Amboyna Center Tables

A FINE REGENCY AMBOYNA AND OAK TILT-TOP CENTRE TABLE, Circa 1825.

Loius XVI Style Inlaid Centre Table the brass banded top with amboyna and rosewood crossbanding and diamond inlay, curved X-Stretcher and the base decorated with ormalu - English c18...

A Fine Louis XVI Style Patinated and Gilt-Bronze Mounted Centre Table After The Fontainebleau Model with a Verde Patricia Marble Top, by Zwiener Jansen Successeur. The bronze mounts...

A Fine Burl Amboyna and Marquetry Centre Table Attributed to George Blake and Co and Probably Retailed by Edward Holmes Baldock English London made Circa 1845. An exceptional table of wonderful colour, utilising the finest amboyna veneers as a background for a complex pattern of floral marquetry on the stem, feet and table top. The tilt-top with segmented veneers and central floral inlay within an inlaid floral scroll surround and with a conforming inlaid outer border. The triform pedestal base with foliate inlay, carved leaf scroll feet with carved lateral flower head roundels with recessed castors. The basic design for this table comes from the work of the designer Richard Bridgens and was published in 1838 as plate 16 in his Furniture with Candelabra. As can be seen from the image of Bridgens' design, the outer scrolling border on the top of our table is very much in the style of that suggested in the design but the other marquetry is of a sophisticated floral type popularised slightly later, suggesting a date of c.1845 for our table. Marquetry of this sort was a speciality of the Blake family, marquetry experts and associates of the great dealer Edward Holmes Baldock. Baldock was responsible for building some museum quality collections of fine 18th century French furniture during this period for some of his famous aristocratic clients but he also supplied new furniture in the French taste, often incorporating marquetry by the Blake firm. The use of exotic amboyna as the ground for this marquetry is also in keeping with other pieces known to have been supplied by Baldock, for whom it appears only the best was good enough. The sinuous lines of this table and the exotic veneers give the piece a more timeless feel than many other examples from this period and the colour means that it would work equally well in a contemporary interior or alongside pieces of Art Deco furniture as it would in a more traditional room. This is a piece of sublime quality that somehow manages to be both decorative and yet understated and as such is exactly the sort of piece we enjoy sharing with our clients. Edward Holmes Baldock (1777-1845) Born on the 14th May 1777 he established his business in 1805 in Hanway Street which over the years he expanded at this location. He soon was a prominent London furniture dealer to several members of the Royal Family and is responsible for supplying French-fashioned furniture to the 5th Duke of Buccleuch. Edwards Holmes Baldock’s pieces have become a prized possession amongst collectors, museums and dealers alike. The use of a variety of specimen woods can often been seen on attributed and signed tables by Edward Holmes Baldock, reminiscent of those on the present table. Baldock was thought to have worked very closely to with the master of marquetry and inlay of the 19th Century Robert Blake who had workshops adjacent to Baldock’s retail premises. Pieces in public collections with likely links to the Blake Family include a piano in the Metropolitan Museum of Art, a writing desk in Goodwood House, a centre table in Syon House, a circular table in Alnwick Castle, an octagonal table in the Leeds City Art Gallery at Temple Newsam House and also signed works in the Victoria and Albert Museum. Baldock's works often imitated the important pieces of 18th-century French furniture that Francophile collectors including George, Prince of Wales, later George IV, William Beckford, Francis Seymour Conway, 3rd Marquess of Hertford and George Watson...

Rare Charles X Office partners desk center table console wood onyx stone bronze. Amboyna is among the most expensive and sought-after of all burls and is frequently sold as veneer or as small turning. Amboyna burl was and still is among the world's rarest and most expensive & Exquisite holding the distinction of being the original wood used on Rolls Royce dashboards. An important and rare 19th century Period King Charles X Large desk with a Pull out Single wide drawer Mirrored in the manner of partners Desk , Enclosing fitted Eight Columns with incredible Bronze dore work magnificent ormolu capitol of scrolls, foliate. Outstanding light in color and fine in texture Carved Wood. All original hardware and plaques. Mounted on Geometric lower base arched on both sides that allows this magnificent piece to be used as a center table and as a console at the same time, elevating the entirety of this art work of this rare Desk to a category of its own finely chased laurel leaf wreath. As seen in the closeup pictures the signs of the centuries are apparent but minor considering such a large piece of furniture, such as cracks chips losses etc. But overall outstanding condition. You are welcome to send your expert to examine it in person. we have seen our fair share of incredible furniture of the 15th to 19th Century periods. this table Desk is incredibly well preserved for its age and use . the fitting work and the design i have rarely encountered any at that level of sophistication and craftsmanship. The result that could only be achieved by big Masters comparable to what was done for the Grande Commande. This type of furniture at that level are mostly kept with the old families, rarely to see them on the market. I have some other high end chateau inventory and rare pieces of the periods as well. Antique Dealer Los Angeles West Hollywood Melrose Ave La Cienega Blvd. Amboyna wood The name derived from Ambon Island in Indonesia that was a Dutch Colony, where much of the figured wood is believed to have been initially exported and it used to take many years before the special material gets to Europe in order to make the very high end and refined furniture. As seen in the closeup pictures the signs of the centuries are apparent but minor considering such a large piece of furniture, such as cracks chips losses corner large stone top etc. But overall outstanding condition. You are welcome to send your expert to examine in person. The unique period of early 1800’s of King Charles X is easily recognized by its fine marquetry of light lemon wood The decoration forms motifs of very fine foliage, windings, nets of fretwork frames, rosettes and stylized palmettes. Goddesses putties and multiple tableaux all around this desk table. Topped with an even more beautiful Carved Stone ONYX Translucent light honey Gold and Green hue. During King Charles X Light colored woods, yellow or bleached, such as lemon tree, maple, sycamore, orange tree, plane wood...

