Pair of French Blue and White Ceramic Hunting Scene Tiles, 19th Century

Possibly inspired by a 1771 painting by Jacques-Louis David, this set of large brass chargers depict the Roman deities, Mars and Minerva. The painting by David (Minerva Fighting Mars...

Using the ancient metalworking technique known as repousse, this copper bas relief plaque of a young nobleman was hand-chiseled by a French artist in...

In the style of 17th and 18th century Delftware, this pair of large polychrome faience wall plaques are from Holland, a region of the Netherlands. Hand-painted faience from Holland, such as this pair from the 1800’s, were typically painted in the traditional cobalt blue and white, however our plaques have vibrant colors that enhance two distinct scenes. Both plaques feature a roughly ovate shape molding and sinuous cutouts, typically seen in Dutch faience after the 17th century. These contoured edges have been painted with a nondescript motif consisting of quick brush strokes using blue paint. The plaque on the left in our main photo depicts Jesus washing the feet of his disciples. Most of the followers are clad in blue, green, or gold robes...

Crafted in France in the 1800s, this high quality gilt bronze wall clock has elements in the style of Louis XVI. The white clock face with blue numbers re...

Carvings with a military, musical, hunting, or agricultural theme, known as trophies, became popular during the period of Louis XVI. This pair of large trophy panels have Neoclassica...

This cast iron charger from Germany was hand-worked in the 1800s. The low-relief image, in this case, a Bacchanalian scene, is full of hundreds of small decorative and figurative details. The main body of the charger is recessed below the outer rim, which is adorned with a ring of foliage motif encircling fleur de lys and scrolls. A raised ridge separates the two repeating motifs, with eight mascaron and scrolled medallions interrupting the interior circle. In the center of the charger is a Neoclassical medallion surrounded by Vitruvian scrolls filled with beading. Based on the lively scene of revelry that surrounds the medallion, it is quite possible that the figure depicted in the medallion is Ariadne, the wife of Dionysus (or as the Romans called him “Bacchus”), the Greek god of wine and merriment. It is most likely an interpretation of when Dionysus found her abandoned on the island of Naxos. Numerous figures dancing and partaking in food and drink can be seen along the outside of the medallion, including mythological beings such as putti, satyrs, and nymphs, set amongst flora dotted with overturned drinking vessels. A small bracket is affixed to the verso side, allowing the cast iron German charger...

We present you a prewar marine illustration on ceramic tiles. All is hand painted, signed, and closed in an oak frame.

Delightful pair of concave enameled tin plates with hunting scenes in frames of hand-wrought iron embossed with masks, mythological figures and fruit...

19th century Spanish pair of "cuerda seca" dry rope technique colored glazed ceramic tiles in a frame.

Oil on canvas. Signed lower right, Hermann Emil Pohle. The painting is a genre piece. A Renaissance style hunting scene. The hunting horn is blown before...

Antique late 19th century French ceramic plate with Claude Charles Rudhart landscape scene.

Beautiful companion pair of 19th century copper engravings with Italian Roman scenes. Interesting scenes with amazing details make these very fine accessories!