Art Nouveau Angry Web-Footed Sea Monster Vase by Eduard Stellmacher for Amphora

Model #4543 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Model #4619 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Model #4598. Hard Earthenware. Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The ...

Model #4598. Hard Earthenware. Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The ...

Model #2 Eduard Stellmacher and Co, Porzellanfabrik und Kunstkeramische Industriewerke Driven to establish a new company that produced luxury porcelain and ceramic items based on his own aesthetic aspirations, Stellmacher left Amphora when the workshop was at its most prosperous, in 1904. Together with entrepreneur Karl Frank, who provided the financial backing, he founded Ed. Stellmacher & Co. in Turn-Teplitz in 1905. From the outset, Stellmacher worked hard to achieve a major position among other high-end ceramic art producers. He believed the success of the company would depend on his products of “appropriate methods and unerring quality, perfect from both the technical and artistic sides”. Stellmacher based his first collection on artistically progressive products, pieces he believed would be in high demand. The greater part of the designs were either large vases complemented with sculptures of fantastic dragons or natural animals. With this series, Stellmacher continued the themes he had created for Amphora from 1899-1902, however, his naturalistic renderings of animals was even more elaborately precise. He developed a special ceramic material called refined earthenware, which minimized the shrinkage that was common during firing and allowed for greater preservation of details in the original models. Unfortunately, by 1905, contrary to Stellmacher’s plans, there was little to no demand for objects of this type. Very few pieces exist today as very few were originally produced. Even after redirecting the company to produce commercial goods Stellmacher still could not ward off the company’s demise. By 1910 the Stellmacher & Co. fell into bankruptcy and was liquidated. Art Nouveau Dragon...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

This late 19th century porcelain vase was designed by Eduard Stellmacher for Riessner, Stellmacher & Kessel Amphora of Turn-Teplitz, Bohemia. The piece has a Classic Art Nouveau form and features a dimensional nymph partially encased in the leaves of a lily of the valley plant. The maiden's body is accented by two delicate arched tendrils finished in gilt which bear small white lily of the valley blossoms, also accented in gilt. The remainder of the piece is painted in shades of light green and ochre with gilt highlights. An example of this shape with similar painted decoration can be seen on page 37 of Richard L. Scott's 'Ceramics From The House Of Amphora 1890-1915.' As an antique item, the vase shows appropriate signs of age consisting of wear to the gilded decoration along with a shallow chip on one of the ridged leaves on the back of the piece. The foot is 4" in diameter and bears the red RStK mark reading "RStK TURN Teplitz...

Art Nouveau vase in blue and green enamelled porcelain, with gold details and handles with an elephant head design, made by AMPHORA. Signed crown seal, AMPHORA, Austria, No. 2191, No...

This early 20th century Art Nouveau porcelain vase was designed by Paul Dachsel for Riessner, Stellmacher & Kessel Amphora of Turn-Teplitz, Bohemia. The piece has an organic squash-like form and features Dachsel's distinctive ribbed mouth design at the top. The body of the vase is flanked by two delicate arched arms with reticulated detail. This ivory porcelain vase has a blush colored body with gilt accents at the foot and handles. The front and back piece have been hand-painted with a floral motif in a Japanese style and feature the images of gilt accented purple orchids with long green leaves. The ribbed mouth is finished in a matte green that echoes the color of the foliage and also has gilt highlights. An example of this shape with similar decoration can be seen on page 66 of Richard L. Scott's 'Ceramics From The House Of Amphora 1890-1915. The vase is in excellent condition with no chips, cracks or repairs. As an antique item, the piece shows appropriate signs of age consisting of wear to the gilded decoration. The vase stands just over 6" tall and is 2" as measured from the furthest points of the mouth. The foot is just over 2" in diameter and bears the RStK burnt in mark reading "RStK TURN Teplitz...

Riessner, Stellmacher & Kessel - Imperial Amphora - Art Nouveau buttressed ceramic vase with embossed sunflowers, painted leaves and applied 'jewels' - signed on the base - Austria -...

Austrian Amphora marked Ernst Wahliss. Two maidens seated atop and below a large shell with seaweed on the base. Highest quality porcelain amphora. This piece is marked Ernst Wahliss...

Amphora Austrian Art Nouveau semi-iridescent ceramic two-handled vase decorated with hanging grape cluster and vines and leaves. Marked and numbered on bottom. Dimensions: 13.5" H x ...