Gemälde „Kurze Rast“, Öl/Malplatte, signiert unten rechts: E. Bachrach-Baree

Gemälde „Stillleben“ mit Geflügel und Fisch, Öl/Leinwand, dubliert, unten links signiert und datiert: E. L. 1842 20 x 24,5 cm + Rahmung Zuschreibung: Sir Edwin Henry Landseer, Lond...

Gemälde „Familie beim Abendessen“, Öl/Leinwand H 39 x B 53 cm + Rahmung rechts unten signiert: J.F.Sterre de Jong Jac. Fred. Sterre de Jong, 1866 - 1920 Laren/Niederlande

Spectacular Wall bracket for a candle made of bronze and brass is from the Flemish Region in Belgium, Europe. Dating back to the 18th century. The Motive is Louis XiV. A fant...

Woodcut Albrecht Dürer "Mary's Temple Walk": Strong expression in depth and color, good state of preservation. Spectacular piece of art. Wood cut on p...

Paar Bronzen „Gärtnerin und Wasserträgerin“, Bronze patiniert, auf Marmorsockel montiert, signiert: V. Seifert H 24 cm; Viktor Seifert, Bildhauer, Wien 1870 - Berlin 1953

Deckelgefäß, Silber 800, verziert, 2 seitliche Handhaben, 19. Jh. H 19 cm, Durchmesser 11 cm + Henkel

Gemälde AKT von Peter Patzak, entstanden wohl um 1980/-90. Mischtechnik auf Leinwand, auf Keilrahmen gezogen, links unten um 90° gedreht collagierter Druck eines Frauengesichts aufge...

Öl auf Leinwand, um 1850, unrestauriert, in der Leinwand eine Beschädigung links oben in den Wolken, diese rückseitig mit Leinwand überklebt und unsachgemäß restauriert. Unten recht...

Objekt: Gemälde Entwurf: Laura Schoditsch, Wien um 2020 Modell-Nummer/Titel: "Portrait mit Turban" Ausführung: Laura Schoditsch, Wien um 2020 Technik: Acryl auf Leinwand Maße in cm (...

Original stone lithograph created 1944 by well-known Regionalist Thomas Hart Benton. The print is in excellent condition with full margins and pencil signed lower right. Also signed in the stone. It is matted in a 4-ply archival mat and rests in a simple black frame. Image size: 10 ½ x 15. Frame size: 18 x 23. Published by AAA. Ed: 250. Thomas Hart Benton found inspiration for his art in the ebb and flow of daily life in rural and small-town America. Wreck of the Ol’ 97, one of his best-known prints, is based on a ballad of the same title that tells the story of a rail disaster. A speeding locomotive attempting to make up lost time jumped the tracks as it descended a Virginia mountain...

A Massive painting After Peter Paul Rubens (Flemish, 1577-1640). "The Rape of the Daughters of Leucippus" - 19th century, Continental school oil on canvas painting, signed initials E...

Raimundo De Madrazo Y Garreta (Spanish School, 1841-1920) an exceptional and palatial oil on canvas "Portrait of Isabelle McCreery” depicting an elegant woman gracefully exiting a litter (Sedan Chair), situated within a lovely fairytale setting of a fantastical vista dominated by verdant and blue-green hues, a pair of swans and a lily pad frame the scene in the foreground, within it's original impressive and ornate French 19th Century Rococo Style gildwood carved and gesso frame. Signed and dated ‘R. Madrazo, 1880' (lower left). At the bottom center of the impressive frame there is a gilded, wooden cartouch bearing in italicized script “Portrait of Isabelle McCreery.” This is original to the frame. Sometime after the death of the artist, possibly at the time the painting was given to the Fine Arts Museums of San Francisco, the painter’s name was added in block letters. Provenance: The Fine Arts Museums of San Francisco (Donated by Mrs. Richard McCreery in 1950). M.H. de Young Memorial Fine Arts Museum, Golden Gate Park, San Francisco. Christie's New York, 31 December 1969, Sale Property of the Fine Arts Museums of San Francisco, Sold for the Benefit of Museum Acquisitions Funds. Lot 80A for $20,700 Canvas Height: 104 ¾ inches (266.1 cm). Camvas Width: 68 ½ inches (174 cm). Frame Height: 132 inches (335.3 cm). Frame Width: 87 ½ inches (222.3 cm). The work of Raimundo de Madrazo, an artist who lived in Paris the greater part of his life, is among the most representative and influential of the ‘school’ of Spanish painters resident in Paris during the nineteenth century.” (Carlos González and Montse Martí, Spanish Painters in Paris 1850-1900, London, 1989, p. 53). The wonderful imagination and artistic genius of Madrazo y Garreta established his fine reputation, and created an international demand for his exquisite portraiture. This particular work features an elegant woman who gracefully exits a litter, situated within a lovely fairytale setting of a fantastical vista dominated by verdant and blue-green hues. Isabelle McCreery was a member of the noted Gold Rush pioneer McCreery family of Irish background who settled in San Francisco in the mid nineteenth century. She later lived in Burlingame, an early San Francisco...