French ceramic ACCOLAY vase

This glazed ceramic from Accolay is fascinating, having marked the beginnings of its creation. It is referenced in the key book on ceramics, "French Pottery of the 50s" by Staudenmeyer Pierre...

Accolay vases from the famous “Gauloise” series, rare in these terracotta tones. Excellent condition, signed. Dimensions: H 31cm x W 21cm / H 19cm x L 11cm France, ca. 1960

A large ceramic vase in a stunning glaze of blue and black. Signed, in very good shape. Accolay, France, ca. 1960

Charming ceramic pitcher from Accolay. Accolay ( 1945-1989 ) France, ca. 1960

Interesting anthropomorphic ceramic box from Accolay with incised signature. Unique piece Perfect condition France, ca. 1950

Grand vase en céramique sculpté, figuratif, en très bon état et signé.

A Touch of French Mid-Century Modern Charm: Accolay Ceramic Pitcher Vase This beautiful mid-century modern pitcher vase, crafted by the renowned French pottery makers Accolay, embod...

A Touch of French Mid-Century Modern Charm: Accolay Ceramic Pitcher Vase This beautiful mid-century modern pitcher vase, crafted by the renowned French pottery makers Accolay, embod...

Produced by Accolay, France, around 1960-1970. Signed Accolay under the base.

A beautiful handcrafted mid-20th Century French Accolay ceramic vase or vessel. This stunning Accolay ceramic vase was hand-crafted with an eye catching design. The neutral colors and design fits perfectly with almost any color scheme. Designed in the manner of Alexander Kostanda pieces this Accolay ceramic vase will enhance any setting. Stamped Accolay. Very good vintage condition, no cracks or chips. Measures: 9" H x 9 3/4" W x 5 1/2" D More about Accolay pottery: Under the term Poterie d'Accolay or Accolay pottery, we group together the production of a community of potters settled in the village of Accolay, in the department of Yonne. This production center was created by four former students of Alexander Kostanda. Active from 1945-1983, their pottery is distinguished by a great technical inventiveness and an extremely abundant production. The pottery community exploited the proximity of the National 6 (can be compared to Route 66 in the USA) by investing in the service stations to make permanent exhibition places on the circuit of migration of Parisian tourists. Their exhibition buildings, inspired by the construction of the 24h circuit of Le Mans, became the obligatory stage for holiday makers in transit. The National 6 joins the 7 known as the sun route. This form of marketing continued at the entrance to Vermenton until the closure of factories in 1983. The creation of the Lyon motorway had however for several years derived the flow of tourists. The forefather Alexandre Kostanda (Dec 1921 - Nov 2007) was born in Poland of Russian parents. The family emigrated to Lorraine in France, where his mother Irene worked as a decorator in a porcelain factory. They then moved to Vallauris, where his mother worked at Louis Giraud's workshop. Alexandre joined the company as an apprentice from 1936-1938. After the war he taught pottery at the Longchamps Pottery...

Decorative midcentury ceramic vase / pitcher by Accolay (circa 1960s). A classically shaped piece from antiquity is reinterpreted in Accolay's unmistakable style. The pitcher has sof...

Accolay Elegant midcentury ceramic vase by famous French potter. Blue and purple variations of ceramic glaze colors. Signed under the base. original perfect conditions ...