Empire Multi-Strand Necklaces

An early Victorian peridot and gold parure in the Knight pattern, the necklace consisting of three plaques each set with five cushion shape faceted p...

A George III garnet-set demi-parure, the necklace consisting of four garnet-set foliate clusters linked with articulated garnet-set trefoil-links, 17.5 inches long, the bracelet consisting of seventeen articulated garnet-set trefoil-links 7 inches long, all garnets cut-down set to yellow gold closed-back mount, circa 1800, gross weight 53.0 grams. A charming and detailed Georgian suite...

This is a stunning Turquoise and Keshi Pearl triple strand Necklace in 14 Karat Yellow Gold. The natural mined Turquoise are pear shaped and round with wonderful Sleeping Beauty col...

A lovely 14k gold link choker from the Victorian era, fitted with a period gold-filled cylindrical clasp. 19th century 16 1/2 ( cm) long; the links 1/8 in. ( cm) wide.

Gorgeous 5-strand pearl necklace with an exquisite large sized carved angel skin coral 18 karat gold clasp. Can be worn with the clasp in the back, although the beautiful clasp is me...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). PS: THIS POLICY IS NOT APPLICABLE ...

Garnets were popular in the 19th c and maybe they will be sometime in the future.. But today not. That is why a piece like this can be bought at such a low price. The craftsmanship ...

Before 1947 when the brand mark was added and while couture-style adjustable-hook necklaces were in demand in post-war America, Miriam Haskell's first designer Frank Hess created thi...

Cut steel jewelry was at the height of fashion from the mid 1700s well into the 19th century. Originated in the 1700s. Popular from the Georgian through the Victorian eras. To make cut steel, melted horseshoe nails were formed into tiny faceted beads. Those small steel gemstone-like studs were then riveted one-by-one onto a base plate. It was an English invention that quickly travelled throughout the world. Each stud could have up to 15 facets, and in general the finer and older the piece the more facets the studs will have. Improvements in candles meant that grand events and entertaining could take place at night. As diamonds are diamonds and not available for everyone, and everyone wanted to shine, the popularity grew. Cut-steel provided a stylish and popular new jewelry material that could be enjoyed by everyone at all levels of society. It grew beyond a simple imitation to an art in its own right. The manufacturing was complex and the workmanship that was required highly skilled. These were not mass produced objects. The studs were made from decarbonated cast steel, which was case-hardened, then the studs were faceted by cutting against a pewter wheel. Next were then polished with first fine emery and a hard brush, and then by hand with a special putty. Finally they were riveted onto pierced base plates which had to be drilled and cut by hand, too. The main place of cut steel production was Birmingham, England. And there, one manufacturer stood out from all the rest: Matthew Boulton. He had been born in 1728 into the industry — his father manufactured small metal products. But the younger Boulton had a special talent for marrying the latest technology with the latest fashion. He also was continually expanding — he even founded a mint. He wined and dined with dignitaries and advocated for his steel products. Fortuitously, he became quite close with the Russian ambassador to Catherine the Great. When the ambassador toured the mint, Boulton made sure to send the Empress some of his cut-steel necklaces. In 1759, Louis XV “encouraged” the nobility to donate their gold and gemstone jewelry to help fund the Seven Years War. The popularity of cut steel in France may in part have been due to these sumptuary laws which limited who could wear precious metals and diamonds. Either you complied with the law and gave up your family jewels to be melted down for the war chest...

The oval cut mosaic plaque depicting a flower bouquet, on black ground within reeded bordered setting. Mounted in yellow gold Lenght: 4cm.

Magnificent color of coral set by Van Cleef & Arpels. Comprising of a necklace designed as a continuous row of fluted oval cabochon coral, with diamond-set abstract connecting links,...

This exquisite Spectra Fine Jewelry Colombian Emerald Demi Parure Suite, made in the Contemporary era, circa 2010s, is comprised of two related yet distinctive piece, featuring a bib...