Blue and White Delft Lamp

A late nineteenth century blue and white Delft vase of bulbous form, decorated throughout with tropical birds and flowers, with four quatrefoils each showing a leaping deer. Low Cou...

A late nineteenth century blue and white Delft vase with circular medallions throughout, with tropical flora and fauna, now mounted as a lamp with turned giltwood base. Low Countrie...

Low Countries, circa 1890 A pair of late nineteenth century Delft lamps of large scale, with blue and white glaze, decorated throughout with sprays of flowers, with octagonal form b...

An Art Deco vase with royal blue glaze with overlaid geometric gilt decoration, of bulbous form with three scrolling handles, now as a lamp. France, circa 1930. Height of vase 28...

A mid-20th century Murano glass vase of double gourd form, with white ground and vertical twisted blue stripe. Please note: Lampshade not included. Currently wired for the UK.

A pair of blue and white Studio Pottery vases, now converted as lamps. Please note: lampshades not included.

Dutch Delft blue and white lamp. Beautiful large Delft faience vase mounted as a lamp with bold floral decoration and borders with spectacul...

17th Century Dutch Delft Octagonal Faience Vase mounted in brass and decorated with a chinoiserie décor of fighting warriors and exotic landscape. The dimensions indicated herein are those of the vase with the fittings and lampshade. The mounted vase only is approximately 10in. high and 7in. diameter. The arrival in Western Europe of the first shiploads of Chinese porcelain, lacquerware, ivory and silk in the 17th century stimulated interest in China, or Cathay, as it was then called. Europeans soon began copying the Chinese artworks and decorative objects. These decorative arts inspired by China, which enjoyed their heyday in the late 17th, 18th and early 19th centuries, are known as chinoiserie. Soon after the introduction of expensive Chinese...

Late 17th Century Large Dutch Delft Faience Blue and White Chinoiserie Baluster Vase Mounted as a Lamp and newly electrified. Of octagonal shape, decorated with oriental figures in a landscape. The dimensions indicated herein include the lampshade. The vase only with its base and cover is approximately 12in. high by 8in. diameter. The arrival in Western Europe of the first shiploads of Chinese porcelain, lacquerware, ivory and silk in the 17th century stimulated interest in China, or Cathay, as it was then called. Europeans soon began copying the Chinese artworks and decorative objects. These decorative arts inspired by China, which enjoyed their heyday in the late 17th, 18th and early 19th centuries, are known as chinoiserie. Soon after the introduction of expensive Chinese...

An early twentieth century blue and white glazed Delft pottery vase, of hexagonal baluster form and decorated throughout with chinoiseries. Now mounted as a lamp on a water gilded ba...

Late 17th Century Dutch Delft Faience Blue and White Chinoiserie Baluster Vase Mounted as a Lamp and newly electrified. Decorated in imitation of a Chinese Ming vase with a sage, rocks and vegetation, mounted on a wood base. The dimensions noted include the lampshade and electrical fittings. The vase as mounted in wood is approximately 10in. high and 6in. diameter. The arrival in Western Europe of the first shiploads of Chinese porcelain, lacquerware, ivory and silk in the 17th century stimulated interest in China, or Cathay, as it was then called. Europeans soon began copying the Chinese artworks and decorative objects. These decorative arts inspired by China, which enjoyed their heyday in the late 17th, 18th and early 19th centuries, are known as chinoiserie. Soon after the introduction of expensive Chinese...

Blue and white baluster shape and delicately carved fleur de lys in blue on white ceramic is reason enough to covet this beautiful oversized table lamp produced between 1940 and 1960. The collar like neck complements the gold circular wooden base. The shaped baluster body has a white tin-glaze and is also decorated with cobalt-blue diamonds. The lamp stands 42 inches tall overall with its original harp and 29 inches from the socket to base. The lamp is in very good condition except for some minor pitting to the glaze finish. The exceptional fleur de lys motif on this lamp has been used historically by French...