Clay Urns

Fabulous and massive vase - urn which will be a eye catcher in your living or business space. Almost 4 ft tall and 30 inch at its widest in the center down to about 7 inch at the bas...

A wonderful original vintage hand-crafted Moroccan terracotta water vessel. This beautiful find displays the natural age, wear and patina that ...

From the Rio Balsas region of Guerrero, Mexico - early 19th century. Of stunning tribal form with regionally unique extending horn handles and distinctive looped tripod legs. Featuri...

Fabulous hand thrown vase in the Mid-Century Modern arts & crafts style with crazed glaze. Intentionally glazed to look like fissures this vase is a t...

A very large and appealing Saggar fired vessel, made by Australian potter, Jill Symes. Signed, with original stickers and leaflet. This beautiful pot has ...

Authentic Asian vintage one-of-a-kind handcrafted clay vessel/vase, Rustic smooth unglazed matte finish in beautiful natural tone's.

Ceramic vase model “Urn for unwanted limbs and other things” Manufactured by Virginia Leonard New Zealand, 2022 Clay, lustre Virginia Leonard ho...

Circa 1980s Van Briggle Grecian urn with turquoise ming glaze signed by the potter Dorothy Ruff (D.R.) The urn has a high shoulder with loop handles, figure...

This impressively sized urn is marked on the bottom, “Sarreguemines/1906//H”, “Made in Germany” with the Lorraine Coat of Arms . Nicolas-Henri Jacobi along with his two partners esta...

This stylish set of Italian Art Deco amphoras date to the 1930s and capture the spirit of the period with a band of leaping gazelles. The pieces are...

Beautiful and simple large jar with a archaic banding scribed across the exterior top. Glazed interior while the outside is unglazed. In excellent vintage co...

Beautiful urn which was most likely created in the late part of the 19th century. Used for storage and transportation. Amazing color and patina. Top opening...

Antique Dutch Delft pottery covered urn, mid-18th century, a tin glazed earthenware vessel having a dog finial atop a domed lid, on a ribbed ovoid body, decorated in a blue and red O...

Early 20th century Japanese organic form clay vessel with a unique olive green glaze. Property from esteemed interior designer Juan Montoya. Juan Mo...

Denoted by clean lines and handcrafted, the Jana vases are a collection that was designed for Cappellini by Antonio Forteleoni. These vases are made of black earth, forged by hand on...

Denoted by clean lines and handcrafted, the Jana vases are a collection that was designed for Cappellini by Antonio Forteleoni. These vases are made of black earth, forged by hand on...

The Chinese clay jar is handcrafted and has two small handles. The organic rich dark clay is from a Chinese river basin. Search terms: Planter, cachepot.

The Chinese clay jar is handcrafted and has two small handles. Shallow en relief bands encircle the upper part of the vessel. The organic rich dark clay is from a Chinese river basin.

Experience grandeur with this luxurious pair of handmade Monumental Art Deco Style Micro Mosaic Mirrored Over Clay Urns. Each urn boasts intricate detailing, featuring hundreds of mi...

Large urn shaped clay jar with ornamental lid having a bronze and green patina and stamped by the maker. The jar has a pair of handles near the mouth of the vessel, attractive horizo...

A Khmer urn or vase with a sober, classic form from the Khmer region of ancient Cambodia. Classic form, sober pieces such as these compliment sober, m...

19th century painted clay country pot from Brazil Beautiful example of pottery from the countryside Worn rim adds to the beauty of this piece as does th...

Pair of beautifully made, hand painted, gray-ground, craqueleur-glazed urns featuring incised clay bands and sculpted, willow-branch armatures.

Monumental four-piece studio pottery Fountain, manner of Raymor, Italy. Wonderful scale and proportion. Glazed ceramic, incised geometric designs, Versatile: can be separated and used as two jardiniers...

Antique hand crafted and unique stoneware jug with a square belly and round base. The jug comes with a round screw cap. Possibly Balkan area or Italy, around 1800s to 1900. Beautiful...

An organic and Brutalist style vase with Medallion motif on front and verso. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

20th century large African clay vessel.