19th Century French Nature Morte Aux Oiseaux Oil Painting in Giltwood Frame

Nature morte (French for “still life”) paintings first became popular in the Netherlands in the 16th century. Assemblies of flowers, fruit, and dead game were the main subject matters, and hundreds of artists from Western Europe would eventually participate in the genre. French artists such as Jean-Baptiste Oudry painted some exquisite scenes, depictions of hunt motifs including game and dogs. These subjects remained highly popular and were used in hunt lodges throughout France. The pair of paintings seen here are very well done 19th century examples of such hunt scenes, each one measuring over 57 inches wide. Both of our paintings depict hunting trophies displayed on an outdoor veranda. The balcony is elaborately styled with cavetto molding, volute scrolls, and a shaped cartouche beneath a bulbous gadrooned finial. Both paintings contain half of the cartouche and most of the finial, as if they were a continuous panoramic scene, complete with a blue sky and large trees in the background The left painting features three felled birds piled on top of a deer carcass, with fruit scattered around them. Beneath the trophies is a coiled horn with a red tassel tied to it. A similar scene can be found on the right painting, with three birds displayed on the edge of the balcony. The birds lie on top of a pale green fabric with tassels that has been loosely folded. Under the textile is a hunting rifle and another horn. A garland of fruit is draped across the rifle’s stock, rising onto the balcony. A beige fabric matte board and molded giltwood frame surround this pair of 19th century nature morte hunt trophy...

This French winter landscape painting from the 1800’s sits securely in the original giltwood frame. The hand-carved frame has several long ribbons, with sinuous fabric curls encompassing a repeating border of two distinct flowers. A slender cavetto molding can be seen inside of the carvings, with a repeating scalloped leaf motif that immediately borders the canvas. The French School painting depicts an overcast winter day with a small patch of blue sky in the middle of gray clouds above snowcapped mountains. Most likely the French Alps, there are a few evergreen trees...

Our captivating and large oil painting in a giltwood frame (49.5 inches) is a snapshot of life in France during the 1800s. The artist (St Aubin, signed in the...

Signed in the lower right corner (by Belgian artist “J. L. Van Leemputten”), this antique pastoral sheep painting is from the late 1800s. The peaceful...

Signed by the artist in the lower left corner (“Lecler”), this oil on canvas painting is entitled In the Sheepfold. A typical day in the life of a farmer dressed in blue with a gold hat, the agriculteur can be seen tending to a hay feeder. Behind the man is a flock of 15 sheep, mostly depicted with tan wool and white faces and ears, with the exception of a small all-white lamb. Some of the livestock is grazing from the feeders, while four of them (including the lamb) are gathered near a large water trough. A pair of chickens can be spotted amongst the herd, including a brown rooster...

A beautiful oil on canvas rendering of a stag hunt, presented in a fluted giltwood frame with a bundled husk border and large, parted leaves in the corners. The painting is signed in the lower right corner by the artist, “H. de Forges”, a member of the Barbizon French school of the late 1800s, who specialized in animal hunt scenes. The vibrancy of de Forges’ painting has not diminished over time; the colors seem to pop right off the canvas. A blue sky with some low-lying white clouds hangs above trees mainly bereft of leaves, indicating it is late autumn. Slender grass, ranging from green to brown, surrounds a watering hole in the middle of a clearing, with a single stag near the water’s edge. Eight white hunting dogs with black and tan markings surround the deer on one side of the pond. Behind the pack is a brown horse ridden by a huntsman dressed in red and black, preparing to sound the hunting horn. Two more riders in red, black, and white, also on brown horses, are emerging from a small hill behind the deer. Hunting, always a very important pastime in France, became one of the more popular genres in 19th century art, along with with quality pastoral and landscape paintings. Realism was a defining feature of the Barbizon School, as artists were attracted to spending more time living and painting in the natural world. Our hunt scene depicts the surrounding of prey, or pre-hunt revelry. The beautifully colored oil on canvas stag hunt painting...

A very charming French early 20th century Nature Morte - Still Life. Oil on canvas, a wonderful grouping of a bust, flowers and books. Wonderful craq...

Crafted in France circa 1870, and set in the original carved giltwood frame, the art work depicts an outdoor scene with a man in front of his house with his children and his dog. The...

This antique portrait painting titled "L'Eveque a la Lecture" (the bishop reading), was created in France, circa 1890. The rectangular artwork is set inside a carved giltwood frame a...

A French framed oil on panel still-life painting from the late 19th century depicting pansies, in giltwood frame. Created in France during the later years of the 19th century, this o...

depicting a farmer tending to two cows pulling a plow Please go to www.robuck.co to see our complete inventory.

A French giltwood framed oil on canvas still-life painting from the 19th century depicting a bowl of fruits. Born in France during the 19th century, this horizontal oil on canvas still-life painting depicts a delicate arrangement of mouth-watering fruits standing out beautifully on a brown-toned neutral background. Our eye is immediately drawn to the yellow and red grapes displayed...