Antique Engraving of the Story of Jephthah’s Daughter, 1728

This exceptional antique map, titled "Nouvelle Carte Marine de Toute les Cotes de l´Amerique" and alternatively known as "Nieuwe groote en seer Curieuse Paskaart van Geheel-WestIndie...

Antique religion print titled 'Joseph tempted to whoredom'. Joseph Tempted to Whoredom, as in Genesis 39:7: "And it came to pass after these things, that his master's wife cast her eyes upon Joseph; and she said, Lie with me." This print originates from 'Figures de la Bible'. Artists and Engravers: Published by P. de Hondt. Illustrated by Gerard Hoet...

Antique religion print titled 'Susanna resisteth the temptation of the two Judges'. She said to her maids, "Bring me oil and ointments, and shut the garden doors so that I may bathe." When the maids had gone out, the two elders rose and ran to her, and said: "Look, the garden doors are shut, no one sees us, and we are in love with you; so give your consent, and lie with us. If you refuse, we will testify against you that a young man was with you, and this was why you sent your maids away." Susanna sighed deeply, and said, "I am hemmed in on every side. For if I do this thing, it is death for me; and if I do not, I shall not escape your hands. I choose not to do it and to fall into your hands, rather than to sin in the sight of the Lord." This print originates from 'Figures de la Bible'. Artists and Engravers: Published by P. de Hondt. Illustrated by Gerard Hoet...

Two religious images on one sheet. The upper images depicts the confession and the lower image depicts the anointing of the sick. This print originates from 'Ceremonies et costumes R...

Antique print, titled: 'The Man of God slain by a Lion for his disobedience (…)' - Original antique print showing the prophet killed by a lion...

Antique print titled 'Le Baptême de Rhinsbourg'. This print depicts the baptism of Christians in Katwijk-Rijnsburg in The Netherlands. Source unknown, to be determined. Artists an...

A very large giltwood framed K.P.M. porcelain plaque of Jephthah's daughter German, late 19th century Frame: height 97cm, width 84cm, depth 8cm Plaque: height 65cm, width 52cm ...

Set of 3 Architectural ornament engravings from the folio by James Gibbs. Published by Bowyer, London, 1728. Unframed, age toning, edge wear, small edge loss.

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

This is the 1889 William H. Overend (1851-1898) and Lionel Smythe (1839-1918) first edition, photogravure of the Calcutta Cup – a Rugby match between Scotland and England, that has been played over 100 times, the first match...

After Vander Smissen 'Mrs Sarah Porter, Queen of the Touters at Tunbridge Wells', a mezzotint, engraved by William Pether circa 1770, glazed in ebonised, ...