Early 19th-Century French Bronzed Urns with Gold-Plated Garland Decoration

This extraordinary French antique urn is a striking piece, expertly crafted from a combination of bronze and marble and preserved in great condition...

Transform your living space with the timeless elegance of our French 19th-century accent decorative pillows. This exquisite pair melds the classic charm of the past with luxurious modern touches, offering an enchanting addition to your decor. Each pillow in this distinguished pair features an antique floral pattern...

Discover the timeless beauty of our 19th Century French Centre Table, a true masterpiece of antique craftsmanship. This table, handcr...

Step into the splendor of the late 19th century with our Jacobean French Buffet, a stunning piece that perfectly encapsulates the era's ethereal charm and elegance. Meticulously rest...

Step into the grandeur of the late 19th century with our exquisite pair of French armchairs, meticulously handcrafted from solid wood. Each chair, reflecting exceptional craftsmanshi...

Step into the charm of the 19th century with our small French antique mirror, a masterpiece of craftsmanship and elegance. This exquisite mirror, expertly crafted from wood, has been lovingly restored by our in-house team of professional craftsmen to its former glory. It now showcases a beautiful patina finish that enhances its historical allure. The mirror features eye-catching carved details, a testament to the meticulous workmanship of the era. Its frame is adorned with an original water gilt finish, adding a layer of richness and depth to the piece. The mirror itself is in great condition, and fully reflective, ensuring it serves not only as a decorative element but also as a functional one. This 19th-century mirror is more than just an accent piece; it's a piece of history ready to bring timeless elegance to your home. Whether displayed in a living room, hallway, or bedroom, this mirror promises to add a touch of French antique charm...

Early 19th century French Charles X bronze doré classical urn on a stair stepped griotte marble base. Finely cast.

Grand Tour urn, of bronze, with a gilt and patented finish showing natural wear, having a column-snape urn-form; its down-turned bezel over its body, de...

This pair of early 19th century Grand Tour Period bronze gilt volute krater urns on stone bases are absolutely breathtaking. The base is a heavy black slate with etched Neo-classic f...

A large pair of early 19th century bronze campana-shaped urns, having flower moulded and beaded rims, above scrolled carrying handles and acanthus decoration below, raised on fluted ...

A museum quality early 19th century Paris porcelain urn. The twin handled vase sits on a rectangular porcelain base (modelled as part of the vase), which is decorated on all four sides with finely painted scenes titled 'Gene de Corrinte', 'Gene de Mytilene', 'Gene de Sparte', and 'Gene de Chiu' in reference to various Greek city states. The ovoid body of the vase is richly decorated with Greek key and stylized acanthus designs over and below a large gilt framed oval cameo of Athena on one side and a similar cameo on the other side bearing an undecipherable name. The overall background colour scheme of the vase is dark red/burgundy and dark emerald green, two colours which were more commonly used by the Dagoty factory in Paris than other porcelain manufacturing firms at the time. The vase is unsigned. Note: Pierre Louis Dagoty's porcelain was characterized by the use of vivid colours and the thick application of burnished gold leaf. He borrowed from the repertoire of Neoclassical ornament but his designs also included Egyptian and Chinoiseries motifs. Dagoty's elegant ceramics won him the patronage of Empress Joséphine. At the height of production, in 1807, he employed over a hundred workers, and exported his wares to Russia. After the fall of the First French Empire in 1814, manufacture continued under the Duchesse d'Angoulême, the only surviving child of Louis XVI and Marie-Antoinette. Between 1816 and 1820, Dagoty worked in partnership with François Maurice Honoré. In 1817. Dagoty and Honoré received a commission from President James Monroe...

Beautiful marble color with the finest dore bronze casting. Bacchus head motif. Lids are attached.