas Gutierrez Castillo. It is signed Jonas 99 PA near the base. PA stands for Pruebas de Artista or Artist's Proof. The bronze has a beautiful warm brown gold patina. The base is a heavy terrazzo with lots of inclusions. The base has some losses to the edges which are pictured in detail. The bronze has some patina inclusions or spots, pictured as well. One of the artist's more notable works is a massive bronze title the The Stone Eater on Puerto Vallarta's Malecon. We've attached a biography of the artist courtesy of Galleria Dante of Puerto Vallarta, Mexico below: Born in Guadalajara, Jalisco in 1966. The artist began to sculpt at an early age. In 1980, he helped create the monumental public sculpture "La Estampida", which is located at a busy intersection in his hometown, near the emblematic building of the Hotel Riu. Jonás Gutiérrez is known in Puerto Vallarta for his monumental 2.4-meter-high bronze and obsidian sculpture...

A wonderful whimsical massive pottery terracotta sculpture from 1962, signed Selbmann Roma, Italy. The piece just conveys joy and happiness. Muted colors. The piece has an old repai...

A beautiful large twin headed Papier Mache giraffe sculpture by Sergio Bustamante from 1977. Comes with a copy of a certificate from Bustamante himself dated...

Norman Laliberte sculpture dated 1988. Whimsical and fun by the noted Canadien/American artist. In good overall condition, although there are some mar...

Whimsical sculpture by American/Canadian artist Norman Laliberte. Dated 1988. Great scale and form. Some minor marks but in good condition.

A large signed and very heavy Arthur Gibbons metal sculpture. It is quite lovely. This sculpture can be exhibited outdoors as well as indoors. A biography of the artist follows from his website: Director: The Milton Avery Graduate School of the Arts at Bard college. Professor of sculpture, Bard college. Education: B.A., Ohio Wesleyan University. B.F.A., M.F.A., University of Pennsylvania. Solo Exhibition: Carlton Gallery, NYC, 1976. Robert Freidus Gallery, NYC. 1977, 1979, 1980 and 1982. Dayton Art Institute, Dayton, Ohio, 1978. Grimaldis Gallery, Baltimore, 1986. Lafayette College, Easton, PA, 1987. André Emmerich Gallery, NYC, 1984, 1985, 1986, 1988, 1990 and 1992. Art Academy of Cincinnati, 2001. Incident Report, Hudson, NY, 2007 and 2014. Articles/Reviews: New York Times. Village voice. Art news. Arts magazine. International sculpture. Group exhibitions: Artist space, NYC. Davis and Long Company, NYC. Rosa Esman Gallery, NYC. Union College. Kingston Biennial. Art OMI. Guild Hall, East Hampton. Storm King Art Center, Mountainville. Neuberger Museum of Art, SUNY Purchase. Hofstra University. Center for Curatorial Studies, Bard College. Diane Brown...

Beautiful bronze may listed Mexican artist, Victor Gutierrez titled "Inquietud" and number 6 of an edition of 25. The piece is signed and dated 87. ...

Victor Gutierrez (Mexican, Born 1950). A limited edition cold painted bronze statue. A figural work produced in a modern style depicting a seated fema...

Victor Gutierrez (Mexican, born 1950). A limited edition cold painted bronze statue. A figural work produced in a modern style depicting a seated fema...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2007. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle #27 is raku-fired, hand built and hand sculptured. This piece is made of three separate pieces of green ...

"Aqua Lucis" is a captivating resin sculpture that gracefully explores the intricate nature of water, rendered with a transparent high gloss finish. This masterful artwork, reminisce...