Beautiful and elegant small center table with curved legs and scalloped top in the Louis XV style forming a writing and working table thanks to a sliding top system revealing a drop-...

A large amboyna, stained glass, marble, and ormolu mounted centre table French, 19th Century Height 73cm, width 170cm, depth 140cm This unique and vibrant piece, replete with a radi...

A centre table attributed to Holland and Sons related to a table in Clarence House, this exceptional table has a circular top decorated with six radiating amboyna veneers with a border of concentric marquetry rings. The decoration comprising kingwood bands within boxwood stringing, a continuous boxwood laurel wreath with ivory berries on a satinwood ground and further amboyna borders. The frieze has amboyna crossbanding and applied ormolu sunburst medallions. The support is composed of purpleheart columns inlaid with kingwood, terminating in low splayed feet, which encircle a classical urn on a plinth. The superb ormolu mounts include acanthus leaves, classical masks and patera. English, circa 1860. A table with a similar base and particularly fine ormolu mounts was exhibited by Holland and Sons in the International Exhibition in 1862 and illustrated as plate 40 in J. B. Waring’s book (see pages 100-103 for further references to this exhibition). A further closely related piece was in the collection of the late Queen Elizabeth the Queen Mother and is shown in the Morning Room in Clarence House in the Daily Mail’s article ‘Inside the private world of Prince Charles’, November 2018. Originally founded by Stephen Taprell and William Holland...

A very rare unusual table with a double u base produced by Jean Fauré in Toulouse France in the 1930’s, smothered in tight burr golden Amboyna and is of exc...

Exquisite High Quality Gilt and Patinated Bronze-Mounted Louis XVI Style Amboyna Center Table after The Fontainbleau model. Signed F. Linke Maker: François Linke (1855-1946) Date: Circa early 20th century Origin: French Dimension: 31 in. x 38 1/2 in. The circular top set within a palmette-cast surround, on four supports headed by winged caryatids and terminating in paw feet. The original model for this table is attributed to Weisweiler and Thomire and was delivered by Rocheux to the Palace of Fontainebleau in 1810 (see J. P. Samoyault, Meubles entrés sous le Premier Empire...

An extraordinary fine English victorian marquetry Sycamore, Amboyna, burr-walnut and ormolu-mounted circular tulipwood crossbanding tip-top center table with inlaid decorations depicting wicker baskets full of flowers, vines, butterflies and hummingbirds, in the manner and attributed to Edward Holmes Baldock (1777-1845) after a design by Richard Bridgens, circa London, 1840. Measures: Height: 29 1/4 inches (74.3 cm). Diameter: 53 1/2 inches (135.9 cm). Edward Holmes Baldock (1777-1845) is listed in London Trade Directories of the period in various capacities. He first appears listed at 7 Hanway Street, London in 1805 described as a 'dealer in China and glass' and by 1821 as ' an antique furniture and ornamental furniture dealer'. By 1826 the various facets of the business included 'buying and selling, exchanging and valuing China, cabinets, screens, bronzes etc' Baldock's business seems to have largely involved trading in foreign items and from 1832-1837 he was the purveyor of earthenware and glass to William IV and later purveyor of china to Queen Victoria from 1838 until his death. He is known to have repaired, re-modelled and adapted furniture...

The circular top veneered in extremely well figured amboyna having a cross banded outer border. The top supported on a octagonal column, similarly veneered in amboyna, resting on a t...

A fine early Victorian amboyna centre table by Taprell and Holland & Sons, the circular top set on a gadrooned baluster support terminating in pet...

A rare and very elegant early 19th century Empire Gueridon, stamped seven times by the Belgium cabinetmaker Jean-Joseph Chapuis (1765-1864). Very Fine and decorative amboyna veneer, ...

Late Regency Amboyna centre table, attributed to the workshop of Edward Holmes Baldock. The circular top with a shaped apron set upon a solid trif...

This rare and important circa 1830 French Charles X center table in Amboyna and amaranth wood with a circular white marble top above a flared triangular base on caster with gilt-wood...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

A very good quality 19th century Amboyna center table, with Wedgwood porcelain plaques depicting classical scenes, having parcel gilt decoration and ormolu mounts and raised on a fou...

An early Victorian amboyna, burr walnut, ebonized, harewood and purplewood centre table possibly by Holland & Sons inlaid with fruitwood stringing, the circular tilt-top with harewoo...

A magnificent library centre table of exhibition quality of the George IVth period, in the Manner of Morel & Seddon. Constructed in amboyna, with holly and specimen woods used in t...

A very fine George IV amboyna burl and giltwood center table attributed to T. & G. Seddon (formerly Morel and Seddon), circa 1835 The circular tilt-...

A very fine French early 20th century Empire style ormolu and figural patinated bronze-mounted amboyna and veined Verde d'Alps marble top "Gueridon" attributed to François Linke (185...

A highly important and rare royal table made by Morel & Seddon for the Windsor Castle Commission, commanded by George IV Constructed in Amboyna, with ormolu gilt bronze mounts, hav...

A Library Centre Table in the Louis XVI Manner Constructed in amboyna, with purpleheart banding with gilt bronze mounts; of elliptical form, with gently everted angles; rising from ...