Two Large green glazed figures, Ming Period (1368-1644)

Statues of Chinese dignitaries crafted from terracotta, featuring glazes in blue and ocher, are set on rectangular bases. The wide-sleeved robes and craftsmanship, along with the cyl...

This sculpture is a Longquan celadon from the Ming Dynasty, renowned for its rich and jade-like green glaze. The figurine is likely a representation of a Buddhist deity or a revered scholar, showcasing the calm aesthetic expressions and graceful contours prevalent during the era. The spectrum of celadon glaze ranges from a dense grey stoneware to a nearly white porcelain texture, with unglazed parts revealing a terracotta brown upon firing. Such pieces were often part of household altars, reflecting the era's spiritual devotion. This artifact would be a treasured exhibit in any museum's Asian art collection, symbolizing both religious reverence and artistic excellence. Period: Ming Dynasty (1368-1644) Region: Longquan, China Medium: Stoneware - Celadon glazed, with a range from heavy grey to almost white porcelain-like material Type: Sculpture Height : 24.5 cm Provenance : Acquired in 1999, Hongkong * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

Statues of Chinese horse and rider, featuring glazes in green, amber, are set on rectangular bases. Period: Ming Dynasty Medium: Green-glaz...

The table bearing pig head, rice cakes, dishes of meat, fish and fruit. Known as Mingqi, these terracotta models were customarily included in Chinese burial practices, particularly among the affluent, to aid the deceased in their journey through the afterlife. This tradition extends back to the Neolithic Period. A unique terracotta funeral table...

This censer is characterized by its tripod form, which means it stands on three feet. Incense burners from the Ming dynasty are often highly regarded for their craftsmanship and the quality of the glaze texture and coloration. This piece features finely carved patterns that likely draw inspiration from traditional Chinese motifs. Such items were commonly used for burning incense and sometimes served as significant decorative pieces in ceremonial spaces or the homes of the elite. Period: Ming Dynasty (1368~1644) Region: Longquan, China Medium: Stoneware - Celadon glazed Type: Tripod censer Size : 24.2 cm(Diameter) , 10.8cm(Height) Provenance : Acquired in 1999, Hongkong Reference : Sotheby's Newyork 26 September 2023 - CHINA / 5000 YEARS - Lot1135 * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

Black glazed bottle from the late Ming dynasty binh thuan cargo. An identical piece is included on page 146 of the Bin Thuan catalog titled 'The Age of Disco...

Cast seated wearing a simple robe with his right hand resting on the hilt of a snake-entwined sword, the left hand held aloft, his face with meditative expre...

A LARGE WOOD FIGURE OF GUANYIN WITH TRACES OF PIGMENTS MING DYNASTY (1368-1644) The bodhisattva is shown seated in padmasana, wearing long flowing ro...

A pair of Ming dynasty sancai blue glazed pottery figures. Circa 1500 AD Ming Dynasty I have owned over 250 ming tomb figures including over 80...

Early Ming standing carved wood Bodhisattva Avalokiteśvara (Guanyin), China 1368-1644. This massive Bodhisattva Guanyin is depicted here in the...

A striking pair of large Chinese glazed and painted pottery figures, Ming Dynasty (1368 to 1644), circa 16th century, China. The impressive and realistically modeled figures each portrayed standing upright upon a sancai (three color) glazed pedestal of kang table form. The man is dressed in a short black surcoat over a long robe and pants, a smart cap upon his head. His face is warm and welcoming, with wide eyes and a slight smile on his lips. He holds his hands out in front of him, palms up, almost as if shrugging, though presumably originally holding an object or offering, now lost. The woman of slightly smaller stature, and dressed in a longer surcoat over a long robe and skirt. She wears a fitted cap upon her head. Her hands also held out in front, grasping long lost objects. Her face is slightly more severe, with a somewhat pinched look, and slight frown upon her lips. The size of these figures is remarkable, as is the realism and attention to detail, almost as if they were modeled after real people, as opposed to the more common and generic Ming Dynasty pottery...

A pair of Chinese Ming Dynasty glazed earthenware figure of Attendant The condition of these 5 century old glazed pottery tomb figures is outstand...