Resin Side Chairs

One-of-a-kind, sculptural chair finished in milky white laminated washi paper, hand-made by Simone Bodmer-Turner in 2023. Known for graceful and poetic work that balances in between functional and artistic, Bodmer-Turner's "Chair III (Paper)" is as usable as it is visually and spatially compelling. The third-ever chair made by the artist, the singular piece is hand-carved from a wooden substrate, and gleams in Bodmer-Turner's signature stark white textural surface finish, achieved here by coating milk paint over laminated Japanese Washi paper. The wispy, gravity-defying forms of Bodmer-Turner's work is as much about minimalism as it is about movement, and the artist's reverence for history is apparent in the swooping silhouette of "Chair III", paying homage to Carlo Bugatti's celebrated "Cobra Chair" (1902), in which the seat and back are one continuous S-curve, entirely covered in hand-painted parchment paper and embellished with copper decorations. Available for immediate placement, this unique piece is a sophisticated yet playful object that adds a sculptural element to any space. About Simone Bodmer-Turner Born in 1990 in Berkeley, California, Simone Bodmer-Turner’s multidisciplinary studio is built around the foundation of her iconic line of abstract, ceramic vases which she first introduced in 2018. Articulations of form, those debut pieces were designed as timeless works in conversation with the power of negative space. Following the founding of her studio, Simone evolved her exploration of the medium into organic ceramic sculptures, as well as paintings that are somewhere between assemblage and land art using local soil and plant material. In 2021, Simone made her foray into furniture design introducing Chair I and in 2022 she released Chair II along with an oversized credenza and a series of one-of–a-kind lighting works that were presented as part of the artist’s first solo exhibition — TAKE PART IN — at Matter Projects in New York. In the years that followed, Simone has moved her practice from Brooklyn, New York to rural Massachusetts where she is honing her sculptural medium, designing custom interiors in plaster, and developing a body of multidisciplinary furniture that straddles the line between art and design. In the spring of 2024, she will present her second solo exhibition entitled ‘A Year Without a Kiln’ at Emma Scully...

This listing is for the group of 8 chairs. The matching table is sold separately. You won't find a nicer (or larger) restored set of these Adrian Pearsall Brutalist Dining Chairs an...

Sculptural Broadway chair designed by Gaetano Pesce for Bernini. Each chair features a marble green hue.Supported by flexible and dynamic brushed steel f...

A striking late 1960s high back armless side chair with Brutalist base and faux-leather upholstery by Adrian Pearsall for Craft Associates. Brutalist X-shaped base features a met...

A rare and outstanding pair of Mid-Century Modern Brutalist high back side chairs or dining chairs By Adrian Pearsall USA, 1960s Textured bronze-gilded resin bases, with gray moha...

Blue resin childrens' chair, of typical form with circular cut-outs to rear. 21.5" H x 11.5" W x 14.5" D x 12.5" seat. Dealer: S138XX

The coral-pink cast-resin Rick chair, by Paris-based interior and furniture designer Joris Poggioli, first appeared back in 2020 as part of Eden Paradis...

White marble fragment chair by Jang Hea Kyoung Artist: Jang Hea Kyoung Materials: Crystal resin and marble Dimensions: 33 x 34 x 74 cm Jang Hea Ky...

Set of crystal marble fragment chair by Jang Hea Kyoung Artist: Jang Hea Kyoung Materials: Crystal resin and marble Dimensions: 33 x 34 x 74 cm Ja...

Magma bench by Onno Adriaanse Hand-sculpted, 2022 Dimensions: W 100 x D 25 x H 50 cm. Materials: oak wood and high gloss resin finish Collection o...

This neoclassical daybed by the renowned Michel Duffet, who was chosen to create the French Pavilion at the 1939 World's Fair, is an early example of his fine output, dating from the...

Set of 4, impressive, midcentury, brutalist dining or side chairs by Adrian Pearsall feature lipstick red velvet, contoured, high back seats with thick, black and bronze tone, resin ...

“La Falaise” is a French name translated into “The Cliff” Walking along side to the Failaise d’Etretat, inspired by the beauty and strong contrasts of the France’s Northern Coast...

Unexpected materials, bright colours and a sense of humour hide the inherent complexity of it’s designs. Our pieces juxtapose Middle Eastern heritage and the craftsmanship of Damascene inlay with contemporary, young influence by creating new ways of reappropriating the traditional. Amongst a playful collision of materials, patterns and colors, of repetition and exploration -- weaving between traditional and contemporary. Damascene wooden chair with intricate foliate carving and mother of pearl, shell inlays, handmade and hand carved with arabesque designs. ARE’s Sorted Pixel seat captures a moment freezing a digital frame, manipulating stability. Though a 'glitch' is temporary, here, it is transformed into a living art piece that lasts. It is one amongst 20 mirrors...

“La Falaise” is a French name translated into “The Cliff” Walking along side to the Failaise d’Etretat, inspired by the beauty and strong contrasts of the France’s Northern Coast...

Made entirely of acrylic resin, the Rainbow chair by Patrick Norguet is contains bands of different colors and widths which are fused ...

The amazing Rainbow chair by Norguet delivers an elegant shape while making a statement with bold colors. It is manufactured entirely in acrylic resin an...

Single side chair cover with dark green grey parchment in the style of Karl Springer. (High gloss polyester resin filled finish). Please note: Mark on resin top side chair see last ...

BROADWAY CHAIR GAETANO PESCE FOR BERNINI C.1993 Gaetano Pesce ‘Broadway’ chair produced by Bernini with four rubber-capped feet standing on springs. Very striking design with an int...

BROADWAY CHAIR GAETANO PESCE FOR BERNINI C.1993 Gaetano Pesce ‘Broadway’ chair produced by Bernini with four rubber-capped feet standing ...

These Art Deco chairs in the style of KEM Weber were custom made exclusively for Art Deco collection. They combine a modernist stair-stepped design...

This one-of-a-kind sculptural beeswax chair with sides is designed by Rooms Studio in collaboration with Shotiko Aptsiauri and was produced in Tbilisi, Georgia. The molded, beeswax sculpture, which can be interpreted as a stool, seat, side table or art object, is cylindrical in shape with two rectangular blocks at the top, representing a backrest or arms for the seat. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The studio’s largest U.S. exhibition to date, Distant Symphony, expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...